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One summer night as a high-school-age teen with nothing to do, I watched this movie on TV. I had never seen Judy Holliday before and I suppose part of my enjoyment of the film was discovering how good she was. I already knew Jack Lemmon was good. I thought the film was funny and delightful from start to finish.

At any rate, a lot of years later, I watched Phffft again, and was very disappointed. I really want to see it a third time, now, because I wonder if I was just in a bad mood, or something. I don't understand how my reaction could be so different. I found it dull and slow-moving, and most surprisingly, not very funny. It also looked kind of cheaply made, and it probably was (cheapness being sort of a hallmark of Columbia Pictures, unless it was a big, important film - and even then, sometimes).

I can usually get into an older film and appreciate the humor based on what was humorous then, but I found a lot of the wit too dated to enjoy, and even at times in bad taste (although nothing like the bad taste of some current movie humor).

I like all four of the main actors a lot, so I'm sorry to report I didn't really get into this listless and rather strained marital comedy this time around.

You wanna know why? Cause she doesn't play Judy Holliday.

Normally of all the Holliday films that get bounced around as great, Born Yesterday and It Should Happen to You are usually what gets mentioned. This one, to me, is her best. She actually plays a character that's not the dumb ditzy blonde. There's no trace of the Born Yesterday character in this. I loved it.

There doesn't have to be a whole lot mentioned about Jack Lemmon because...well...he's just great in just about anything he does. This one is no exception. The chemistry between these 2 is pretty amazing. I'm a little surprised they didn't do more films together.

Watch this on a rainy day with an ice cold glass of milk and a box of doughnuts. It's one of those films you'll fall into on the couch and smile when the credits role.

I love that scene where the phony doctor and nurse keep upstaging each other while on TV. What a sparkling little comedy from two of the best comedic actors of the time —Holliday and Lemmon. Holliday is less pixilated than usual, but then she does play a TV writer. Lemmon also has fewer tics than usual, but that doesn't hamper the laughs at all. They play a married couple who divorce when he prefers reading second-rate Mickey Spillane to her. Of course, once divorced, they pine for each other following a series of comedic misadventures.

That manic dance number alone is worth the price of admission. I just hope they did it in one take, otherwise get out the respirator. Then too the "whooshing" bed proves a great bit of comedic inspiration. Note how its whooshing back and forth becomes innuendo in that flashback scene where they first meet. And what a cutely appropriate final whoosh to the movie as a whole.

A lot of credit should go to ace screenwriter Axelrod, who devises a series of amusing episodes where Nina (Holliday) and Robert (Lemmon) try to out-do one another in the I'm-so-over-you department. He grows a mustache and gets a sports car, while she does what any woman is expected to do—she gets a new wardrobe. Meanwhile, that expert performer Jack Carson lends first-rate actorly support but questionable best-friend advice; at the same time, Kim Novak gets into the swing with a vivacious party-girl performance.

All in all, the set-ups wear well despite the years. Sure, it's only well done fluff. Still, I'm just sorry there weren't more Holliday-Lemmon pairings, since their styles blend so perfectly as this movie so humorously demonstrates.

Almost all US sex comedies of the 50's & 60's are dated now by a quaint leering approach to sex & marriage, not to mention the costumes, hair, settings. But the remarriage theme will always be ripe for romantic comedy fun. Here, George Axelrod got his start. He later wrote screenplays for "Will Success Spoil Rock Hunter," "Breakfast At Tiffany's," "Goodbye Charlie," and in a dark mood, "The Manchurian Candidate." His style is comparable to Preston Sturges, using wit to slice through the social conventions. Judy Holliday & Jack Lemmon were a wonderful match. Judy could play an "everywoman" to Jack's "everyman" as in "It Should Happen To You." She could surprise & bedevil him with her mix of ditzines & intelligence. Their comic timing together seems effortlessly perfect. This film should be remembered more fondly.

One reason Judy Holliday fans (of which I am one) are so fervent in their love for the comedienne is that she had mastered timing. In comedy, timing is everything.

Phffft! is an excellent vehicle for Judy to work her magic. The story is pedestrian and the one-liners range from cute to tired. But, in Holliday's capable hands the material takes on new life. Watch her delivery, her pauses, her expressions. All pitch-perfect.

Jack Lemmon is fantastic as well. In this and "It Should Happen To You" he and Judy display a great on-screen comic chemistry. They play off each other very well. Lemmon handles his own scenes in his classic style as well. He was truly a joy to watch.

The film also benefits from excellent support by Jack Carson as Lemmon's best friend/bad influence. Kim Novak makes, I believe, her first major appearance in this movie and does well. She's not as polished as she will later be but her appeal is still quite evident.

For me, the movie gets better with repeated viewings. Always a good sign. The mambo scene between Judy and Jack alone is worth the price of admission! Ole!