Os Mensageiros do Perigo

Three of the stars became major television stars as well. And Rory Calhoun, Dale Robertson, and Robert Wagner made an excellent trio.

Accompanied by two of the loveliest ladies, Lola Albright and Kathleen Crowley, as well as by some un-credited high-caliber performers such as the great John Doucette, George Cheesbro, and Edmund Cobb, they give us a tense western drama.

Anger and revenge for cold-blooded killing always make for drama, and usually the audience, the viewers know which side to take. Here, though, there becomes a question of the right and wrong of lynch law. Who will defend the "official" law, and who will support the old "eye for an eye" law?

The denouement is not what we expect.

Until then, we are torn, because all the protagonists are good people and it is hard to decide for whom to root.

Un-billed is Chuck Connors, but billed is the superb James Millican, as is J.M. Kerrigan in an undemanding but literate and important role.

"The Silver Whip" is available at YouTube and I highly recommend it.

Robert Wagner, thirty years before Hart to Hart. Here, he's young Jess Harker, waiting to leave his quiet little hometown, in one of his early roles. the stagecoach company lets him drive the stage, but of course, there will be obstacles along the way. when they get held up, they go after the gang. co-stars Dale Robertson and Rory Calhoun. Some scenes filmed in the hills east of modesto. GIANT trees on the ponderosa. Directed by Harmon Jones.. his first film as director was As Young As You Feel, with some huge hollywood names; he directed a bunch of big films, but moved into Television pretty quickly. It's good! no real surprises, but it's good.

Frustrated with the lack of opportunities in his hometown, young Jess Harker( Robert Wagner) plans to leave, but sympathetic stagecoach armed guard Race Crim (Dale Robertson) persuades his boss to give Jess the stage driver job. He accepts and gives the kid a chance to drive the stagecoach's main-line carrying $27000 dollars in gold dust and two important passengers. Crim rides as a guard, but when they arrive at a waystation, a gang of outlaws is waiting to ambush the coach. Jess panics and disobeys orders, resulting in the death of both coach passengers and the theft of the gold. Crim's love is among the dead, and he swears vengeance on Slater's gang, heading off after them. Jess is ordered back, but instead joins the posse led by Rory Calhoun's sheriff Tom Davisson, eager to make up for his mistakes. Crim however has turned vigilante, and shows no mercy for Slater's men as a hunts them down, before Tom and Jess apprehend Slater before Crim can hang him. Tom wants justice done, but not the frontier justice that the townsfolk have in mind, and as tensions simmer, friends will clash as doing the right thing becomes the unpopular option.

A fresh-faced Robert Wagner does well as a cocky man who soon goes through trial and tribulations before growing up and becoming someone, and that with the help of Dale Robertson and Rory Calhoun who both went on to have a successful career in westerns. Dale Robertson went on to make Tales of Wells Fargo. This western has plenty of Stagecoach chases, shootouts and they are quite excitingly shot, which gives this decent western a boost. Characterisation is fine, too.

The script is well written, handling clichés very well. The direction is brisk and orderly. The actors are very professional, even the God-awful Robert Wagner. Watching Dale Robertson I am surprised that he didn't become a bigger star: he is at ease in front of the camera, charming when it is called for, and very realistic in his delivery. Rory Calhoun was quite adequate for an undemanding role. This really seemed to be a vehicle for the young Wagner. I must admit I have only enjoyed him in one movie in his career and generally find him uninteresting and sub-par. Was Zanuck gay and in love with him? I will never understand Fox pushing him; but the 50's did bring on the teenage girls in the audience. I guess that was it. Overall, this movie is a little gem that deserves more recognition. I recommend it.

Western novelist Jack Schaefer's follow-up to SHANE, THE SILVER WHIP is turned into a "shaky A" with Dale Robertson, Rory Calhoun, and Robert Wagner in the lead as an ambitious young stage driver. While this black-and-white effort lacks the visual grandeur of George Stevens' masterpiece, and the cast all right. and.... well, this is a good B western, with some nice outdoor photography by Lloyd Ahern Sr.

Director Harmon Jones doesn't seem to push anyone too hard, but it's a well-told story. It's clear they were feeling ambitious with this one. They screenplay is pretty good. I's simply that they chose to tell the story with melodramatic intentions, rather than the simple way that George Stevens' masterpiece did.