Casei-me com a Morte

While interesting for the footage of London circa 1954, this is an absurd movie. The story line is almost impossible to follow. There's almost no dramatic tension. The situations and supposed relationships are so unrealistic that even willing suspension of disbelief doesn't work. The protagonist is gullible and hard to swallow as a supposed tough guy when he spends so much time playing the fool to beautiful women and whimpering like a small boy to his mother, etc. And to top it off, it really doesn't strike me as a film noir at all, just a confusing murder mystery. The best thing about it is Belinda Lee, previously unknown to me, a beautiful woman who was killed a few years later, at 26, in a California car accident.

Dane Clark plays an American drifter in London who meets a stunning blonde while on a bender at a bar. The girl tricks him into marrying him while he is in a drunken stupor and he wakes up with 500 pounds in his pocket. He then discovers he is involved in a murder and an inheritance scam.

MURDER BY PROXY (a.k.a. BLACKOUT) is one of several British attempts to duplicate the American "film noir." Sometimes they even cast a genuine American "noir" star, in this case Dane Clark. Clark was in this as well as the British "noir" PAID TO KILL. However, the results were almost always that these "Brit Noir's" were never as satisfying as the American films. MURDER BY PROXY has fairly interesting plot, but things begin to get confusing, and like most "Brit Noir's", MURDER BY PROXY builds up to its climax to slowly. There is an overly long and pointless scene where Clark visits his mother and English step father and introduces himself to his new "bride." They then throw a party. This takes ups to much time and adds nothing to story.

Although these dozen or so pre-horror Hammer noir films of the early 50s are largely forgotten, they are making something of a comeback through TCM and other vintage film outlets. Of these, 'Blackout' is definitely the best of them.

It's well acted and (despite complaints here about the convoluted plot) well written with plenty of humour. Obviously the producers had to struggle with a low budget that inevitably compromised its production values, but the film makes the most of what it had. Still, it's a treat for Dane Clark fans and those who can see an unrealised talent in Belinda Lee before dying far too young. Their on-screen chemistry is terrific and so are Clark's scenes with Eleanor Summerfield (one of my favourite British supporting actors).

One of 'Blackout's most interesting elements is that, unlike most film noirs, that usually involve male protagonists with a token femme fatale, the plot of 'Blackout' is mostly female-driven.

The film begins with Dane Clark being offered a strange marriage proposal from a woman he just met. Not only that, she offers this drunk guy 500 pounds to do the deed! However, upon waking up the next morning, he finds he's implicated with murder and there's no trace of the lady! So, it's up to tough-guy Clark to investigate and clear his name.

Most fans of Film Noir will be surprised to hear that the British (not to mention, the French) made quite a few of these in the 1950s. Oddly, the Brit Noir films were made by Hammer Studios--the same folks who made tons of Dracula, Frankenstein and Mummy films from the late 50s to the mid 1970s! And, oddly, this film is directed by the studio's foremost monster film director, Terence Fisher.

Overall, while this is far from a great film, it does stack up pretty well with the average American example, though I will admit that this film does have a few too many twists and turns (particularly for the character of Phyllis Brunner).

This is a Kit Parker/Hammer Film starring Dane Clark, Belinda Lee. Eleanor Summerfield, and Harold Lang.

Clark plays Casey Morrow, an American in England. One night he meets a beautiful blond named Phyllis (Lee) and she offers him a job for a big amount of money. All he has to do is marry her.

The next day, he can't remember a thing except meeting her. He's in a strange place with a a woman he doesn't know, and there's blood on his coat. It's the painter's studio of a friend of Phyllis' (Summerfield). Morrow sees in the paper that his new wife's father was murdered the night before.

Did he do it? Did Phyllis set him up? And where is Phyllis? This is an okay noirish film that has some humor in it as well as drama. Clark is very good as a confused man trying to make his way through a labyrinth of lies and people. The plot is a little all over the place and not that easy to follow.

Clark was supposed to be another John Garfield, but his career went in another direction. He was very successful in television, appearing as a regular or semi-regular in many series and guest-starring on many TV shows.

Belinda Lee unfortunately died in a car accident in the U. S. when she was 25. In this film, she is around 19 years of age and very beautiful, touted as a Diana Dors-type. A sad end.