Orders Are Orders

ORDERS ARE ORDERS is another army-focused British comedy from the 1950s and another let down. CARRY ON SERGEANT is still the best that I've seen from this era while all others feel somewhat strained and clumsy, not to mention dated. This film has a good story but not many good jokes unless exaggerated character humour is your idea of a good time.

The story is about a film crew who arrive at an army barracks to shoot a science fiction movie and have various run-ins with the soldiers there. The wobbly special effects we see them filming with are funny and reminiscent of an Ed Wood movie. There's a lot of skirt-chasing and various encounters on and off the base between the characters. One of my main problems is that the film crew characters are exaggerated buffoons while the soldiers, in particular the officers, are all prim and proper and dull. The ensuing situations simply aren't all that funny in the face of it.

While the likes of Margot Grahame and Raymond Huntley bag the dull lead roles, it's the supporting players who are the most interesting. Tony Hancock bags an 'introducing' credit and is his typical world-weary character. Sid James is the brash film director but struggles with his unconvincing American accent throughout. Peter Sellers plays his usual part in this and the best I can say about him is that he's better than he was in DOWN AMONG THE Z MEN. There are nice cameos for young 'uns like Donald Pleasence and Eric Sykes. The best participant is the gorgeous Maureen Swanson whose eye-popping introduction scene is the highlight of the whole movie.

Awful low-budget comedy in which a British army camp (manned apparently by only half-a-dozen soldiers) is overrun by American movie producer Sid James (!) and his crew. Laughs are non-existent despite featuring the likes of Peter Sellers, Tony Hancock and Bill Fraser. A young Donald Pleasance also makes a brief appearance.

Military men marching pridefully and gloriously in the the morning sun, with delightful music played by the military orchestra, just getting ready to another hard working day at the army barracks, or are they? In the setting of the rising sun there is a big line of cars and trucks heading for the barracks, what are they doing here and who are they? The question is solved fast, and to the military mens big surprise its a film production company, who has planned to make a "big blockbuster" science fiction movie at the army barracks, but one commanding officer is distend to make it very difficult for the Hollywood film crew... and for then on, the movie just shows a cheap slice of comedy and a little bit of romance, and thats about it.

What we do get out of this comedy is a thin storyline, and some decent funny characters, but not memorable. The funniest character is Peter Sellers, and he is probably the only one you will remember the most, when you have sat through this movie.

One thing that was a little bit funny, was the movie they were filming in the movie, its funny because it looks like a Ed Wood production, very unimagined and just cheap. There is not one time where you believe its a making of a expensive science fiction movie, and just looking at the film crew playing "big time Hollywood stars" is so laughable... and by the way I have never seen a badder costume design for a Martian in a movie, since 'Ghidrah, the Three-Headed Monster' 1964, and that is pretty bad!

See it if you are in a good laughing mood, if your sad its just sad to look at.

I saw this film in the cinema with my parents in 1954 and I'm obliged to confess that we thought it quite funny at the time. Tony Hancock's voice was familiar to us, but it was the first time we'd ever seen him on screen; apart from the Goon shows, Peter Sellars was best known to the general public for a variety of characters he played in the radio series 'Ray's a Laugh'. They both came across as quite amusing. The tastes of the viewing-public are now far more sophisticated, and it is easy to berate the director for not having made better use of the (potentially) huge pool of talent he had at his command. Hindsight is a wonderful thing! Sixty-six years ago, it wasn't such a bad comedy as all that

Having visited a plague upon us called 'Keep it Clean', director (I use the term loosely) David Paltenghi has again committed celluloid crime with 'Orders are Orders'. This is the film that introduced Tony Hancock to the silver screen. Based upon this performance he was lucky to work again. Thank God for Galton and Simpson! Sid James, who was destined to play such a pivotal role in Hancock's career has the worst American accent I have ever heard whilst Peter Sellers is simply underwhelming. What is amazing about Sellers is how he transformed himself physically in his perverse desire to be a sex symbol! Where on earth Brian Reece came from and where he went is of little or no interest. Stalwarts Raymond Huntley and Clive Morton are among those taking the money and running. The ghastliness of the female contingent beggars belief. It is now my avowed intention to avoid this dreadful director's output entirely or I shall be carried out screaming and not with laughter!