O Homem Fera

A most interesting and weakly executed Sci-Fi diversion, where we have a somewhat unbalanced scientist proposing a theory that brain size is indicative of intelligence. A theory laughed at by fellow scientists in this film, but now recognized as accurate.

Of course, in the film, the scientist promotes as fact that brain size of the neanderthal is perhaps even larger than modern man, when it was not. That's the flaw here, but still we get to see him revert himself back to a neanderthal with violent tendencies, probably also pretty far-fetched. I'd expect a neanderthal in today's world to be more bewildered and frightened than overtly violent for no reason.

Also of notable fun is the "reversion" of house cats to sabre-tooth tigers. Pretty unlikely as they're not really evolutionarily that closely related in any line. But still fun and in one case, ironically deadly.

This is mild low-budget 1950s science fiction, short enough to not be tedious, although the excessively prose dialog is annoying. It's almost like writing in a period stage-drama style of the 1900s, and applying it to a 50s B-movie.

While merely okay, this film could have been so much better in the hands of Jack Arnold and the sci-fi effects wizards at 1950s Universal-International. Oh, wait, I just remembered they did it as Monster on the Campus.

An ultra-cheesy '50s monster flick in which we get to see Robert Shayne (Inspector Henderson from TV's ''Adventures of Superman'') shamelessly recite hilarious dialogue and feverishly overact, as a dedicated mad scientist who's found a way to reverse the evolutionary process! It's the treat of the film to watch him rant and rave about his idiotic theories without applying the brakes. First he turns a common house cat into a fierce saber-toothed tiger, accomplished by the effects team utilizing close-ups of a fake model; later, he jabs himself with a serum that transforms him into the title character. You've got to get a load of this ape-man's face; it's one of the most ridiculous-looking of all film monsters, obviously an over-the-head mask you'd buy in any Halloween shop, and completely expressionless with a rubber muzzle and painted set eyes that don't move. For his creature, the filmmaker should have chosen to stay with the crude third or fourth stage appliances during the chintzy transformation sequence.

A real hoot, and a good deal of fun if you go for these types of silly yet entertaining creature features. We also get to see a young Beverly Garland in the cast, although a double for her is blatantly used in a sequence where she dons a bathing suit and models for a photographer. **1/2 out of ****

Cranky scientist experimenting on transforming animals and people into their prehistoric selves (sorta), tries it out on himself and becomes a Mr. Hyde-type Neanderthal. Robert Shayne (Inspector Henderson from The Adventures of Superman) plays the would-be Jekyll and he's great fun. His character gets upset with everyone and insults them at the slightest provocation. He's a real bitch and I love it! The rest of the cast is solid, with some interesting character actors like Robert Long and Dick Rich helping to keep things moving. The script doesn't give them a lot to work with but they bring their lines to life with conviction. Richard Crane is a bit annoying as the stiff protagonist and just about every woman in the movie is insufferable, save for the great Beverly Garland in a minor role. Working with an obviously limited budget, director E.A. Dupont and cinematographer Stanley Cortez craft a pretty polished-looking B picture. Of course only so much can be done special effects-wise on a small budget but there is some nice camera-work and a decent level of atmosphere in some of the night scenes. Better than some of the other reviewers are giving it credit for but nowhere near a classic. Worth a look for fans of '50s B horror and sci-fi.

Professor Groves theories about the brain capacity of Neanderthal man is viewed as heresy by his fellow scientists. To prove his theories, professor Groves experiments with a de-evolution serum. His early experiments on cats results in one turning into a sabre tooth tiger. He then tries the serum on himself where he is transformed into a Neanderthal man and goes on a killing rampage.

THE NEANDERTHAL MAN is a rather blah horror film with indifferent performances, grainy black and white photography, and scant thrills. The film was directed by E.A. Dupont, the same man who directed VARIETY, one of the greatest films of the silent period. Apparently, by the time THE NEANDERTHAL MAN was made, E.A. Dupont had slipped down to just another hack director, as which this film is evidence of. Even some much less experienced directors working under flimsy circumstances like this showed more inventiveness than Dupont shows here. The best scenes in the film are those with the sabre tooth cat and the one where the hero finds the photographs of an early experiment Groves had conducted on his deaf mute house maid. Overall, THE NEANDERTHAL MAN looks and plays more like a poverty row horror film from 1943 than a low budget horror/sci fi film from 1953.

Of interest to fifties horror/science fiction movie fans is the presence of a very young Beverly Garland as Nola. Unlike her later films where she played a tough fiesty heroine, she plays the standard frightened female who screams and faints.

Neanderthal Man, The (1953)

* 1/2 (out of 4)

Poor horror film about a mad scientist (Robert Shayne) trying to bring man back to the stone age. He turns his pet kitten into a saber-toothed tiger, he then injects himself with his magical serum and turns into the title character. This film only runs 78-minutes but it felt like three hours considering not too much ever happens. The neanderthal man looks silly but the makeup is certainly memorable. The only problem is that he's not on screen enough. Some of the close ups of the tiger gets a few laughs since you can tell it's just a toy. It's also interesting that most horror films from this period try to play the scientist in a sympathetic view point but that's not the case here. The scientist here has got to be the biggest jerk ever to grace a horror film.