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Fairly expensive Warners musical, the then-novelties of which are a) CinemaScope and b) location filming in Miami, which does look '50s-luscious. These are tied to a very tired screenplay about superstitious Doris Day and her pals Phil Silvers, Nancy Walker, and Eddie Foy Jr. going from revue work to kitchen work to Broadway, courtesy of songwriter Robert Cummings, whose songs all sound like second-rate Sammy Fain and Paul Francis Webster. Much talent that had just turned out "Calamity Jane"--Day, Webster, Fain, choreographer (and here director) Jack Donohue, screenwriter James O'Hanlon--worked on this one, but it's nobody's best work, though Doris is as spirited and golden-voiced as ever, and you don't really want to see her end up romantically with someone as uninteresting as Robert Cummings. Silvers and Walker certainly deserved better material, and Donohue doesn't know how to pace a plot, even one as fragile as this. Martha Hyer is another casualty, overplaying Cummings' shrew of a girlfriend, and the other supporting players are no-name. It's worth sitting through once for a couple of nicely staged numbers (especially the opening) and some alluring glimpses of Florida, but it's the Warners musical at its most labored and uninspired.

I thought LUCKY ME from Warner Bros in 1954 was not the first Cinemascope musical as some comment says.. possibly the 1953 FOX musical ? HOW TO MARRY A MILLIONAIRE. Fox patented Cinemascope and hired the process to other studios. The first WBs musical was A STAR IS BORN. But I might be wrong... anyone?

On my Australian market DVD this really silly Doris Day musical has opening credits in cinemascope and the rest of he film in ..horror of horrors! pan and scan TV presentation. On the box it says hooray for Cinemascope but the film itself is not in Cinemascope if anyone from WB DVD office bothers to check. The color and art design is terrific, the musical numbers well staged (as I could tell, as I only saw half of the image), the 50s style and modernity snazzy and Doris Day was beautiful. Its trite script is embarrassing ... a bit like any of the Columbia musicals with Jack Lemmon or Betty Grable of the same year. I was keen to enjoy but the badly presented cropping, down to TV from cinemascope ruined the experience... so I took the DVD back to the store, complained to the bemused 19 year old goth chick behind the counter and got a refund. She seemed to spark to life when I pretended to be interested in a box set of BUFFY Vampire Slayer, but I tricked her and took the money instead.

For the film Lucky Me, Doris Day was reunited with composers Sammy Fain and Paul Francis Webster who wrote the score for Calamity Jane and gave Doris one of her biggest hits, Secret Love in one of her biggest film successes. Unfortunately none of the songs from Lucky Me was ever any kind of hit for Day and the film is a very ordinary backstage story.

With some establishing shots in Miami Beach done in Cinemascope, Lucky Me is also the name of the show composer Robert Cummings is writing the score for. Doris is part of a quartet act that consists of Phil Silvers, Eddie Foy, Jr., and Nancy Walker. Through some of the usual Phil Silvers shenanigans, the group has to work to pay off a debt to restaurant owner Marcel Dalio.

Cummings is staying at the hotel that Dalio's restaurant is at and again through shenanigans, Day and Cummings meet. Day thinks he's garage mechanic and Cummings keeps up the pretense as has been done in more movies I can remember. That's because he's romancing daughter of bankroll, Bill Goodwin in the person of Martha Hyer.

If you can't tell where this is all going you haven't seen too many films let alone musicals. It would have been nice if Doris and the gang had been given some hit songs from this film, but Fain and Webster who won Academy Awards for Secret Love and Love Is A Many Splendored Thing came up short in the score for Lucky Me.

Eddie Foy, Jr. and Nancy Walker came up short in footage as well. Especially Nancy Walker who is one of the funniest people around. I believe there is some moments for her in the Warner Brothers vaults if anyone wants to do a director's cut for Lucky Me. Oddly enough Phil Silvers and Nancy Walker within the next 10 years would co-star on Broadway in Do-Re-Mi which was a big success, but never made it to Hollywood.

Doris's fans will like Lucky Me, others can take or leave it and be considered lucky either way.

"Lucky Me" was the first musical to be shot in the then, new process, CinemaScope. It was also a picture that Doris Day, Hollywood's Golden Girl, did NOT want to make.

Because of contractual obligations, she decided to do the film and to give it 110% of herself in the role of 'Candy Williams'. Her co-star was Robert Cummings, long-time Hollywood leading man and television star. In support, she had Phil Silvers, Nancy Walker, who later gained fame as Ida Morgenstern in "Rhoda", and Eddie Foy, Jr.

It was reported that Martha Hyer, a blond, was forced to dye her hair red so as not to conflict with the star, Miss Day.

This film is famous for another reason. Judy Garland was on the Warner Brothers lot filming "A Star is Born". She and Miss Day visited each other's sets and became friends.

"Lucky Me" is a fun musical which opens with Doris Day's dynamite opening number, "The Superstition Song," which she sings while bouncing down the streets of Miami! A TRUE STAR PERFORMANCE! Only Doris could have gotten away with this, and she was brilliant.

She played Candy Williams, a singer/actress who was appearing in a travelling show, "Parisian Pretties" which bombed in Miami. Standed, she meets a New York songwriter, Cummings, who is casting a new Broadway show. He pretends to be someone else to court Candy, but falls in love with her.

During the proceedings, Doris Day sings most of the numbers including her chart hit, "I Speak to the Stars". The highlight is "I Wanna Sing Like an Angel" and "Love You, Dearly," a lovely ballad which should have been a hit.

Phil Sivers was wonderful and had a great number with Day called "Men!" The other actors gave Miss Day able support and everyone seemed to work well with each other.

Angie Dickinson made her film debut in a walk-on scene at the big party, but you probably won't recognize her (she had black hair). Bill Goodwin played the same role he played in many a film at various studios.

Again, Doris Day fans will just love seeing their favorite star do ANYthing. Even though Miss Day didn't like the picture, her fans seem to love every minute of it. I must admit, I liked it!

In sunny Miami, superstitions showgirl Doris Day (as Candy Williams) and her musical troupe find themselves destitute after their show "Parisian Pretties" closes. This is strange, because Ms. Day and performing manager Phil Silvers (as Hap Schneider) appear captivating on stage. The troupe is forced to take menial jobs. While working as a maid, tap-dancing Nancy Walker (as Flo Neely) meets famous songwriter Bob Cummings (as Dick Carson) and learns he is producing a new Broadway show...

Day hopes Mr. Cummings could provide her with a lucky break. Perhaps romance will follow. "Lucky Me" was meant to be a follow-up to the crowd-pleasing "Calamity Jane" (1953), but fell short. The earlier film featured Day's million-selling #1 "Secret Love" single. This film's song highlight is "I Speak to the Stars", a sleepy #16 hit. The closing party is mildly interesting, beginning with Day in a convincing disguise. This is where you can spot black-haired Angie Dickinson, in her big screen debut.

**** Lucky Me (4/9/54) Jack Donohue ~ Doris Day, Robert Cummings, Phil Silvers, Nancy Walker