O Sol Brilha na Imensidade

One of the odd aspects of this film is the post Civil War background that looms large to a greater or lesser degree throughout. This takes the form of a blatantly obvious pro Confederate stance, and an almost religious idolatry of 'Dixie'. Halliwell tells us that Judge Priest, the moral heart of the film, "has trouble quelling the Confederate spirit" - but the opposite is the case - the judge is absolutely central to maintaining and celebrating that spirit. The oddness comes because, it seems to me at least, we are not used to seeing such a character defending black rights, preventing a lynching, etc. Even more peculiar is to see such a 'happy' black population - particularly the quite disturbing courthouse scene where 2 black characters suddenly burst into a grotesque song and dance routine. "Mississippi Burning" this certainly isn't! But certainly a film worth watching, and the prostitute's daughter's funeral scene is excellently done. It somehow feels older than 1953.

'The Sun Shines Bright' is my all-time favourite movie and, though it is now more than 50 years old, there is not one better that has been made since. I first saw it on BBC TV way back and, having taped it for my own use, I never tire of it. The plot, based on stories by Irvin S. Cobb, is beautifully acted out, especially by Charles Winninger as Judge Billy Priest. The evolving drama is most moving. The post-Civil War period setting and atmosphere are perfectly caught by the greatest of all movie directors, John Ford, and the 'moral' (an apparently out-dated word, but still as relevant today as in the 1950s when the movie was made) of this splendid entertainment is still worth marking, learning and inwardly digesting. If Kentucky is still as it is pictured, even if in black-and-white, may I please move there right now?!

A masterpiece and reputedly John Ford's personal favourite from among his own movies. The sentimentality quotient is unnaturally high, even by Ford's standards and the racial stereotypes are appalling but this is still one of the cinema's greatest pieces of folk-art. It speaks of an American South about as realistic as the Ireland of "The Quiet Man" or "The Rising of the Moon", (another great, under-rated Ford film), where the old guard still cling to memories of a hopelessly romantic past, where blacks are treated 'honourably', even if their sole purpose is to play the banjo and the harmonica and in the name of the eponymous actor to 'Stepin Fetchit'.

By today's standards the film is anything but PC but it has an innocence that transcends its stereotypes and Ford handles the set pieces magnificently. In particular, the funeral of the 'fallen woman', (and mother of the heroine), that ends the film is deeply moving and is among the high points of Ford's work. The film itself is a remake of Ford's earlier "Judge Priest" with Charles Winninger in the role made famous by Will Rogers, but this is altogether superior.

I will make an introductory, Autobiographical comment.I am , by training, a Political Theorist and a student of American Institutions.A long time ago, I saw a list of the ten greatest films ever made. The only one I had never heared of was The Sun Shines Bright...Only later did I discover that Ford listed it, with Wagonmaster, as one of his two favorite films. I wrote an essay on Fords "democratic poetics" for a course on Tocqueville(!)In the essay, I analyzed Wagonmaster and the Sun Shines Bright. Wagonmaster(implicitly) and The Sunshines Bright(explicitly)are films about politics, and about democracy. Wagonmaster is ,in fact a pilgrimage narrative, while The Sunshines Bright takes place in a "polis", the tiny Kentucky town of Fairfield,during an election.The whole story is, in fact, a meditation on democracy, leadership, compassion and tradition.Charles Winninger is superb. The Prostitutes funeral,with its closing scene in the church,where Priest quotes the Bible, is simply grand.The parade at the end is very touching, and the final shot of the lonely, but beloved Priest walking alone into his house, is almost equal to the end of The Searchers....Ford was indeed the grand lion of the cinema.

This film although rarely shown, has one beautiful vignette after another. Although a remake of Fords JUDGE PRIEST,we see a small town,where everybody is brought together by Charlie Winninger who portrays Judge Priest. The scene where he campaigns for the decent burial for the Prostitute who has come home to die, just might be one of the finest sequences ever put on film. A film only Ford could pull off, and does!! Don,t miss this one.