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This was to be Elliott's last western picture. Gone are the slick production values Elliott enjoyed while at Republic, and this entry from Allied Artists is an obvious low budget formula western. Elliott plays the part of the revenge seeking gunslinger to the hilt, but is hampered by pedestrian direction, a soft script, and cheap sets. But somehow the presence of Elliott, as the tight-lipped non-compromising anti-hero shines through, and we are left with a very watchable picture.

Clay Tindall (Bill Elliott) is searching for his brother's killers. This Montana town has been controlled by ruthless rancher Quentin Allen (Carleton Young) and his cowboys. Gail Bonner (Beverly Garland) arrives to marry Quentin without knowing the situation.

This is a standard white hat battling black hats western. It doesn't have great style, but it is very solid. The story telling is fair although nothing surprising or special. The acting is generally pretty good. I am looking for some great stunt work, but it is not forthcoming. That is a bit disappointing. This is a solid old fashion western.

Most of the players around William Elliott did not become household words, with the possible exceptions of Beverly Garland and Claude Akins, who became big TV stars.

But all of them were superior actors, people just loaded with talent.

To name two, Jim Hayward and John Harmon, who played best friends to the hero, performed so believably one has to wonder why stardom did not knock on their doors.

The story was somewhat pedestrian, or at least frequently used, but it is always a good vehicle for action and emotion.

And, since this was an Allied Artists production, the music was excellent, another of those lush scores by the amazing Raoul Kraushaar, a composer of extraordinary talent, and sadly little known today.

Bill Elliott grew up around horses, according to the bio here at IMDb, and he made a believable cowboy and a hero one could always cheer on.

There were so many great actors, from Carleton Young to Veda Ann Borg to John Pickard to Forrest Taylor and John Larch, whose character doesn't even have a name, and we must mention that great ol' pro Dabs Greer, who probably never gave a bad performance.

Perhaps they were as good as they were because R.G. Springsteen was such a good director, one of my favorites among the lesser known directors.

I recommend "Bitter Creek," which is available in an unfortunately too-dark print at YouTube. It is copied from a presentation on Turner Classic Movies, which surely will broadcast it again. Watch it and copy it for yourself.

Wild" Bill Elliott is a cowboy who goes in search of the man who killed his brother, and finds himself in the small town of Bitter Creek, and ends up locking horns with cattle baron Quentin Allen's henchmen, suspecting them of his brother's murder.

An ordinary western featuring a good performance from Wild Bill Elliott and Carlton Young as the main villain. They make this film watchable in an otherwise lukewarm film that just ponders at times. The last 15 minutes, though, has some good gunplay, and there's Claude Akins as the heavy. Nothing earth shattering, but not a bad watch.

This western is forgettable, not worth watching if you have something else to do, for instance painting the fence wall of your house, shopping, cleaning the kitchen.... If you are a die hard fan of Bill Elliott, whom I am not, maybe, I say maybe, you can foresee one hour and fourteen minutes to watch this one. It is bland, flat, with the forever wooden Bill Elliott, who lost in best years back in the late forties at Republic Pictures under the direction of Joseph Kane. But here, Thomas Carr was still a beginner for the company, as also were Harry Keller and RG Springsteen, whilst Joe Kane was already an old timer. I think that under Kane's direction, the result would have been a bit better. I guess.