Tormenta sob os Mares

Hell and High Water is a great Fifties film with Richard Widmark and his handpicked crew of WWII veterans trying to foil a dastardly Communist plot to start WWIII.

Widmark is a former submarine commander who's been hired to check out a secret base that the Communist Chinese seem to be building in the islands north of Japan. The group that's hired him is some kind of consortium of western scientists who seem to be operating as a secret society. Like Captain Midnight or heaven forfend, the Tri-Lateral Commission.

Parts of the plot and definitely some of the footage is taken from another submarine picture that 20th Century Fox did, Crash Dive. It's so obvious, especially when you have Richard Widmark's voice with no closeups, over the footage from the previous film. That also concerned a secret Nazi base in the Atlantic and the submarine crew that went to clean them out.

Along for the ride in the submarine are scientists Victor Francen and his assistant Bella Darvi who was Darryl Zanuck's main squeeze at the time. Ms. Darvi had a short and tragic life and her story would make a real interesting picture.

Far more interesting than this, though I will say the submarine special effects are outstanding.

Yeah, it telegraphs all of the big "reveals", it has some overly dramatic acting, the major plot points are easy to see coming, the "red shirts" are obvious, the scenes are kinda cheesy, the characters are all one-dimensional, the plot motivators are simple ("he needs fresh air" or "we didn't have time to test the torpedo tubes") but dang I loved it! It was almost like a bond movie without the gadgets, the unbelievable stunts, or the bad double entendres. It is an instant classic in my book; it is just on the edge of something that you can take seriously. If you go in not expecting much and you realize that this was made many years ago before all of the methods used in it became trite due to overuse, then you will walk away with a smile. There are many worse submarine movies, some of which consist of "I'm in charge!"..."No I'm in charge", while this one has some strategy, some minor humor, some action, and some larger-than-life threats, and some explosions.. all in all worth the rental.

When yet another atomic scientist goes missing behind the Iron Curtain, a private submarine expedition is put together to trail a freighter suspected of being able to lead the crew to what is believed to be the place where the Chinese are conducting nuclear research in preparation for a war. Former submarine commander Jones is contracted to lead the exhibition with a ragtag crew and a submarine in need of maintenance time that is not available to him. With Professor Montel technically in charge with his (female) assistant Professor Gerard by his side, the boat sets out on the mission of observation but with the ever present threat of danger in the hostile waters.

A bit of a romp this one as it revels more in the gaudy sweep of the telling rather than the tension from narrative detail. The plot doesn't really matter so much as it is a simple device for the voyage. Along the way we get personal conflicts, crew tensions and underwater stand-offs as well as some fire-fights. At no point was I hooked but it is rather entertaining in the way that school-boy adventure stories are – full of tough men, sacrifice and action. In this regard it suits the people making it and Fuller directs with simple but bright colours – easy to understand and engage with even if they are too simple to be real. So it is with the characters and plot but it still works. The romantic side of the story is a flop and I didn't see why a female character couldn't just be a character and had to be a love interest (well, obviously I understand why this decision is made, but I didn't see the value of it in the story).

The headlining of Richard Widmark is rarely a bad thing and he fits this tough action drama with his stern delivery and commanding presence. There is no doubting that Darvi is sexy and a good presence when it comes to being coy and flirtatious however when more is asked of her she is found wanting as she lacks the range. The rest of the cast fit in well around them – nobody brilliant of course but everyone able to be at the level required by the material.

Not that intelligent or complex a film but a solid enough wartime action film which will do the job if that's all you're looking for.

Although she didn't make but three major Hollywood motion pictures, Bella Darvi had magnificent screen magnetism that made a man's pulse beat red hot. In this campy picture (her first film), she does a fine job in her first effort as a film actress, displaying good technique cinematically. She was, as they say, a natural.

The French accent, the smooth skin, the sharp facial bone structure, those arched eyebrows, that smoldering stare, and that oh-so-sexy slightly cross-eyed look just made a guy want and wonder. Her voice was strong and yet soft at the right moments. There was something about her that made a man want scoop her up into his arms and say, "Hey, baby, it's gonna be okay!"

It's too bad that she was perhaps a victim of her own sexuality as it is rumored that Mrs. Darryl Zanuck discovered there might have been some hanky-panky with Mr. 20th Century Fox.

Richard Widmark is fittingly commanding and cantankerous as the sub skipper, and Cameron Mitchell does what he did so well in playing the comic relief sidekick sonar guy.

The script and it's dialog is something straight out of a comic book, but you've got to love it. It's got all of the marbles in one bag: submarines, underwater battles complete with ramming full speed ahead, a silent running sweatout, crash dives, commando shore raids, evil Commies, a spy guy named Chin Lee, a B-29 bomber, and just to put the cherry on the Boston cream pie, the obligatory nuclear explosion.

Check Bella Darvi out opposite Kirk Douglas in "The Racers". There again, the lady is smokin' hot!

So, if you want a good time, pop some corn, pull up a chair, and watch "Hell and High Water"!!!

While I was earnestly waiting for some of the moments of hilarity one of the reviewers wrote about (which I never found), I thought it would be worthwhile to point out some of the sillier criticism also made.

First of all the bucket scene happened before the ramming scene - not after. Plus, submarines have buckets on them. Isn't that strange. It seems the makers of submarines sort of figured stuff like that out - sometimes subs take on water and it must be moved. And yes, they would have lots and lots of buckets. More than one sub in WWII was saved because of them. The reviewer may also not have seen the part where the buckets are being returned.

He also comments on if the sub was already underwater, where were they taking the water. Again, submariners got that one figured out too. They were taking it to a place where there was a working pump to pump the water off the sub.

Overall it was a decent diversion. But then I'm a fan or Richard Widmark so I may be biased.