No Reino das Sombras

Wes Anderson (Fred MacMurray) plays a "moonlighter," which is a person who rustles cattle by moonlight, that is arrested and awaiting trial when a lynch mob after his head storms the jail. The mob doesn't know which prisoner is the moonlighter, so they wind up hanging the wrong man while Wes escapes. He returns later to seek revenge on the members of the lynch mob. He's injured in the process which leads to his reuniting with his ex-girlfriend (Barbara Stanwyck), who is now engaged to Wes' younger brother.

Disappointing 3D western that features the two leads from Double Indemnity but doesn't deserve to even be discussed in the same breath as that classic. It starts out well enough with an exciting opening twenty minutes or so but it all goes downhill after that and becomes a predictable and boring melodrama. The stars are better than this material. No clue why it was in 3D as there's nothing particularly impressive about any of the visuals.

The Moonlighter (1953)

** 1/2 (out of 4)

A rather bizarre Western starts off with a huge bang but then slowly dies into melodrama. Fred MacMurray plays a man believed dead but he shows back up at his mother's house swearing vengeance on what's happened to him. He then realizes that his former love (Barbara Stanwyck) is now seeing his younger brother (William Ching), which sets off a love triangle. THE MOONLIGHTER is an incredibly disappointing film when you consider the cast and especially after how well it got started. I'm not going to spoil the first fifteen-minutes because it delivers a few key plot points that are best if you don't know them going in. I will say that the entire sequence contains some terrific drama, great action and even a couple good laughs. The entire sequence is build around them wanting to lynch a cattle robber but there are many complications that come from this and it really leads to a terrific sequence. Sadly, after this, the film turns into a silly soap opera and the love story between MacMurray and Stanwyck is never believable. The two of them are always good together and their past films prove that but there's very little fire here between the two. I think a lot of this is due to the silly screenplay, which just goes crazy in the second half of the film and even the director makes some silly mistakes including using a score meant for a comedy during a couple critical killing scenes. The ending is without question one of the worst in film history and how characters just flop is downright silly. Even the big action climax at the end doesn't work as the director brings no suspense to it. The actors are fine and that includes Ward Bond as a bad guy but the film is just a mess. Originally this was shown in 3D but outside of the opening credits I didn't see a single thing fly to the screen so this movie's reputation of being one of the worst 3D movies is probably true.

Anyone else but Barbara Stanwyck would have delivered her character's lines and they would have sounded completely corny. Somehow she always sounds believable. It's not a great story, but not bad, until the ending. It simply fell flat and was disappointing. I was expecting more.

Fred McMurray left Barbra Stanwyck five years ago, always promising to return. But, while Babs drifts into an engagement with Fred's brother, Fred has been stealing cattle by moonlight (and barely misses getting lynched for his efforts). Will Babs find true love with THE MOONLIGHTER when he returns to town, or will the production code force Fred to pay some awful penalty before she gets the chance?

Barbara Stanwyck and Fred McMurray made four movies together. Three of them are classics. This justifiably obscure western is the one that isn't. This is true, even though screenwriter Niven Busch was responsible for the great Stanwyck western -- The Furies. What goes wrong here is a mediocre and very disjointed plot that always seems to be darting off in a new, random direction, just when the old plot elements are developing some tension. There's nothing wrong with the acting. Fred and Babs play their roles well. It's just that the movie itself gives the two stars less scenes together than you would think, and cheats Babs of screen time to develop her character in the later portion of the film. Finally the film suffers from a tacked on ending that is five parts production code nonsense and five parts 3-D outdoor spectacular climax.

A western disappointment. All parties involved have done better work.

It seems hard to imagine that in the era of such great westerns as Shane and Wagonmaster a film like The Moonlighter could have been so lacking. This film is let down in nearly all of its scenes by its script. Yet while the script falters, Roy Rowland kind of saves the film through directing some interesting action scenes, including an opening lynching that is fairly riveting to watch, as well as a later fistfight between MacMurray and Ward Bond and horseback riding through a cascading waterfall, all done in decent black and white by ace cinematographer Bert Glennon. It's completely puzzling that the story behind the lynching is dropped in favor of the one about Fred, his brother, and Barbara Stanwyck, a strange love triangle. The roles of MacMurray and the actor who plays his brother should have been reversed, with the younger brother playing Fred's part as the moonlighter (cattle rustler) and Fred playing the loser bank clerk. Yet by the end of the film, it seemed at least slightly better than it was looking like it was going to be. Stanwyck looks convincing in a pretty decent rifle fight even if her affair with moonlighter Fred MacMurray is not anywhere near as hot as it was with him when they were in Double Indemnity.