AVALIAÇÃO DA IMDb
5,8/10
1,1 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaAn unemployed architect meets a married woman with a business proposition. The architect soon suspects her interest isn't just financial - and might be deadly.An unemployed architect meets a married woman with a business proposition. The architect soon suspects her interest isn't just financial - and might be deadly.An unemployed architect meets a married woman with a business proposition. The architect soon suspects her interest isn't just financial - and might be deadly.
- Direção
- Roteiristas
- Artistas
Jeane Wood
- Mabel - Maid
- (as Jean Wood)
Fred Aldrich
- Suspicious Stranger
- (não creditado)
Forbes Murray
- Businessman
- (não creditado)
Bing Russell
- Bartender
- (não creditado)
Jeffrey Sayre
- Bar Patron
- (não creditado)
Bert Stevens
- Restaurant Patron
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
That early scene at poolside with Andes in a tacky suit and Lansbury in a revealing swimsuit is a fine slice of fateful seduction. The movie's remainder may not rise to that level, but it has its moments. Andes, an unemployed architect, is inveigled into an insurance scheme by an unlikely couple-- an aging Dumbrille and his young sexy wife, Lansbury. The narrative unfolds in none to clear fashion, but at least we know someone's trying to kill Andes, probably for the insurance payoff. It's almost certain Lansbury's a part of it, yet the actress's performance doesn't suggest moments of deception, unlike Stanwyck's tour-de-force in Double Indemnity (1944). Then too, a spotty script doesn't help. As a result the climactic scene lacks the emotional force it should have.
In fact, the script, as others point out, contains a number of gaps—like Andes apparently walking away from a cliffside car plunge! Then too, director Guifoyle lacks any noticeable style that might lift the visuals. Had the production been done, say, 5-years earlier, I expect a 70-minute noir would have emerged. After all, the elements are there—a spider woman, a wobbly fall-guy, a fateful scheme. All in all, the potential is there, but muddy execution undercuts the result. (In passing, at least, worthy movie vet Jane Darwell picks up a payday in a tacked-on role. Thanks be to someone in production.)
In fact, the script, as others point out, contains a number of gaps—like Andes apparently walking away from a cliffside car plunge! Then too, director Guifoyle lacks any noticeable style that might lift the visuals. Had the production been done, say, 5-years earlier, I expect a 70-minute noir would have emerged. After all, the elements are there—a spider woman, a wobbly fall-guy, a fateful scheme. All in all, the potential is there, but muddy execution undercuts the result. (In passing, at least, worthy movie vet Jane Darwell picks up a payday in a tacked-on role. Thanks be to someone in production.)
Interestingly thought out thriller here, with Angela Lansbury (one of my favorite 60's actresses) playing a seductress who may or may not be setting up her business partner to die just so she can collect on some life insurance they have put up for a business deal (don't ask, I'm not 100% sure of the logistics of it). Keith Andes, an actor who I've never heard of before, plays her would-be-victim. She of course plays up her sex to him, and Andes can't resist. Oh, and did I say Lansbury was married? Soon (well, actually, quite quickly) Andes wises up and tries to foil the plan, but Lansbury and husband have plan B's in place..
This was quite a tricky little thriller. It almost looks and seems like it once was a play at one time, what with it's dormitory sets, but the acting sure signs through. Lansbury is fabulous as usual, and I have no idea what became of Keith Andes, because he certainly had the looks and the acting chops to go a long way.
This was quite a tricky little thriller. It almost looks and seems like it once was a play at one time, what with it's dormitory sets, but the acting sure signs through. Lansbury is fabulous as usual, and I have no idea what became of Keith Andes, because he certainly had the looks and the acting chops to go a long way.
Yes, once, Angela Lansbury was young with a good figure (which I think she still has) and a sexy way about her.
In 1955's "A Life at Stake" she plays Doris Hillman, a woman who propositions a down-and-out architect, Edward Shaw (Keith Andes) with a business plan where she will buy property and he will put up houses. He had done this previously but he was bilked out of $37,000, (327,700 in today's money) some of which had been put up by friends. In the end he lost everything.
The flirtatious and seductive Hillman says that her husband (Douglas Dumbrille) will put up the money but that Shaw will have to buy keyman insurance for $250,000, which is $2.2 million today. This is business insurance that compensates for financial losses that would arise from the death or incapacity of an important member of a company.
Well it isn't hard to figure out what's going on, and it doesn't take Shaw that long either, even though he and Hillman fall for one another and begin sneaking around. He dodges several cars and a car where the brakes slip -- trying to stay alive is difficult around these people, but the police want proof. On top of this, he has met Hillman's sister (Claudia Barrett) and she's fallen for him.
Pretty good noir. I noticed on the reviews that many people aren't familiar with Keith Andes. He had a small but decent film career, in films such as The Farmer's Daughter, Clash by Night, Tora Tora Tora, and And Justice for All, as examples. He starred on TV in a series, This Man Dawson, and was in dozens of prime time shows up until 1980.
Most notably, he appeared on Broadway with Lucille Ball in Wildcat - he had a beautiful baritone voice; he also did Kiss Me, Kate on Broadway and toured in Man of La Mancha. At the age of 85, beset by health issues, he committed suicide.
Definitely worth seeing for young Angela and Keith Andes was certainly a hunk - he had his shirt off a lot of the time.
In 1955's "A Life at Stake" she plays Doris Hillman, a woman who propositions a down-and-out architect, Edward Shaw (Keith Andes) with a business plan where she will buy property and he will put up houses. He had done this previously but he was bilked out of $37,000, (327,700 in today's money) some of which had been put up by friends. In the end he lost everything.
The flirtatious and seductive Hillman says that her husband (Douglas Dumbrille) will put up the money but that Shaw will have to buy keyman insurance for $250,000, which is $2.2 million today. This is business insurance that compensates for financial losses that would arise from the death or incapacity of an important member of a company.
Well it isn't hard to figure out what's going on, and it doesn't take Shaw that long either, even though he and Hillman fall for one another and begin sneaking around. He dodges several cars and a car where the brakes slip -- trying to stay alive is difficult around these people, but the police want proof. On top of this, he has met Hillman's sister (Claudia Barrett) and she's fallen for him.
Pretty good noir. I noticed on the reviews that many people aren't familiar with Keith Andes. He had a small but decent film career, in films such as The Farmer's Daughter, Clash by Night, Tora Tora Tora, and And Justice for All, as examples. He starred on TV in a series, This Man Dawson, and was in dozens of prime time shows up until 1980.
Most notably, he appeared on Broadway with Lucille Ball in Wildcat - he had a beautiful baritone voice; he also did Kiss Me, Kate on Broadway and toured in Man of La Mancha. At the age of 85, beset by health issues, he committed suicide.
Definitely worth seeing for young Angela and Keith Andes was certainly a hunk - he had his shirt off a lot of the time.
First throw in a character who is rather dull and afraid. Make him an architect who can produce nice little fifties houses that will sell. Hook him up with a millionaire who wants a 175,000 dollar life insurance policy on the guy's head in case he can't fulfill his commitment. Throw in a bored wife; or is she? Throw in police who have no respect for a dignified man who is concerned he is going to be killed. Remember, it happened before and insurance money was involved. Oh, yes, then there's the insurance company, which should be watching things like the respective hawks they are, since they got soaked the first time. Also, have everyone act stupidly, not able to figure things out. This is one contrived thriller. I'm not sure where Lansbury is in the picture. The guy should have dumped her early on. She is vapid and tiresome. She's reasonably attractive, but has more baggage than Northwest Airlines. Oh, well, it isn't Shakespeare and it does keep us guessing, sort of.
Just viewed this film tonight for the first time.The basic plot is that the main character(keith andes) is concerned that some near accidents are attempts to do him in for $175,000 worth of life insurance.That is still a good amount of money today but in 1954 when this film was made it was near a fortune.Previously I read the main character was a husband,not so,he is single and concerned a husband and wife are trying to put him in an early grave.The plot is not really deep nor is the ending a great big surprise.What puts the movie over are the quality performances in this black and white drama.Not to often have I viewed the t v program "murder she wrote" but have seen Angela Lansbury in a few old movies,as in this one she shows a lot of talent.Her part is a seductive one and she does it well lounging around or near the swimming pool all day long.The target of her charms is Edward Shaw(Keith Andes).Her husband is played by Douglass Dumbrille a fine character actor with many screen credits.I have been a fan of his since seeing him play the pirate Israel Hands in the 1934 version of Treasure Island.He is so talented it's hard to believe it's the same actor in both these movies.The kid sister of Angela Lansbury is played well by Claudia Barrett,one year earlier Claudia was seen in the infamous "robot monster".Whatever happened to Claudia?Jane Darwell plays the part of the landlady,she gave a strong performance as the mother of Henry Fonda in "grapes of wrath".A good cast,big overcoats,shiny big cars(they called them boats back then)and a lot of other things made this movie enjoyable for me.
Você sabia?
- CuriosidadesThe unusual convertible Doris Hillman (Dame Angela Lansbury) drove was a Kaiser Darrin. Only 435 production Darrins and six prototypes were built. Its entry doors slid on tracks into the front fender wells behind the front wheels, which was patented in 1946, had no side windows and a three-position Landau top. The car's only criticism by enthusiasts was the front grill, which looked like it "wanted to give you a kiss."
- Erros de gravaçãoIf the bartender who carded Madge had looked closer, he would have seen that it had to be a fake: Her address is listed as "Las Palmas St., Hollywood," but the street in Hollywood named Las Palmas is actually an avenue, and would be designated as such on an official document. Also, Las Palmas runs north and south, so the street number would also require a north or south designation.
- Citações
Mabel, the maid: You better call out when you get to the guest house. Sometimes she swims in the nude.
Edward Shaw: Don't worry about it. So do I.
- ConexõesReferences Júlio César (1953)
- Trilhas sonorasSummer Interlude
Written by Hank McCune and Les Baxter
Principais escolhas
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- How long is A Life at Stake?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- A Life at Stake
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração
- 1 h 18 min(78 min)
- Cor
- Mixagem de som
- Proporção
- 1.37 : 1
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