Sombras que Vivem

In this romantic melodrama from Paramount Pictures and director Daniel Mann, boardinghouse proprietor Vivien Leslie (Shirley Booth) flashes back on her romance years earlier with George Leslie (Robert Ryan), an aircraft manufacturer and wartime (WWII) military adviser struggling with personal demons. Mrs. Leslie also tries to help out the various tenants at her residence whose dilemmas include a good cross section of middle class angst 50s style.

In the flashback, Vivien meets George Leslie at a nightspot where she is an entertainer. The two hit it off and he asks her to come to California with him for a six week vacation that he needs to treat the strain he is under and his resulting nerves. What starts out as friendship quickly turns to love and a "same time next year" arrangement with the two having six weeks together in the same beach house every January. Leslie is a bit of a Civil War buff, and Vivien starts to read about the Civil War too, because it makes her feel close to him when they are apart. And this brings me to the most shocking part of the film when it comes to modern sensibilities - A bookstore owner actually says something positive about Robert E. Lee! Oh the humanity!

Booth's nightclub act at the beginning is really quite bad. In spite of that and the fact that Booth and Ryan look every bit of their eleven year age difference, I was moved by Booth's various plights. Her great acting talent managed to transcend her age and even her singing. I also liked Harry Morgan in a small role as a sleazy talent manager with a pencil mustache. In his youth, Harry Morgan could always be counted on to be whatever kind of slimy little weasel the production required, and be memorable in the process.

The film also has a great score, and it turned out to be one of those films that is better than it ought to be.

One of Shirley Booth's true acting performances. For audiences who thought she could only play burned out losers like the plodding,dull houswife in "Come Back,Little Sheba," this film shows she definitely had leading lady status. The story of a boarding house owner recalling her one great love in conjunction with the woes of her boarders is very good. The entire cast shines in support. The carping of Robert Ryan is a strange one.He is entirely believable as her lover. Miss Booth's appearance was almost a shock,she wears nice dresses and tailored suits with ease.Not every woman back then looked like Lana Turner!Surely show business had singers who were slightly dumpy and past their prime. Miss Booth duly projects the longing and lonliness all people feel at one time.The final scene where the last of the boarders leave is sadly sweet,as she sighs and puts out her rooms for rent sign again

Daniel Mann, a master director of dramas, reunites with leading lady Shirley Booth after their successful collaboration in Come Back, Little Sheba to create the wonderfully romantic drama About Mrs. Leslie. If you like these two of their films, be sure to check out their third film together, Hot Spell!

Told in flashbacks, Shirley starts the film off as the owner of a boarding house. Her tenants and neighbors often come to her with their problems, since she's such a sympathetic mother type, and while she deals with their trifles, she remembers her earlier years, before she was Mrs. Leslie. Back then, she was a nightclub singer who fell in love with the handsome, charming, enigmatic Robert Ryan. Their slow-burning love affair is fascinating to watch, and while both actors are naturally likable anyway, they'll instantly win a place in your heart.

As you might expect, since this is a Shirley Booth movie-her movies are much different than Hazel-you might want to keep your Kleenexes handy. Her darling wobbly voice and her terribly sad face makes me cry every time.

Though she was known for her many roles on Broadway and an even more famous part on television, Shirley Booth did not seem to build much of a career as a movie star. Maybe this is because she was rather unlike other actresses that were headlining motion pictures in the 1950s. And that's a good thing, really, because for every Marilyn Monroe, it's kind of nice to have a Shirley Booth, who stands out and gives us something decidedly different and special.

In this film, ABOUT MRS. LESLIE, she is paired with Robert Ryan who plays against type as a mysterious magnate. It's fun to watch him make romantic gestures towards Miss Booth's character. Of course, his idea of companionship differs significantly from hers, yet a bond is forged and it is a lasting connection. Booth displays a range of emotions in this film, and she gets the chance to sing. The story of the couple's unusual courtship is told mostly in flashback, with several subplots in the present to balance out the narrative.

This movie was ahead of it's time, but still posturing to the "Code" and Hayes Office. "Mrs. Leslie" knew she was a once a year Date for a married man, in a "Open Marriage". The movie treated her with respect, as a woman, and not a cheap whatever, going to a Motel with a married man. It didn't matter to her the "reasons" that this man craved her companionship once a year. He never gave her the trite, "I'm getting a divorce", or "She doesn't understand me" spiel when he arranged their vacations. He didn't say anything about his wife, i.e. put-downs, horror stories, when he was Mrs. Leslie, either. The only people in the film that treated her like scum were the Lawyer for the Estate, and the neighbor she babysat.