O Ultimo Bravo

RELEASED IN 1954 and directed by Robert Aldrich, "Apache" is based on the real-life story of Massai (Burt Lancaster), a Chiricahua Apache who was exiled with other Apaches to a reservation in Florida to be held with Geronimo and Chihuahua, but he escapes the train somewhere near St. Louis and travels 1200 miles back to the Mescalero Apache tribal area, conducting one-man raids near what is now the Arizona-New Mexican border. John McIntire plays the chief of scouts commissioned to capture Massai while Charles Bronson (Buchinsky) is on hand as an Apache scout. Jean Peters plays an Apache babe who, in real life, was Zanagoliche.

Massai actually escaped the prison train with a Tonkawa Native named Gray Lizard and they traveled the long journey back by foot together, eventually parting company in Southeastern Arizona. Gray Lizard is, unfortunately, completely omitted in the film.

To enjoy this movie you have to look past Lancaster in the lead role or, at least, imagine him to look more like a real Apache. But, keep this in mind: Since Massai is the sympathetic protagonist of the story the movie would've never been made in the early 50s without a known Hollywood star playing the role. Why? Simple: Producers needed to attract viewers in order for the film to make money. Actually, Lancaster isn't too unbelievable in the role, as long as you can disregard his blue eyes. Unfortunately babelicious Peters looks way too European to play an Apache squaw, even though they tried to hide it by darkening her skin. On the positive side, there are a lot of real Natives in peripheral roles.

The whole first act is great as Massai is a fish-out-of-water in the city of St. Louis. Unfortunately there are dull stretches in the second and third acts. Nevertheless, "Apache" was better than I thought it would be and inspired me to look up the real-life Massai. It was also a hit at the box office despite falling into relative obscurity since then. The score is surprisingly bearable for an old Western.

"Apache" made Native Americans (who aren't really 'native' since their ancestors emigrated from Asia) sympathetic characters in cinema, along with earlier Westerns, like "Buffalo Bill" (1944), "Fort Apache" (1948) and "Broken Arrow" (1950) and later Westerns, like "The Last Wagon" (1956), "A Man Called Horse" (1970) and "I Will Fight No More Forever" (1975).

THE FILM RUNS 1 hours & 31 minutes and was shot in California, Arizona and New Mexico. WRITERS: James R. Webb wrote the script based on Paul Wellman's novel.

GRADE: B-

If you can suspend disbelief that Burt Lancaster and Jean Peters are Apaches, then this isn't a bad western. If you can't, well then there's gonna be a lot of low ratings posted here.

In 1886, Geronimo and his braves surrender to the U.S. Calvary in New Mexico and are shipped off to Ft. Marion, Florida. All except one, an Apache named Massai (Burt Lancaster) who begins a one man war against the whites.

Massai escapes from the train that is shipping the Apaches back east and makes his way back to New Mexico. From there, he attacks wagons, soldiers, bridges etc., making life hard for the authorities. He kidnaps Nalinle (Jean Peters) and takes her up to the hills with him while Indian scouts John McIntire and Charles Bronson hunt them down.

Massai finds an isolated spot in the high country and starts to plant a small corn field from seed he got from a Cherokee farmer (Morris Ankrum). He also gets Peters pregnant with child.

The ending scene in Massai's little cornfield is pure Hollywood. The action scenes are tight as we see Lancaster jumping from rock to rock as he picks off at least 10 of the Indian scouts that have him surrounded. But then as Massai is wounded and runs into McIntire in the cornfield, disbelief occurs and the conclusion seems tacked on in order to make a happy ending out of it. You'll have to see it for yourself.

Still, it's entertaining enough as it is. It's based on a true incident and Lancaster at least brings some dignity to his role as the noble warrior turned farmer who wants to be left in peace. It could've turned out a lot worse.

I give it a 6 out of 10 for his performance alone.

I grew up watching westerns so in turn love them dearly....they tie me in with a great childhood when things were simple and life was good in an unadulterated sense.

Burt Lancaster has always been a prominent actor and his talent is so very showing in this movie. Charles Bronson is also in the movie and comes across very well as a young actor who is later destined to be one of the greatest actors of our time. I thoroughly enjoyed watching this movie on a lazy Saturday afternoon and I highly recommend it for its soothing effects of a simple yesteryear long gone except in cinema.

It is a typical plot of indians being pushed out and destroyed by the Union Army with one stand out rebel.....hell bent with an anger created thru intense hate, yet capable of showing love towards the woman in his life.

Apache is directed by Robert Aldrich and adapted to screenplay by James R. Webb from the novel "Broncho Apache" written by Paul Wellman. It stars Burt Lancaster, Jean Peters, John McIntire, John Dehner, Charles Bronson and Paul Guilfoyle. Music is by David Raksin and cinematography by Ernest Laszlo.

"This is the story of Massai, the last Apache warrior. It has been told and re-told until it has become one of the great legends of the Southwest. it began in 1886 with Geronimo's surrender."

Apache has problems, undoubtedly, from the casting of overtly bright eyed Americans in the principal Native American roles, to the shift into love story territory, and on to the studio enforced compromised ending, it's a mixed bag for sure. If you can get over these "issues" then there is still a lot to enjoy here.

You're not a warrior any more; you're just a whipped Injun.

Apache follows in the footsteps made by Broken Arrow and Devil's Doorway that saw a shift in how Native Americans were being represented on screen. The story of Massai (Lancaster) is a fascinating one, even if the movie doesn't quite be all that it can be. It shows him as a stoic and complex individual, fiercely determined in a last man standing type of way, while his confusion with the world he no longer understands - or cares to be part of - is expertly realised by Lancaster and Aldrich. One sequence has Massai walk through town observing the alien white man world at work, including Chinese folk busying themselves in a laundry, it's a smart piece of writing, proving that there is intelligence and points of worth in the story.

You are like a dying wolf biting at its own wounds.

Thankfully the film doesn't go too far the other way and paint Massai as a saint, we know what he is capable off, and he shows us his skills as a warrior as the story moves on. There's even a scene of major manhandling of Nalinle (Peters) that is uncomfortable viewing but actually integral to Massai's emotional state and how the story between the two unfolds. Here in is the problem, once Massai and Nalinle "fall" for each other the picture loses its edge, where even though Aldrich inserts some more action sequences, the grit, intelligence and narrative thrust has disappeared. This all leads to the ending, that as written originally should have seen a cold and dark finish along the lines of the brilliant Devil's Doorway. Instead we get something approaching cuteness and not as profound as the studio obviously thought it was.

The casting of Lancaster and Peters gives the film athletic muscularity and beauty (respectively), certainly in Lancaster's case he throws himself into a role he actively courted to take him onto another acting level (he co-produced it with Harold Hecht). It takes some getting used to, but they provide wholesome characterisations even if they never convince as Native Americans. Support work from McIntire and Dehner is strong, but unfortunately Bronson (here billed as Buchinsky) is short changed by a screenplay that doesn't enhance a very promising character. Raksin's score blends the usual Indian thrums with a love theme that is not dissimilar to the love theme used by Alex North for Spartacus six years later. While Laszlo's Technicolor photography is grade "A" stuff where the landscapes (a number of locations were used, primarily in California) form a telling part of the plotting.

Problems for sure here, and in truth it's the weakest Western made by the Aldrich/Lancaster pairing, but it has good strengths, it was a financial success and it's a story well worth being told. 7/10

Apart from Burt Lancaster's macho warrior performance, this movie is also saved by Robert Aldrich's direction. It's not brilliant in any sense, but pure enough to tell a story with some unique moments that give it his trade mark. Also the subject matter of an Indian being a hero was not common in the 1950s. It was a brave attempt to create empathy for the Indian Warrior, but it was not difficult because Burt Lancaster played it perfectly in a heroic campy style. I know, white folks playing Indigenous roles can sometimes put you off, but because of the time period it was made in, I decided to let it go and enjoy this Western romp because Lancaster is my all time favorite actors, and I was always interested in Aldrich as an accomplish director who had his own style that suited this film to perfection.