AVALIAÇÃO DA IMDb
5,8/10
824
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaA cattle herder turned rustler runs from a lynch mob and falls, again, for an ex-lover.A cattle herder turned rustler runs from a lynch mob and falls, again, for an ex-lover.A cattle herder turned rustler runs from a lynch mob and falls, again, for an ex-lover.
Victor Adamson
- Townsman at Funeral
- (não creditado)
David Alpert
- Undetermined Role
- (não creditado)
Gregg Barton
- Bar X Man in Lynch Mob
- (não creditado)
Robert Bice
- Bar X Man in Lynch Mob
- (não creditado)
Avaliações em destaque
One wonders why Warner Brothers chose to make The Moonlighter in 3-D and yet not bother with color. That almost to me seems self defeating if you're trying to lure people out of their homes and away from their television screens.
And why do this on a minor western? Fred MacMurray and Barbara Stanwyck who made the classic Double Indemnity for Paramount almost a decade earlier set off no sparks in The Moonlighter. MacMurray is in the title role and when one is a Moonlighter one is a cattle rustler who plies his trade during the evening hours. Either way it can get you lynched as a mob from the town where MacMurray is in jail does, but to the wrong guy thinking it's him.
Which allows him to take some revenge on those that wanted to do him in, like Clint Eastwood in Hang 'Em High. Still a wanted man Fred goes back to the old home town where he wants to take up bank robbery and visit his sweetheart Barbara Stanwyck. But she's now seeing his brother William Ching.
Nevertheless Fred does attempt a robbery with old outlaw colleague Ward Bond. After that the plot gets so ridiculous that I almost dare you to see it.
In color it would have been better, but there is a nice sequence at a waterfall involving the stars that must have been great in 3-D. But for my money it's not enough to make up for a really ridiculous plot in a film that neither star thought highly of.
And why do this on a minor western? Fred MacMurray and Barbara Stanwyck who made the classic Double Indemnity for Paramount almost a decade earlier set off no sparks in The Moonlighter. MacMurray is in the title role and when one is a Moonlighter one is a cattle rustler who plies his trade during the evening hours. Either way it can get you lynched as a mob from the town where MacMurray is in jail does, but to the wrong guy thinking it's him.
Which allows him to take some revenge on those that wanted to do him in, like Clint Eastwood in Hang 'Em High. Still a wanted man Fred goes back to the old home town where he wants to take up bank robbery and visit his sweetheart Barbara Stanwyck. But she's now seeing his brother William Ching.
Nevertheless Fred does attempt a robbery with old outlaw colleague Ward Bond. After that the plot gets so ridiculous that I almost dare you to see it.
In color it would have been better, but there is a nice sequence at a waterfall involving the stars that must have been great in 3-D. But for my money it's not enough to make up for a really ridiculous plot in a film that neither star thought highly of.
The Moonlighter re-unites the stars of the great film noir Double Indemnity but to much less effect in this modest and rather tepid Western. Fred MacMurray plays the title character ,a moonlighter being a kind of cattle thief.As the movie opens he is in a prison cell awaiting trial while an inflamed mob is intent on lynching him before he can stand trial.They break into the gaol and summarily execute the wrong man due to mistaken identity. He sets out to wreak revenge on the killers but is wounded and returns home where he finds his sweetheart -played by Stanwyck-on the verge of marrying his bank teller brother.He becomes involved in a bank robbery with tragic results and Stanwyck sets out to bring him to justice.
The performances are acceptable and the major problem is the script by Niven Busch which -perhaps through budgetary and time constraints -never gets to explore the ramifications of the story ,which ends abruptly.
A minor Western it just about passes muster but could have been a lot better.It is however interesting to note that the Stanwyck character is the one most respected by the other characters and the town Marshall has no qualms about deputising her .In addition it is she who delivers the goods --early feminist Western maybe ?
The performances are acceptable and the major problem is the script by Niven Busch which -perhaps through budgetary and time constraints -never gets to explore the ramifications of the story ,which ends abruptly.
A minor Western it just about passes muster but could have been a lot better.It is however interesting to note that the Stanwyck character is the one most respected by the other characters and the town Marshall has no qualms about deputising her .In addition it is she who delivers the goods --early feminist Western maybe ?
Anyone else but Barbara Stanwyck would have delivered her character's lines and they would have sounded completely corny. Somehow she always sounds believable. It's not a great story, but not bad, until the ending. It simply fell flat and was disappointing. I was expecting more.
Wes Anderson (Fred MacMurray) has been moonlighting as a cattle rustler. A crowd has gathered to see him hang. Sheriff Daws insists on saving him for the trial. Rancher Alex Prince's men arrive looking to break into the jail to lynch the man. Wes escapes when the wrong man gets lynched. That man is buried as Wes while Wes seeks revenge upon Alex Prince's men. Wes' ex Rela (Barbara Stanwyck) arrives set to marry his straight-laced younger brother Tom.
Apparently, this was shown in 3D. I don't know how that's done when it's in black and white. It must have been like one of those old toy 3d Viewfinders. Technical aside, this has MacMurray playing against type as a hardened cowboy. Also I don't get much heat with the MacMurray and Stanwyck reunion. Sticking Tom in the middle does not make it a fun love triangle. It's not the best western and I don't know how well the 3d worked. It seems fine otherwise.
Apparently, this was shown in 3D. I don't know how that's done when it's in black and white. It must have been like one of those old toy 3d Viewfinders. Technical aside, this has MacMurray playing against type as a hardened cowboy. Also I don't get much heat with the MacMurray and Stanwyck reunion. Sticking Tom in the middle does not make it a fun love triangle. It's not the best western and I don't know how well the 3d worked. It seems fine otherwise.
Wes Anderson (Fred MacMurray) plays a "moonlighter," which is a person who rustles cattle by moonlight, that is arrested and awaiting trial when a lynch mob after his head storms the jail. The mob doesn't know which prisoner is the moonlighter, so they wind up hanging the wrong man while Wes escapes. He returns later to seek revenge on the members of the lynch mob. He's injured in the process which leads to his reuniting with his ex-girlfriend (Barbara Stanwyck), who is now engaged to Wes' younger brother.
Disappointing 3D western that features the two leads from Double Indemnity but doesn't deserve to even be discussed in the same breath as that classic. It starts out well enough with an exciting opening twenty minutes or so but it all goes downhill after that and becomes a predictable and boring melodrama. The stars are better than this material. No clue why it was in 3D as there's nothing particularly impressive about any of the visuals.
Disappointing 3D western that features the two leads from Double Indemnity but doesn't deserve to even be discussed in the same breath as that classic. It starts out well enough with an exciting opening twenty minutes or so but it all goes downhill after that and becomes a predictable and boring melodrama. The stars are better than this material. No clue why it was in 3D as there's nothing particularly impressive about any of the visuals.
Você sabia?
- CuriosidadesAccording to Ben Mankiewicz on TCM, Barbara Stanwyck did her own stunts during the waterfall scene, and despite becoming black and blue, never held up the production.
- Erros de gravaçãoThe sexed-up image of Rela (Barbara Stanwyck) in a short skirt and low-cut blouse, prominently displayed on the poster, is nothing like the modestly-dressed, 45-year-old Stanwyck who appears in the film; the provocative line of dialogue attributed to her on the poster is never spoken.
- Citações
Rela: You've changed, Wes.
Wes Anderson: Nobody stays the same.
- Cenas durante ou pós-créditosOpening credits roll up from behind the scene of mountains, and include "Photographed in Natural Vision 3 Dimension",
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- How long is The Moonlighter?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Sombras tenebrosas
- Locações de filme
- Peppermint Falls, Sequoia National Forest, Califórnia, EUA(waterfall scene - near Springville, California)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 1.000.000
- Tempo de duração1 hora 18 minutos
- Cor
- Proporção
- 1.37 : 1
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