AVALIAÇÃO DA IMDb
6,6/10
4,2 mil
SUA AVALIAÇÃO
Um trio de aventureiros americanos abandonados na zona rural do México são recrutados por uma bela mulher para resgatar seu marido preso em uma caverna no território Apache.Um trio de aventureiros americanos abandonados na zona rural do México são recrutados por uma bela mulher para resgatar seu marido preso em uma caverna no território Apache.Um trio de aventureiros americanos abandonados na zona rural do México são recrutados por uma bela mulher para resgatar seu marido preso em uma caverna no território Apache.
- Direção
- Roteiristas
- Artistas
Víctor Manuel Mendoza
- Vicente Madariaga
- (as Victor Manuel Mendoza)
Antonio Bribiesca
- Antonio, bartender
- (não creditado)
- …
Manuel Dondé
- Cantina Waiter
- (não creditado)
Arturo Soto Rangel
- Priest
- (não creditado)
Salvador Terroba
- Victim
- (não creditado)
Fernando Wagner
- Steamboat Captain
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
... and I always round up when I'm at the halfway mark, just to explain. This is a fine watch in spite of the choppy script.
Cooper and Widmark's characters' boat breaks down on the way to the California gold fields--they have to stop in Mexico. They head to a local cantina. Susan Hayward comes in and says she is offering one thousand dollars in gold to anyone who will help her save her husband, who was trapped in a cave-in. She says the mine is right in the middle of cursed country called "Garden of Evil" - The film proceeds from there.
The uneven screenplay is credited to Frank Fenton. Bernard Herrmann contributed a score that supplies more drama than the screenplay; the handsome cinematography is credited to Milton Krasner and Jorge Stahl. Jr.
Widmark is especially good as the man who's not used to being a good guy. Cooper and Hayward are as effective as the script allows. The rest of the cast is adequate. Look for a young Rita Moreno in the cantina.
Critics yawned when the film was released, but it made a healthy profit, especially considering it cost around two million dollars to film. This is probably the most beautiful film Cooper made in the 1950's, and the most underrated.
Cooper and Widmark's characters' boat breaks down on the way to the California gold fields--they have to stop in Mexico. They head to a local cantina. Susan Hayward comes in and says she is offering one thousand dollars in gold to anyone who will help her save her husband, who was trapped in a cave-in. She says the mine is right in the middle of cursed country called "Garden of Evil" - The film proceeds from there.
The uneven screenplay is credited to Frank Fenton. Bernard Herrmann contributed a score that supplies more drama than the screenplay; the handsome cinematography is credited to Milton Krasner and Jorge Stahl. Jr.
Widmark is especially good as the man who's not used to being a good guy. Cooper and Hayward are as effective as the script allows. The rest of the cast is adequate. Look for a young Rita Moreno in the cantina.
Critics yawned when the film was released, but it made a healthy profit, especially considering it cost around two million dollars to film. This is probably the most beautiful film Cooper made in the 1950's, and the most underrated.
This is a hugely underrated western as eccentric and individual as anything by Peckinpah or Boetticher. One of the early Cinemascope adventures from Fox, GARDEN OF EVIL has a superb cast at the top of their respective games, fantastic special effects, wonderful widescreen photography, and one of house composer Bernard Herrmann's very best scores (which is saying a mouthful). Best of all, it showcases an utterly unique screenplay full of strange, world-weary philosophy that sounds like Hemingway on acid. (Ironically, the chief writer, Fred Frieberger, is best known for producing the third and weakest season of the original STAR TREK -- notorious for its bad writing). At any rate, check this one out the first chance you get. Years of bad pan & scan showings on TV have destroyed its reputation -- but if you ask me, GARDEN OF EVIL is a gem waiting to be discovered, if not a cult waiting to be born!
This brooding western has an uneven pace and meanders in places but is no less interesting because of the star power of Gary Cooper, the film's centerpiece. The movie is a grim, spare adventure of a party of mercenaries who journey into Indian country for the promise of gold to save a woman's husband who's trapped in an abandoned mine. Susan Hayward has her own personal demons and searches for redemption for destroying her husband's self-esteem and private demons weigh her down throughout the picture. The film tends to preach at times and has a moral about gold, greed and sacrifice. Richard Widmark has a role that seems to have been tailored for him as a cynical cardsharp and quick-draw loner who's as much a mercenary as is Cooper but not quite as noble. Cameron Mitchell has a thankless role as a weak-willed bounty hunter who seems tough enough until his bluff is called. Rita Moreno appears briefly and warbles a pretty tune in a saloon, and Bernard Herrmann contributes a fine music score.
I'm having a problem understanding all the reviewers who call this film 'under-rated'.
In fact, for me at least, the reviews it received are, if anything, a little too high.
I love Cooper and Widmark generally as actors but Cooper's performance is wooden and he seems to be just reading his lines in places while Widmark is a caricature of the gambler/adventurer and comes across as unreal.
Hayward is HORRIBLY miscast as a tough, resourceful woman and we never do see the love and devotion that is supposed to be driving her to rescue her 'husband'...she sure doesn't otherwise act like a devoted wife.
The writing, despite the normally skilled writers is quite lackluster and bland and there are far too many long shots which do nothing for the story development and are just window dressing and filler using the lovely landscape shots.
The scene involving Cooper putting a whooping on our young bounty hunter is laughably pathetic as he falls and STAYS down in the fire over and over......cringingly terrible and I couldn't help but laugh out loud.
I think this movie was justifiably overlooked by time....it's a second rate effort by otherwise skilled actors and it's clear they didn't 'gel' at all.
Gary Cooper, Susan Hayward, and Richard Widmark are on a trip through the wilds of Mexico in search of gold. Hayward's husband was injured in a cave-in at the mine, and she has offered the party a share of the wealth if they will help her injured husband. It sounds simple enough, but there's only one small problem--a band of Apaches that are on the hunt for white scalps. However, the lure of the prospects of wealth spur the group on to the mine, and they reach the mine, save the husband, but now face the dangers posed by the Apaches.
Each character offers some sense of presence to the film; Cooper is able to portray the silent, strength of character person, while Widmark adds a philosophical, yet cynical, view of life in his role as Fiske, a gambler. Cameron Mitchell and a Mexican guide are along, with each hoping for the gold, and the good life it will bring. And, each person has to face the danger posed in the "Garden of Evil." Susan Hayward manages to keep the group together, but only till they reach the mine. After that, it becomes a tale of who will survive.
Each character offers some sense of presence to the film; Cooper is able to portray the silent, strength of character person, while Widmark adds a philosophical, yet cynical, view of life in his role as Fiske, a gambler. Cameron Mitchell and a Mexican guide are along, with each hoping for the gold, and the good life it will bring. And, each person has to face the danger posed in the "Garden of Evil." Susan Hayward manages to keep the group together, but only till they reach the mine. After that, it becomes a tale of who will survive.
Você sabia?
- CuriosidadesThis was the fourth film telecast on "NBC Saturday Night at the Movies," the first television program to exclusively broadcast post-1948 theatrical films on US network television. This one was first telecast 14 October 1961, and like the opener of the series, How to Marry a Millionaire, and several others which followed, had been filmed in CinemaScope, at its original 2.55:1 ratio, and so had to be "formatted to fit your screen" i.e. shown pan/scan in the conventional 4:3 TV ratio, losing nearly half of the image in the process, and literally destroying the composition of each scene. But viewers didn't seem to mind. The idea proved so successful that NBC soon followed it up with another series with the identical format, "Monday Night at the Movies," and it wasn't long before the format was taken up by both CBS and ABC.
- Erros de gravaçãoThe film is set in Mexico and the Indians are being called Apaches. However, they are dressed as Northeastern American Mohawks. In addition, the men of the Apache nations were traditionally long-haired. In this film, the "Apache" Indians are sporting Northeastern Mohawk haircuts.
- ConexõesEdited into Verifica incerta - Disperse Exclamatory Phase (1965)
- Trilhas sonorasLa Negra Noche
by Emilio D. Uranga
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- How long is Garden of Evil?Fornecido pela Alexa
Detalhes
Bilheteria
- Orçamento
- US$ 2.070.000 (estimativa)
- Tempo de duração
- 1 h 40 min(100 min)
- Cor
- Proporção
- 2.55 : 1
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