Seminole

I have been all over Florida, but have never seen anywhere so exotic looking as the swamp in the film where they paddled through. I have been throughout the Everglades and recognize similarities with much of the film's scenes. Though it is beautiful, I have never seen the unreal beauty shown in the film in the one scene where they are paddling. Where is it... exactly. Someone thought it may be someplace in Tarpon Springs. But, I have searched the internet for a place that might match it. Still nothing. There are plants in the scene that I don't even recognize. They look Floridian, but better than real. My suspicion is that it was what Florida looked like in a less touched era. It is so beautiful that I want to go there tomorrow. But where?

Really enjoyable movie that ticks all the boxes.

The story weaves in and out of a love triangle, a sympathetic soldier and a becoming crazed Senior officer, all trying to find their solution to the Seminole 'problem'.

It never gets stuck too long with one perspective or another, just building the story fluidly as it moves along.

The film has a great look and sound and the performances fit well. More screen time with Marvin would have been a bonus but glad to see him in it.

Also nice to see Hale with a female character who is not a victim or out of her depth as many movies of that era portray, her character has a quiet strength and dignity which along with Hudson and Quinn help to offset the slightly over the top villain of Carlson.

Worth your time :)

Setting the action in Florida land , 1835, and taken from the pages of history , a Cavalry lieutenant Lance (Rock Hudson) recounts his efforts to make peace with the Seminole Indian tribe led by chief Osceola (Anthony Quinn) , under the nasty Major Harlan Degan (Richard Carlson) . Army Lieutenant is assigned a dangerous mission by the evil Major , as they have to face the dangerous Everglades , quicksands and hostile Indians in order to reach safety and battle against risks . As Seminoles purportedly blocking the progress of White civilization . As the motley group throughout jungle swamplands during an Indian uprising . Lance must accompany the Major along with a regiment of soldiers into the Everglades to rout the Seminole Indians who are threatening the early settlers in Florida . After attacking a Seminole fort , they are betrayed then the command is forced to get away , but an injured Lance is rescued by Osceola and submitted to captivity .

This exciting Western packs thrills , noisy action , spectacular struggles and lots of gutsy adventure . Brawling , sprawling , almost primitive action, teeming across the screen . This is a distinctive frontier saga with a special look at uniforms evidently from an earlier age than ordinary cavalry fares . Budd Boetticher demonstrates a special talent for making the densest action sequences seem uncomplicated and uncluttered and his characters , like the scenes distinguished , often have an unfettered , raw power . As well as exploring the anguish of soldiers , the hard relationship between a disturbing Major and his troops and including jarring bursts of violence . This is a moving story about a surrounded garrison and director takes a fine penned script creating a cavalry-Indians tale that is far from ordinary , exploring the anguish and desperation of soldiers and a nutty Major . The characters are fairly basic , but a wonderful use is made of the Florida Everglades , though much of them shot in Universal studios . Thrilling nocturnal army attack on Seminole encampment which results to be a marvellously vivid piece sequence-building , thanks in no small part to slick camerawork by Boetticher . Budd makes the most of the visual contrast between the stiff-upper-lip collars and the swampy environments . Main cast is pretty well . Anthony Quinn gives the best acting as the Indian leader and Hudson's boyhood friend . Support cast is frankly good such as : Lee Marvin , Hugh O'Brian , Russell Johnson , Ralph Moody , James Best and special mention for Richard Carlson as unbalance-mind Major .It displays a glimmer and brilliant cinematography by Russell Metty, Universal Pictures regular . And a moving as well as charming musical score by Henry Mancini and Milton Rosen , though uncredited . The motion picture was well directed by Budd Boetticher who was a Western expert . His first Western was in 1949 called The Wolf Hunters, following Cimarron Kid , Bronco buster , Horizons West , Seminole, and Wings of the hawk . In 1956 with 7 Men From Now starts his collaboration with Randolph Scott, along with producer Harry Joe Brown and writer Burt Kennedy , including prestigious titles as Tall T, Decision at sundown, Buchanan rides alone , Ride lonesome, Comanche station , among others. His last Western was in 1969 titled A time for dying with Audie Murphy. Rating 6. 5/10 . The movie will appeal to Western aficionados and Rock Hudson fans .

The film is partially based on facts about Osceola (1804 - January 30, 1838, Asi-yahola in Creek) : Osceola became an influential leader of the Seminole people in Florida. Of mixed parentage, including Creek, Scottish, African American, and English, he was considered born to his mother's people in the Creek matrilineal kinship system. He was reared by her in the Creek tradition. When he was a child, they migrated to Florida with other Red Stick refugees after their group's defeat in 1814 in the Creek Wars. There they became part of what was known as the Seminole people. In 1836, Osceola led a small group of warriors in the Seminole resistance during the Second Seminole War, when the United States tried to remove the tribe from their lands in Florida to Indian Territory west of the Mississippi River. He became an adviser to Micanopy, the principal chief of the Seminole from 1825 to 1849.Osceola led the Seminole resistance to removal until he was captured on October 21, 1837, by deception, under a flag of truce,when he went to a site near Fort Peyton for peace talks. The United States first imprisoned him at Fort Marion in St. Augustine, then transported him to Fort Moultrie in Charleston, South Carolina. He died there a few months later of causes reported as an internal infection or malaria. Because of his renown, Osceola attracted visitors in prison, including renowned artist George Catlin, who painted perhaps the most well-known portrait of the Seminole leader.

Despite a far-fetched romantic triangle, "Seminole" is a solid early-19th-century historical drama that details the tensions between Florida's Seminole tribe and a U.S. military that is charged with dislodging them from their valuable land. Book-ended by the court martial of Lt. Lance Caldwell, the film relates in flashback the conflict between Caldwell, who has a knowledge and respect for the Seminole, and Major Harlan Degan, a martinet by-the-book officer who will stop at nothing to achieve his ends.

While Rock Hudson is acceptable in the undemanding role of Caldwell, Richard Carlson as Degan has the showier, more intense part, and he delivers a fine performance. The film's two Oscar-winning actors, Lee Marvin and especially Anthony Quinn as Osceola, the Seminole leader, are largely wasted in small, although critical parts. Lovely Barbara Hale as Revere has little to do but incongruously parade her finery and jewelry around a military fort; her romantic chemistry with both Hudson and Quinn fails to ignite. While Hale's splashy costumes, credited to Rosemary Odell, are eye-catching, the Seminoles have the more dazzling wardrobe; whether or not accurate, the actors playing Seminoles wear colorful, well designed outfits and headgear that at least suggest Native American attire. Cinematographer Russell Metty captures the vibrant hues of the costumes and the thick greenery of the Florida Everglades in glorious Technicolor.

Under the direction of Bud Boetticher, a veteran of several outstanding westerns, "Seminole" maintains interest, although action is secondary to dialog, and the climactic scene is borderline laughable for its timing. However, boasting a young Rock Hudson at his physical best, a script by Charles K. Peck Jr that throws some light on a forgotten historical episode, and a competent supporting cast led by Richard Carlson, the Technicolor film is a passable entertainment for most, but essential viewing for Rock Hudson fans.

An extremely clean-cut Rock Hudson is a West Point graduate sent to help the Major at Fort King flush out some Seminole who live in the Floridian swamps. He has some history with the tribe, and it's leader - a rather unconvincing Anthony Quinn, so wants to try finding a peaceable solution to their relocation. Needless to say, they have no intention of being sent to a reservation and the battle lines are drawn. Add to the mix an intransigent by-the-book Major (Richard Carlson) whose only objective is to obey his orders - regardless of casualties; and Barbara Hale as the go-between for the parties and we get quite an enjoyable, if not particularly action-packed adventure story told by way of a retrospective at Hudson's court martial for murder and treason. The photography is lovely, and the script and direction are sufficient to pass the time.