No Domínio do Vício

The Human Jungle is a fairly mediocre crime thriller that combines police procedural with noir to limited effect. Clearly made on the cheap (by Allied Artists, the 'high-budget' arm of the – by-then defunct – Poverty Row studio, Monogram) the film is populated with a number of actors who were either never more than second-string or were still in the early stages of their careers. Gary Merrill was as famous for being the toy-boy squeeze of Bette Davis as he was for his acting skills, and in this one he wears a permanent scowl and is nearly always angry – presumably to show the righteousness of his crusade; Lamont Johnson as the police department's hot-head never really cut it as an actor and would find more success as a director. He's OK here, and certainly had the looks to go further, but his character seems to have been inserted for no reason other than to flesh out a short running time. Claude Akins and Chuck Connors, both in the early years of their careers, also appear as a pair of tough guys. Highlight of the film, though, is Jan Sterling as a brassy bottle-blonde, callously used by the cops as bait to catch the villains. In fact, the cast is by far the most interesting thing about this ordinary b-movie.

Gary Merrill plays Captain Danforth, the new head of the police department in a corrupt little town where law and order have disintegrated. He just earned his law degree but agrees to take the job IF he's allowed to run the department the way he likes. This means that crimes, even petty ones, will be prosecuted and his plan is to put the fear of the police in the criminal element. Much of this element, it seems, frequent a sleezy roadhouse and the Captain is sure that if he puts the pressure on the crooks there, someone will spill their guts.

This film stars a lot of character actors and no real big names. Now you might think this would be a detriment, but the actors really did well and the material they were given is excellent noir...tough, uncompromising and exciting. Overall, a nice little hidden gem. If you like film noir, you really have to see this one.

Gary Merrill is the leader in charge of the operation, coming to a station that has let everything down in apathetic hopelessness, in which Merrill stirs everyone up and gets everything done at once. The result is naturally some awful mistakes, which they just bypass and carry on head on with full speed, ready to drive over anyone in the way, risking human lives when necessary. The pace is hot, the action is constantly bolting and getting worse in the end, the final chase is the highlight of the film, and the two ladies don't get much chance of getting heard or noticed in the fury of the manhunts. Gary Merrill is always a guarantee for a film worth watching, but this noir is particularly dark in every way, maybe especially cinematographically. It is a wild rush all the way, you have to hold on to your hat, and when it is all over you don't remember much of what really happened and still try to get some hang of the mess of intrigues. It is a film for noir fans of a more exclusive category, preferring fast action to dialog and characters, and you never get an idea of where all this happened - unless it was just any city.

The grade B but very efficient crime film explores the daily life in a police station, daily procedural work for cops. You can think about FUZZ or CHOIRBOYS made in the seventies, or more simple you can think about the Ed McBain's or Joseph Wambaugh's novels. It is even more interesting than focusing on only one particular case. Wambaugh was more beat cops oriented and McBain investigating cops, detectives...Jan Sterling shines in this movie and the other supporting characters besides she and Gary Merrill also contribute to this effective B crime film.

Gary Merrill is Danforth, a cop turned attorney who is roped into running a tough precinct in "The Human Jungle" from 1954, directed by Joseph M. Newman, also starring Jan Sterling and Chuck Conners.

The precinct known as The Heights is in bad shape: juvenile delinquency, petty crimes, graft, the unsolved murder of a strip-tease dancer, and no effort to clear cold cases.

The department has become lazy. Danforth is asked to take over rather than accepting a job in a law firm. He makes changes that are not popular, putting cops back on beats so they're more visible, and taking a tougher stance with criminals.

In order to solve the murder of Lillian Dean, a prostitute, he questions one of her gentleman callers, Swados (Connors) who works for a petty mobster.

He is alibied by Mary Abbot (Sterling) who works at a crime-ridden club, The Hut. Danforth doesn't believe the alibi. He puts Mary in danger by intimating to Swados that she talked. Can he keep her alive?

Meanwhile, some teens picked up for minor theft claim police brutality- they were actually beat up by the big boss so they could make the claim. And an officer actually shoots an innocent citizen. If Danforth can't get Swados or Mary to talk about what's going on, he's in trouble.

Good B movie, with Jan Sterling giving an excellent performance as a hardboiled stripper. Merrill is an effective tough guy.

Fairly routine, but the performances liven it up. The end takes place in a Pabst Blue Ribbon factory as Mary runs from Swados. It's great.