A Garota Diabólica de Marte

At first you may think this is another fifties low budget sci-fi saga, the type Hollywood churned out by the truckloads(and still do.) The big difference here is the fact that its actually a brit production and that makes it rather rare. The English take their movie making seriously(sometimes to seriously) so the production values, writing, lighting, etc. are a notch above that of the typical Hollywood production.

The wildest thing about the movie is the alien babe who is pretty darn sexy in that freaky outfit she wears. The biggest negative is probably the robot who must have been made out of an old refrigerator. However, to the robots credit he has a cool disintegration ray. First his head lights up , a beam of light shoots out and anything it hits glows then disappears leaving only a bit of smoke. This is by far the best special effect and this technique showed up later on many American sci-fi shows including THE INVADERS and STAR TREK. As i recall from my childhood, the aliens glowing and disappearing after being killed was the coolest thing about THE INVADERS. The robot appears to be really huge also and that alone might have scared the bejesus out of its audience back in the day.

I can imagine that back in the fifties most people who put down their change to see THE DEVIL GIRL FROM MARS left feeling they got their money's worth and then some. Its still pretty entertaining. Better than most from that era no doubt!!!

"Devil Girl From Mars" (1954) looks like a strange cross between "Quatermass Xperiment" (1955) and "Queen of Outer Space."(1958). Then throw in a little of "Mars Needs Women" (1967) and "The Mysterians" (1957) for good measure. So if you don't like any of these films you might consider avoiding contact with "Devil Girl".

This is the earliest film I know of with aliens seeking Earthlings for breeding stock. It is played perfectly straight. Naya (Patricia Laffan) is an emotionless Martian space explorer. She has the Michael Rennie role here, but she is not visiting Earth for reasons that will benefit mankind. Still she is beautiful and her black leather costume and "Ming the Merciless" helmet must have caused quite a sensation back in 1954.

Like Rennie she arrives in a flying saucer with a robot. The saucer looks interesting but Chani the robot looks like a mailbox with a hood ornament.

It's one of a handful of 50's English science fiction films. It's real claim to fame is that it's the adaptation of a radio play. All the action (and there is not very much) takes place on the moors of Scotland and involves a varied collection of Earthlings staying at the remote Bonnie Charlie Inn whose proprietress speaks the immortal line: "While we're still alive, we might as well have a cup of tea".

Actually the film is not nearly as bad as its reputation. The film stock is excellent (at least judging by the 1990 Rhino VHS release) even if it does rely too much on wide master shots, with beautiful Hazel Court as one of the guests a few close-ups would have been nice. The production design and the special effects are more than adequate for the period of the film.

As a radio play the story by necessity adopts the remote house with an unlikely group of strangers dynamic. But it explores new territory by making a woman the invincible extraterrestrial visitor. She is a woman from a planet of women who indulges herself and the viewer with lengthy very humorous lectures on the inferiority of Earthlings. And she even expounds at length about the fusion reactor (probably films first reference to this) that powers her ship.

Then again, what do I know? I'm only a child.

There's no other movie quite like Devil Girl from Mars. It's cheesy and low-budget, unfolding like a stage-play ineptly filmed, with a script dulled by timid ideas and old-school misogyny. Yet in Patricia Laffan, the British actress who plays Nyah the Devil Girl, this picture presents a space-queen unrivaled in the annals of B-movie campiness. Her dominatrix boots and patent-leather cape, not to mention her highbrow imperious accent, easily outclass the features on display from those Venusian babes in Queen of Outer Space (1958) or the Martianettes in Flight to Mars (1951). And check out that Devil Girl headgear, a cross between medieval helmet and Egyptian sphinx! In silhouette, Nyah is the image of Darth Vader, striding about with cape swirling to do something unspeakably naughty. But before you conclude that Ms. Laffan's over-the-top performance is an instance of bad acting, consider this: there's no way to play a character like Nyah with psychological depth. The Devil Girl is a comic-book villainess, an icon, somebody who has to be bigger than big. Patricia Laffan is the perfect drama queen to meet the challenge. If you like her in this movie, be sure to see her in Quo Vadis? (1951), a glorious sword and sandal epic that also features the burning of Rome and the martyrdom of the Christians. In that film Laffan plays Poppaea, wicked Empress of Rome, opposite Peter Ustinov's even more formidable Emperor Nero. From bride of the Roman Antichrist to warrior-woman of Mars is just a small step -- or should I say, it's a small step for Patricia Laffan, but a giant leap for anyone else.

I've wanted to see this film because of the intriguing title and the poster art. It sounds like a film right down my alley. I finally had the chance today when I found it as an offering for Amazon Prime members. It was obviously going to be a low budget film, but I wasn't expecting it to take place in Scotland or be made in England. I was expecting a 'Cat Women of the Moon' type American B-film. The dreary atmosphere at first brought to mind 'The Man from Planet X', a film I thoroughly enjoy. Unfortunately this did not turn out to be as good a movie. The plot here involves a tall, stern, not unattractive woman in leather and a short skirt with a strange hat. She's from Mars and comes to our world in search of male specimens for breeding stock. It seems war has decimated the males of her own world and women are the dominant sex. When I see films with similar plots I imagine legions of male volunteers fighting to go of their own free will…instead they show men having to be dragged off like victims; they aren't willing. The movie contained too much pointless dialog for its own good and the direction was poor. On the bright side the cast gave it their best shot with what they had to work with. As might be expected the best scenes were those with the Devil Girl and those with her B-movie budget giant robot. The robot was a like a poor man's Gort. Her spaceship was also pretty neat and the ray gun effects weren't bad. I also thought the explosion near the end was an unusual effect. I'll give this movie a 4 out of 10 for those reasons. BTW-if you have Prime and you watch it be careful. For some reason they offer two versions. One has much better image and sound quality than the other. You'll need to try them both to see which.

No one drawn by the title will be disappointed with tall, amazonian Patricia Laffan in the title role of this nonsense in which Oscar-winning wartime documentarist David MacDonald shows the same respect for matriarchal aspirations he later did in 'Petticoat Pirates'. The title is misleading, though, since dressed in leather by Ronald Cobb to resemble a particularly ferocious principal boy, Martian warrior Nyah is plainly all woman.

The Danzigers seem to have read about 'The Day the Earth Stood Still' rather than actually seen it since Nyah is plainly Klaatu and Gort rolled into one; and her pet robot merely an afterthought.

Enlivened by a dramatic percussive score by Edwin Astley and a cast of familiar faces (too bad Nyah was seeking men, since Hazel Court & Adrienne Corri are by far the most impressive specimens). It also marks an interesting overlap of careers on the set of veteran cameraman Jack Cox - who shot 'The Lady Vanishes' - and child actor Anthony Richmond, who later shot 'Don't Look Now'.