Terra Ensanguentada

This well-produced and often-moving J. Arthur Rank production stars Gregory Peck as a Canadian flyer serving with the British in Burma, suicidally reckless after his wife's death in the Blitz, who finds new reason for living after meeting a beautiful Burmese girl. Then, however, his plane crashes in the wilderness behind Japanese lines and he has to find a way to get back home with his injured crewman and complaining passenger. It's beautifully shot, well-acted, and a powerful story of hope vs. Despair. Apparently, a popular hit in Britain, it doesn't seem to have made much of a mark in the U. S. but deserves to be much better known.

In The Purple Plain Gregory Peck became the latest in a long list of American stars playing Canadians in order to appear natural in a British production. At least Peck did not attempt an English accent as he did in The Paradine Case where he drifted in and out of one during the course of the film.

The Purple Plain is set in the China-Burma-India Theater of World War II and Peck is a pilot with the RAF. He's a man who takes reckless chances on missions because he's got nothing to live for, his wife having been killed in the blitz in wartime London.

But a doctor friend, Bernard Lee, decides what Peck needs is a new woman and a new purpose in life. He introduces him to missionary Brenda DaBanzie and also to a lovely Eurasian played by Win Min Than in her one and only film. If The Purple Plain has a glaring weakness it's her, she's beautiful, but can't act.

Peck may have a new outlook on life and a reason to live, but that fact is lost on Maurice Denham his bunkmate and copilot. On a routine mission, Peck, Denham, with new navigator Lyndon Brook crash in the Burmese jungle. Will they all survive as Peck's leadership is put to the test?

If the jungle looks familiar, The Purple Plain was shot in Sri Lanka, Ceylon at the time which was for a brief period, a most popular place for film locations. Around the same time Elephant Walk was done here and later on the acclaimed Bridge on the River Kwai. The Purple Plain is beautifully photographed in that jungle.

The Purple Plain is not as good as The Bridge on the River Kwai, it certainly is much better than Elephant Walk. Peck delivers a stalwart performance and gets able assistance from the rest of the cast with the exception of his leading lady. It's worth a look the next time it is broadcast.

A pot-boiler of a Film that is intelligently crafted by Director Robert Parrish. To some it may seem intolerably slow & lacking pace, but to others like myself the Film does something that nearly all Films in the Fifties and indeed many now do not even attempt to achieve, and that is take the time to investigate the main characters in depth and in detail. This is done not via long tracts of dialogue, but via the un-said. In particular Peck and the astonishingly beautiful and talented Win Man Than as 'Anna' develop their relationship in the Film in the subtlest and most delicate of manners. I can find no further information on Win Man Tan, but her performance in this period piece, is one part enchanting, one part mesmerising. We understand fully how Peck's psychiatric problems eventually dissolve as hie begins to find perspective courtesy of love for 'Anna'. This Film is not staggering nor the best piece of Cinema you will ever see, but it is superbly acted, wonderfully cast, sparingly written, adroitly directed, and deserves to be watched by anyone who has a love of Cinema. Recommended, because what we see at our Cinemas today has MUCH to learn from Movie making such as this.

I've had this movie on my 10 Best List for many, many years.

This story of healing from loss through love is immensely powerful. It's exquisitely photographed; it looks much more art film than Hollywood. The direction is solid, and the pacing near perfect. Peck holds his own among a field of scene-stealing character actors. His performance gives us a clue as to what he was like on the stage. His good looks don't distract you; he's utterly convincing as a pilot who's lost the love of his life and no longer cares whether he lives or dies. In the first part of the movie his character is not a good guy, and it's believable. Hard to do when you look like Gregory Peck.

Love conquers all, of course. The story turns on his love for a woman. But, as the movie progresses, we find that he loves his crew too, even "old Blore." The young navigator worships him, and the admiration is returned full force. Their relationship is a key element of the story, as important as the romance between Peck and the Burmese girl.

This is one of those rare movies where men openly love each other--not in a gay sense--in a human sense. It's a love based on respect. This is something missing from almost all heterosexual movies. Probably because most men don't seem to be able to easily distinguish between sex, attraction, affection, and love. It all gets mixed up together, and homophobia damps down any positive emotions between men that isn't associated with some sport. Wartime seems to provoke these feelings too, evidently, but it's rare for a picture to show manly affection, except as a joke. It's just one aspect of this film, but one that shouldn't be overlooked.

I can only hope this movie gets rediscovered and recognized for the fine, fine film that it is.

In every era of history where men are pitted against each other, there too great memories are lost and buried. As each loss is created, so too are the haunting images which etch across a soldier's face. Every man's countenance thereafter displays his loneliness and despair. Yet within his heart and soul is the yearning for redemption and another chance to live and love again. This movie called " The Purple Plain " is based on the novel written by H. E. Bates and is wonderfully directed by Robert Parrish. With the vast landscape of the Burmese jungle and it's idyllic locations, we have Bill Forester (Gregory Peck) a lost and war weary squadron leader, Bill Forrester (Gregory Peck) pushing his luck in an apparent attempt to commit suicide. Having lost his wife to the war, he now displays a reckless, carefree attitude boarding on the insane. However, those around him see a mutilated man racked by pain and despair, creating both fear and admiration. A doctor (Bernard Lee) is given a last chance to see if there anyway to save him. The film is a superb offering of Mr.Peck's great talent. In addition we see a great performances by Maurice Denham as Blore and Win Min Than as Anna. All in all, this film is one of the most overlooked milestones in cinematic history. ****