Casei-me com a Morte

Down on his luck, and stranger in town, Casey Morrow, meets a beautiful young woman, and agrees to marry her for £500.

I'm not sure I'd have needed the fee to have agreed to marry Belinda Lee, she was genuinely jaw dropping here, not just that she steals the show with a killer performance.

My title may be a a little too far, but when you try to put the various pieces of the plot together, it genuinely doesn't make any sense, the behaviours of the character, their actions and motives, make no sense, and as for the killer's identity, that truly does come straight out of left field.

Despite the plot, it's enjoyable enough, it's atmospheric, and for a British noise, it actually looks impressive, even to this day.

One day I'll rewatch it, and maybe try to interpret the plot better, but as it stands, it's the main detractor here, 6/10.

As was common in the fifties, a jobbing American B-lister was brought over to add a bit of box office to a mid-budget British crime thriller. This time it was Dane Clark who portrays the down at heel "Morrow". In a bar he meets the glamorous "Phyllis Brunner" (Belinda Lee) who gets him a bit drunk then offers him £500 to marry her. Perhaps unsurprisingly, he acquiesces to this perfectly reasonable demand from a women he had known for four hours (?!) but gets quite a shock when he wakes up next day, somewhat thick headed, in an artist's studio covered in blood. Whose blood? It does not take him long to discover that his brand new father-in-law was murdered less that 12 hours earlier and that he is the prime suspect. Can he fathom out what happened before the police hear - and obviously don't believe - his story? Clark is actually not bad, here, but the plot is far too unnecessarily complicated - it could easily trip over it's own cloak and stab itself with it's own dagger - and that rather robs it of any punch. It's also really quite slow, too - quite a few scenes that add little and further decelerate the story. Not bad, but too long and never something you will remember watching.

Although these dozen or so pre-horror Hammer noir films of the early 50s are largely forgotten, they are making something of a comeback through TCM and other vintage film outlets. Of these, 'Blackout' is definitely the best of them.

It's well acted and (despite complaints here about the convoluted plot) well written with plenty of humour. Obviously the producers had to struggle with a low budget that inevitably compromised its production values, but the film makes the most of what it had. Still, it's a treat for Dane Clark fans and those who can see an unrealised talent in Belinda Lee before dying far too young. Their on-screen chemistry is terrific and so are Clark's scenes with Eleanor Summerfield (one of my favourite British supporting actors).

One of 'Blackout's most interesting elements is that, unlike most film noirs, that usually involve male protagonists with a token femme fatale, the plot of 'Blackout' is mostly female-driven.

****SPOILERS*** It's Dane Clark as American on a binge in London Casey Morrow's genuine state of confusion, in following the material he's been handed, that makes "Blackout" worth following to the very end. Which by then were finally told why he's going through all the brain twisting horror he's been suffering for the last 90 or so excruciating minutes on film. Getting smashed at the the swanky Cloud Room Pub in London Casey finds himself approached by this beautiful blond Phyllis Brunner, Belinda Lee, who not only offers to buy the barley sober Casey a couple of drinks but her hand in marriage as well as a bundle of 500 in pound sterling that's about $1,000.00 in US currency!

Later finding himself at artist Maggie Doone's, Eleanor Summerfield,loft apartment Casey finds blood on his suit and a portrait of Phyllis the woman he just met a few hours ago! Not quite knowing what to make of the situation he now finds himself in Casey is farther surprised, if he didn't have enough surprises already,to see in a newspaper headline that Phillis' dad millionaire art collector Darius Brunner had been murdered the night before! It now dawns on Casey that he's been somehow set up by Phillis to take the rap for her dad's murder! The film goes on to show that Phillys is using Casey to keep her fiancé family lawyer Lance Gordon,Andrew Osborn, from getting his hands of her father's money by marrying him instead! This to the strong objections, who thinks the world of Gordon, of her mom London party thrower Alicia, Ann Davies, who want's the marriage with Gordon to become official.

****MAJOR SPOILERS***It to both Phillys and Casey's as well as the audience surprise that the reasons for Momma Brunner wanting her daughter to marry Gordon has nothing at all to do with love & marriage but to cover her own behind in her husband's murder. Who sealed his own fate by finding out the scheme she had with Gordon to fleece him of his millions through a network of phony charity funds. And by doing that she was even more then willing to commit multiple murder, including that of her daughter Phyllis, to gain her objectives or ends up hanging for committing them!

The film begins with Dane Clark being offered a strange marriage proposal from a woman he just met. Not only that, she offers this drunk guy 500 pounds to do the deed! However, upon waking up the next morning, he finds he's implicated with murder and there's no trace of the lady! So, it's up to tough-guy Clark to investigate and clear his name.

Most fans of Film Noir will be surprised to hear that the British (not to mention, the French) made quite a few of these in the 1950s. Oddly, the Brit Noir films were made by Hammer Studios--the same folks who made tons of Dracula, Frankenstein and Mummy films from the late 50s to the mid 1970s! And, oddly, this film is directed by the studio's foremost monster film director, Terence Fisher.

Overall, while this is far from a great film, it does stack up pretty well with the average American example, though I will admit that this film does have a few too many twists and turns (particularly for the character of Phyllis Brunner).