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There was a time that if you mentioned the Civil War in motion pictures, you could name four or five titles: BIRTH OF A NATION, ABRAHAM LINCOLN (both by D.W.Griffith), SO RED THE ROSE, THE GENERAL, and GONE WITH THE WIND. There were other films (THE PRISONER OF SHARK ISLAND about the assassination of Lincoln and Dr. Mudd's martyrdom). But no films touched upon the major battles as such - until the 1950s. In 1951 John Huston filmed THE RED BADGE OF COURAGE. The Stephen Crane novel is fiction, but the battle it chronicles (according to Crane) was Chancelorsville (May 1863). The next time an actual battle was filmed would be the "Shiloh" segment in John Ford's HOW THE WEST WAS WON. Ford (who also had done THE PRISONER OF SHARK ISLAND) did THE HORSE SOLDIERS, based on the raid by Col.Benjamin Grierson into Mississippi in 1863, during the Vicksburg Campaign. Aside from a reference to it in THEY DIED WITH THEIR BOOTS ON (where Errol Flynn, as George Custer, led a charge of some importance), Gettysburg did not become a film until the 1990s, when Ted Turner made a pretty accurate film of that battle from the novel THE KILLER ANGELS.

The only film, aside from these, dealing with a land battle of sorts in the Civil War that dates from the 1950s is THE RAID, with Van Heflin, Richard Boone, Anne Bancroft, and Lee Marvin. Curiously enough it is also the only American film dealing with the savage turn in Confederate strategy that appeared in 1864. That year a raid had occurred on Richmond, led by Col. Ulrich Dahlgren, a Northern soldier (his father was an important Admiral). Dahlgren was killed, and the Southern leaders claimed papers found on him actually showed that Jefferson Davis and his cabinet were to be murdered by the raiders. Lincoln and the Northern authorities denied this (the controversy about the "Dahlgren" Papers lingers to this day). But Confederate strategy began to formulate fifth-column activities, such as sending infected clothing to northern cities to start epidemics, setting fire to New York City (in November 1864), seizing a warship on the Great Lakes, destroying Northern railroads, planning an insurrection in the Midwest with Copperhead leaders, and attacking towns in New England and the Midwest from Canada. The raid on St. Albans in October 1864 was one of the few planned activities that came off without any real hitches, and surprised the North disagreeably.

The raiders were centered in Montreal and Toronto, and crossed the border into Vermont where they attacked and robbed the banks in St. Albans. One civilian was killed, but the raiders managed to cross the boarder back into Canada safely. However, the Canadian authorities (under pressure and threats from the U.S. government) kept the Confederates under close confinement for months. No further raids could be attempted.

THE RAID fictionalizes well this story, giving it's leader (Heflin) a conflict between his attachment to Bancroft and her son (and his friendship with the citizens of the little town) and his duty to his Confederate government and comrades. In the end he follows his duty, and his last look back at the burning town, as he reaches the boarder, is the realization that he can never hope to see what he has given up again. Besides Heflin's fine performance, Richard Boone (currently gaining his television fame as Paladin on HAVE GUN, WILL TRAVEL) is excellent as a Northern veteran with one arm, who is pitied and somewhat despised by his neighbors and Bancroft. He turns out to be the only one in town to return fire on the Confederates, and gains back the respect that his crippling injuries had briefly lost for him. In all, it is a worthy little film, and shows how a curious little anecdote can sometimes blossom into a decent movie.

Despite its Technicolor processing, this film retains a dark, almost sinister atmosphere, as the tension mounts. Much of the center of the film is simply spent waiting, as Van Heflin, the leader of this small band of Confederate soldiers, tries to keep their secret, keep the group together with its morale intact, and becomes more deeply involved with his boarding housekeeper, Anne Bancroft. Great character acting by many sustains this picture, notably Lee Marvin as the hotheaded rebel officer and Richard Boone as a discharged one-armed veteran Union soldier. Also notable is Robert Easton as a young confederate (Easton went on to become one of Hollywood's most successful and remarkable dialect coaches). Although there is a fine bit of military action near the conclusion of "The Raid," this is mostly a film about character and the stress of relationships. A fine effort.

See it – I'm always a sucker for a good Civil War movie. If you are anything like me, you're always on the lookout for another film with a fresh depiction of that fascinating, yet tragic period in United States history. I like this one because it tells the story from the Confederate perspective. Van Heflin, Lee Marvin, and Richard Boone star in this exciting and relatively unknown film about a band of Confederate Rebels who escape from a Union prison camp. They escape to Canada, and start planning "The Raid" on a Northern Yankee town. Of course this movie is very "old-fashioned," but I guess that's why I like it. 3 action rating

It is sort of sad that Van Heflin did not get his due as a western actor, especially during the 1950s...most people think of Burt Lancaster, Audie Murphy, Fred McMurray, James Stewart, maybe Gary Cooper too...but Heflin made two total classics in the 50s, "Shane" with Allen Ladd, and "3:10 to Yuma" with Glenn Ford another noted 50s western star...also he was a iron clad major in "They Came to Cordura" in 59....in "The Raid" he is a rebel officer with a dual role, as he contrives with a band of rebel soldiers to overtake a small Vermont town toward the end of the civil war...further raids into unprotected towns by the rebels were planned to loot money and goods to be diverted into funds to buy war goods from foreign countries....Some very solid actors, very early in their careers make this a top notch wester, Lee Marvin, Peter Graves, James ("Roscoe") Best, Ann Bancroft, and a young Richard Boone, the man with the craggy face and disposition he made a career of....also a young Tommy Rettig, who went on to star in the "Lassie" TV series of the 1950s stars.... This is a top notch western and a true story to boot. Historical news reports from historians verify the raid on Vermont as a true civil war story. Lee Marvin in a good role as a renegade rebel solider who makes more trouble for Heflin that he bargained for as he gets drunk and threatens to blow up the whole "raid".....lots of plots and subplots....surreal part of this film is the rebel soldiers who were riding around with nitro glycerin in their pants and coats used to start fires in the town...everyone knows nitro is highly explosive to vibrations, whew!!! This is a very enjoyable civil war tale with top notch actors. Remember seeing this movie as a kid in 1954, but TV version of this film left me scratching my head as I remember Tommy Rettig coming into Heflin's room and seeing his rebel uniform in a chest, not on Heflin as he wore it in a hotel room.....did I miss something from seeing this film in a theatre as opposed to on TV...hard to figure. A good, solid 1950s western to see.

A good film that moves along at a pleasing rate, helped by a good cast, including a young Lee Marvin, an equally-young Richard Boone before his face became lined (but he still plays a troubled person) and the distinctive John Dierkes (the "Gaunt Man" in "The Red Badge of Courage").

This film pairs with another, "The Siege at Red River". Both feature a Southern officer working undercover in Northern territory, both feature Boone, and both stars have the first name Van. But compared with Johnson in TSARR, Heflin's conscience is only slightly troubled by the consequences of his actions; indeed a web search for "St Albans 1864" suggests that "The Raid" greatly magnifies the arson Heflin's men cause with "Greek Fire" - apparently only one shed was actually burnt down. (This contrasts with the way the film "Quantrill's Raiders" greatly underplays the notorious attack on Lawrence.) Also, it would seem, in fact the raiders dropped a lot of the money from the banks.

My only slight criticism was that already voiced by other commentators - the smartness of the Confederate uniforms. On the plus side, the film avoids instant romance between Heflin and Bancroft (though they're obviously attracted to each other) and there's no mawkish bonding between the former and Bancroft's son.

Not that well-known a film, but well worth watching.