The Runaway Bus

One of the foundation stones of conventional movie wisdom is that only seven possible story scenarios are suitable for a mass audience. Recently, screenwriter Blake Snyder has expanded this concept to ten: Monster in the House, Dude with a Problem, Fool Triumphant, Superhero, Buddy Love, Out of a Bottle, Institution, Golden Fleece, Rights-of-Passage, and Whydunit.

You'd think that Mr Snyder had taken The Runaway Bus as his model, for Val Guest was inspired to use all but one of the above basics in constructing his heavily-laced plot: Monster in the House? Yes, we do have a major variation on a haunted house sequence. Dude with a Problem? Yes, a big problem. He's lost his way in the fog with a bus-load of eccentric passengers. Fool Triumphant? I'll say! Superhero? No, I'm glad to declare, but it's the only one we miss out on. Buddy Love? Yes, there's a girl on the bus. Two girls to be precise: perky, petite-as-a-picture Petula Clark and emptyheaded-but-wow-of-a-figure Belinda Lee! Out of a Bottle? Not quite the sort of addiction that Snyder implies, but cranky-as-a-hoot-owl Margaret Rutherford certainly gives that impression. Institution? Definitely! The characters find themselves in a "prison", and even the airport itself is virtually cut off and isolated. Golden Fleece? A major strand of the plot. Rights-of-Passage? That's also what it's all about. And Whydunit is actually a Whodunit here and this is the number one element of Guest's scenario. In fact, comedy really takes a second place to the mystery.

For what is to all intents and purposes his movie debut, Frankie Howard seems most fortunate to have gained a big assist from writer/producer/director Val Guest who has surrounded him with a fine cast and great production values. Oddly, although the movie won critical praise, it did only moderately well at the British box office. For once, the critics were right, and picturegoers wrong. Howard's comic gifts are considerable and he comes across as a comedian with a genuinely original and amusing style.

Producer Guest was taking no chances, however. In addition to Frankie, he has cast Margaret Rutherford at her eccentric best, Petula Clark (no, fans, she doesn't sing in The Runaway Bus, but you can't have everything), Belinda Lee (inclined to over-enthusiastically over-act in this, her first feature film, but who's complaining?), Toke Townley (a first-class character actor who spent most of his career playing bit parts), and perennial Hollywood heavy, George Coulouris. Although he doesn't share a single scene with his wife, Margaret Rutherford's real-life husband, Stringer Davis, has a small role as an airport official and one of the funniest lines. Explaining that the emergency bus can only be used in an emergency, he's told that at the reception desk an old lady is haranguing the staff with an umbrella. I love his laconic reply: "That's an emergency!"

Producer/writer/director Guest has also hedged his bets with the screenplay itself by making the mystery and thriller angles of the story as intriguing and suspenseful as other episodes are chucklesome and amusing. The identity of the mystery "Banker" is cleverly disguised, whilst superbly film noirish photography and grand-scale art direction (that must have strained Southall's comparatively small studio space to the limit) contribute splendidly to the spooky atmosphere.

There's one thing that will keep this mid-20th century comedy from ever being outdated - London's fog. The Heathrow haze in this film is thicker than pea soup, and will be familiar to all Londoners, most Brits and many tourists who have traveled to or through London. Indeed, the fog itself has a major role in "The Runaway Bus."

This British comedy-caper is a delightful film to watch, with the fog helping to compound the suspense. It's not a laugh-a-minute script, but just a very good mix of dialog, antics and filming. The mystery is too good to give any hints that might dampen the delightful surprise ending. The caper culprit had me stumped all the way.

The cast is perfect for this film. There are only a couple of big names that would be known around the cinematic globe in the mid-20th century - Petula Clark and Margaret Rutherford. The rest of the cast would have been unknown to all but the English audiences of the day. But Frankie Howard as Percy Lamb, George Coulouris as Edward Schroeder, Terence Alexander as Peter Jones and all the rest give top notch performances.

Petula Clark provides a sense of order as a stewardess charged with getting some airline passengers to another airport. Her Lee Nicholls is a contrast with the hapless Percy Lamb who is the emergency relief bus driver. Rutherford's Miss Cynthia Beeston is a familiar cantankerous dowager role.

The title of this film is odd, because the bus is never driven wildly or out of control, as the term "runaway" implies. It would be more accurate to call it a lost bus. Movie buffs who like older movies, British films, and comedy capers should enjoy this film.

Here are a couple of favorite lines.

Percy Lamb, "This would have to happen now, just when I wanted a day off. My grandmother, poor old soul." Duty Officer, "Is she dead?" Percy Lamb, "No, she's home on leave."

Lee Nichols, "I'm sure we all feel safer knowing we're who we say we are."

I taped this probably about 15 years or so ago, and I enjoyed it very much then. A young Frankie Howerd is hilarious, as is the interplay between Margaret Rutherford and Toke Townley. The young female airhead who keeps saying stupid things gets a bit annoying very quickly, but that's the only drawback. I must confess I have never recognized Petula Clark as the stewardess - she's a relatively good actress whatever else she is. And its so nostalgic that it all takes place in a fog...it's been so long that I've been in England that I miss it! It's an enjoyable film and I recommend it to anyone who likes mystery stories or British comedy.

England, post war, rebuilding. It must be the brit sense of humor, calling it a runaway bus, when it spends most of the movie either traveling at one mile per hour, and just sitting on the side of the road. Similar to Quick Change, where they can't make it out of the city. Everyone fulfills their stereotype.. the pilots are hitting on the ladies, the poor, overworked bus driver (Frank Howerd) never stops grumbling and complaining. And pushy, old Miss Beeston (Ruthorford) tries to boss her way around the whole film. If you have watched her play the same personality type as Miss Marple, you'll see the humor, and why they cast her. The customer service rep has figured something out, since the driver's name doesn't match up... but what's really going on? And where did the stolen gold end up? It all has a fun sense of adventure about it, with the scary fog. Then throw in trip-wire bombs that keep going off. Written and directed by Val Guest. Won a BAFTA in 1961. Wrote many projects, directed many projects. Good one!

If you love the old British comedies of the post-war years, such as those starring Peter Sellers and Alec Guiness, then this movie is right up your alley. Runaway Bus contains all the trademarks of great English comedy: eccentric British characters, fast and witty dialogue, and, what I think makes them really funny, the British habit of saying things in a much more sophisticated and complicated way than us slangy Americans ever would. All enjoyable and innately funny.

Anyway, there are no obvious stars in this film, like those gentlemen mentioned above. This was my first exposure to British star Frankie Howerd (even his name is spelled funny), and once I got used to his never-ending parade of facial contortions, I found him quite amusing. Margaret Rutherford is the only actor (-tress) I recognized, and she played her quirky strong-willed role as wonderfully as ever.

The pacing of the film is quick, but what I think really makes this movie above par is that you are never sure about who are the good guys and who are the bad guys. You will definitely change your mind multiple times, and the script does a wonderful job of leading you down one path only to change direction a few moments later. You think you know who did it, but then you are sure you are wrong. The surprises and one-liners come fast and furious all the way to the final line.

This is a fun film full of classic British motifs. If this is your thing, I highly recommend it.