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IMDbPro

Refém do Passado

Título original: Double Jeopardy
  • 1955
  • Approved
  • 1 h 10 min
AVALIAÇÃO DA IMDb
6,2/10
373
SUA AVALIAÇÃO
Rod Cameron, Jack Kelly, and Gale Robbins in Refém do Passado (1955)
Film NoirActionAdventureCrime

Adicionar um enredo no seu idiomaLawyer Marc Hill helps clear the name of his girlfriend's father who is accused of murdering a man that was blackmailing him.Lawyer Marc Hill helps clear the name of his girlfriend's father who is accused of murdering a man that was blackmailing him.Lawyer Marc Hill helps clear the name of his girlfriend's father who is accused of murdering a man that was blackmailing him.

  • Direção
    • R.G. Springsteen
  • Roteirista
    • Don Martin
  • Artistas
    • Rod Cameron
    • Gale Robbins
    • Allison Hayes
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,2/10
    373
    SUA AVALIAÇÃO
    • Direção
      • R.G. Springsteen
    • Roteirista
      • Don Martin
    • Artistas
      • Rod Cameron
      • Gale Robbins
      • Allison Hayes
    • 13Avaliações de usuários
    • 2Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
  • Fotos7

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    Elenco principal17

    Editar
    Rod Cameron
    Rod Cameron
    • Marc Hill
    Gale Robbins
    Gale Robbins
    • Marge Baggott
    Allison Hayes
    Allison Hayes
    • Barbara Devery
    Jack Kelly
    Jack Kelly
    • Jeff Calder
    John Litel
    John Litel
    • Emmett Devery
    Robert Armstrong
    Robert Armstrong
    • Sam Baggott
    John Gallaudet
    John Gallaudet
    • Police Lt. Freid
    Robert Nelson
    • Police Sgt. McNulty
    • (as Bob Nelson)
    Minerva Urecal
    Minerva Urecal
    • Mrs. Krezi
    Tom Powers
    Tom Powers
    • Harry Sheldon
    Dick Elliott
    Dick Elliott
    • Happy Harry
    Fern Hall
    • Miss Webster
    Paula Kyle
    • Blonde by pool
    Gay Gallagher
    • Miss Hunter
    • (não creditado)
    Howard Price
    • Ambulance Attendant
    • (não creditado)
    Rudy Robles
    Rudy Robles
    • Frank
    • (não creditado)
    Robert Shayne
    Robert Shayne
    • Mr. Ross
    • (não creditado)
    • Direção
      • R.G. Springsteen
    • Roteirista
      • Don Martin
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários13

    6,2373
    1
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    10

    Avaliações em destaque

    6LeonLouisRicci

    ROUTINE REPUBLIC STUDIO CRIME FLICK...GOOD ACTING...MOVES QUICKLY...BUT UNREMARKABLE

    Some Above Average B-Movie Acting keeps Rather Routine Story Alive while Nothing Much in the Way of Action or Suspense Happens.

    Republic Studios Completely Shut-Down Four Years Later in 1959. But at this Point was Still Maintaining a Good Looking Low-Budget Production.

    The Voluptuous Allison Hayes is Slightly Miscast as a Bland Daughter/Fiance, with Rod Cameron also Askew from His Rugged Screen Persona Playing a Corporate Lawyer.

    Robert Armstrong of "King Kong" (1933) Fame is Hardly Stretching it as an Alcoholic and Blackmailer. Jack Kelly is the Antagonist along with Gale Robbins as a Femme Fatale.

    It's All Rather Unremarkable but Passable. But Not Much to Recommend.

    Allison Hayes is a Couple of Years from Her Iconic Role as a 50 Foot Woman.
    6bmacv

    B-movie stalwarts help redeem overlooked, low-budget late noir

    Double Jeopardy is a Republic crime drama that seldom makes even the most inclusive lists of film noir, even though, in all its grunginess, it's a little better than many that do make the cut. Its director, R. G. Springsteen, churned out umpteen dozen forgotten horse operas (and his most notorious credit was The Red Menace). That doesn't inspire confidence, but he does more than a passable job on a passable story.

    `Stumblebum' Robert Armstrong hasn't worked for years, but manages keep himself in whiskey and occasionally to pay rent on the one-room flat he and his unfaithful wife (Gale Robbins) share with the $500 bucks he gets every month from a mysterious stranger. Meanwhile, on the much better side of the tracks, the stranger (John Litel) is putting together the financing for a new housing development but, to the bafflement of his lawyer and future son-in-law (Rod Cameron), won't consider low-interest government loans.

    Their two worlds, existing in uneasy truce, collide when Robbins, conspiring with her used-car-salesman lover (Jeff Calder), goads Armstrong into strong-arming Litel for a big payoff (when he gets it, the adulterous couple plan run off to Mexico together). But in the deserted canyon where blackmailer and victim had their rendezvous, Armstrong's body is found inside a wrecked car; Litel is charged with his murder. Cameron starts sniffing around to find the truth in what the police think is an open-and-shut case.

    There's a fair amount of crummy atmosphere in this low-rent, late noir, abetted by a seasoned cast of Hollywood B-movie veterans (Minerva Urecal as a meddlesome landlady and Dick Elliott as Calder's boss Happy Harry also appear). It's no Double Indemnity, but it passes the time.
    6counterstriving-81507

    Worth a Viewing.

    Yes it's a 'B' movie, probably a 'C', but for those who like a cinematic touch of the tawdry and sad underside of life, this movie isn't half bad.
    6boblipton

    Good Cast In Late Noir

    Robert Armstrong is a drunk ex-con. He's getting $500 every month from real estate developer John Litel. Armstrong is married to floozy Gale Robbins, who's carrying on with Jack Kelly. Kelly and Miss Robbins want to run to Mexico, so she persuades Armstrong to get ten grand from his mysterious benefactor; the lovers will take the money and run. However, when Litel meets with Armstrong, he says there will be no more money and leaves. Kelly, who's been watching, comes up to Armstrong and tries to take the money he thinks he has, then kills him. Soon enough, the police trace Litel's connection to the dead man and arrest him. Now it's up to Litel's attorney, Rod Cameron, to try to prove him innocent.

    It's certainly sleazy enough and complicated enough for a film noir, even though R.G. Springsteen directs it more for speed than atmosphere. The fine cast - which also includes Allison Hayes as Litel's daughter/Cameron's girlfriend and Minerva Urecal as a Marjorie-Main-style landlady, give solid performances. Armstrong is quite convincing as a drunk, Litel as a plutocrat. While CMeron looks a bit too much like a muscular half-back, and the resolution seems a little abrupt, this it a solid little movie.
    6AudioFileZ

    Late Noir B-Reel Is Cut Above

    This could have been a better film if some money and more time was given to it. It has a solid story as well as better than passable acting. It's a bit of victim of it's time and studio. Republic Pictures had to cut back as TV was taking more revenue leaving less to go around for the motion picture industry. Republic was hard hit. That said the studio delivers a pretty decent late period noir flick. It feels like it was squeezed for time thus some story and character development is rushed. It gets the basics if it moves predictably fast not leaving a lot for the imagination. Definitely a solid enough story to trump most of it's short comings.

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    Enredo

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    • Curiosidades
      The story does not involve any double jeopardy.

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    Perguntas frequentes13

    • How long is Double Jeopardy?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 23 de junho de 1955 (Estados Unidos da América)
    • País de origem
      • Estados Unidos da América
    • Central de atendimento oficial
      • Streaming on "Rob's Dream Theater" YouTube Channel
    • Idioma
      • Inglês
    • Também conhecido como
      • Double Jeopardy
    • Locações de filme
      • Knobhill Drive and Beverly Glen, Los Angeles, CA, EUA
    • Empresa de produção
      • Republic Pictures
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 10 minutos
    • Cor
      • Black and White
    • Proporção
      • 1.37 : 1

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    Rod Cameron, Jack Kelly, and Gale Robbins in Refém do Passado (1955)
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