A Mulher de Satã

The old Sadie Thompson story gets the full Technicolor treatment and some eye-filling location photography of a beautiful South Seas island--but nothing hides the fact that the story is simply another reworking of the Somerset Maugham saga about a sinner, a man of the cloth and a bunch of rowdy U.S. Marines.

RITA HAYWORTH gives her all to put some much needed vitality into the tale and puts some heat into her dance number--"The Heat Is On"--while the men aren't shy about showing how they appreciate her earthy charms. But there's not much to say about the story and its labored message about sin and redemption with JOSE FERRER as the uptight preacher who takes a moral stand on her behavior but can't practice what he preaches.

ALDO RAY and CHARLES BRONSON are among the Sadie admirers in uniform and both of them do splendid jobs. Rita has a nice chemistry in all her scenes with Aldo Ray but her scenes with Ferrer never quite have the impact they're supposed to. She handles all the dramatic moments well, but there's a tired look about her face that is most noticeable during the latter half of the film.

Not exactly an upbeat tale, but Rita does make a believable Sadie Thompson.

At a postwar isolated Pacific military outpost, the men are all taken with Sadie Thompson (Rita Hayworth) who is stopping for a couple of hours in between ships. They try to hide her from the rest of the base. She becomes the toast of the club and finds that she has to stay for a week due to quarantine. The religious Mr. Davidson is the head of the Mission Board who tries to run her off the island before she catches her boat to Sydney. She doesn't want to go back San Francisco and he suspects she's on the run from the law after being in the notorious Emerald Club of Honolulu. Marine Sgt. Phil O'Hara falls for the brash show girl.

Rita Hayworth rides that boat onto the island and shows her star power. She puts on a big show in this movie. José Ferrer is a good cold foil for her. Aldo Ray is a meathead. I can only imagine if the O'Hara role is played by somebody great like Marlon Brando. The story seems to be stuck between something really juicy and a bad morality play. It's a hard-boiled romance exploitation movie. I don't know what it looks like in 3D. It's not obviously shot that way. At its core, Hayworth shows that she still has it.

In the post-World War II, while heading to work in New Caledonia in the southwest Pacific Ocean, the liberal and joyful Miss Sadie Thompson (Rita Hayworth) is stranded in a rainy island in the Pacific when one crewmember gets typhus and the vessel Orduna is put in quarantine. Sadie befriends a group of marines from an American outpost and is courted by Sergeant Phil O'Hara (Aldo Ray) that proposes her to move together with him to Sidney, Australia. However, the moralist and powerful Reverend Alfred Davidson (Jose Ferrer) recognizes her from the infamous Emerald Club in Honolulu and forces her to return to San Francisco where she has a past that haunts her. Nevertheless nobody can run away from himself.

I have just watched "Miss Sadie Thompson" following the recommendation of a friend of mine. Rita Hayworth is impressively wasted for a thirty-five year-old woman, but perfectly cast in the role of a woman with a disreputable past. In a certain moment after the conversion of Sadie Thompson I hated this movie and I found it awfully moralist. However the unexpected plot point is great and saves this tale of corruption of the human soul. My vote is six.

Title (Brazil): "A Mulher de Satã" ("The Satan's Woman")

On an isolated South Pacific island, the unexpected arrival of Sadie Thompson (Rita Hayworth) causes an uproar among the local men at the US Marine Corps base, as well as with visiting philanthropist and religious zealot Alfred Davidson (Jose Ferrer). Sadie quickly strikes up a relationship with Marine Sgt. O'Hara (Aldo Ray), but the increasingly-offended Davidson will stop at nothing to see Miss Thompson and her wicked ways escorted off of the island.

Previously filmed in 1928 with Gloria Swanson and in 1932 with Joan Crawford, this version is heavily censored due to the production code, although it still manages to be mildly racy for the time. I really wasn't liking Rita Hayworth in this, but gradually I began to accept her take on the Thompson character. She's played as not exactly the sharpest tool in the shed, a good-time girl in over her head and barely able to take care of herself. She gets to sing several songs, only she's dubbed, and the syncing is terrible.

Aldo Ray is his usual big lug/gorilla, while Ferrer gets to be self-righteous and bombastic. Charles Bronson gets a little more to do than usual at this stage of his career, playing one of the other Marines, but it's still not much, and he's still billed as Buchinsky (but at least he even got a credit this time). This was shot in 3-D, and played very briefly that way, but it flopped, so a flat version was widely released. The movie received an Oscar nomination for Best Song ("Blue Pacific Blues")

Imagine Pat Robertson pointing his boney crazy fingers out of the screen at you and you've got the picture.

Just saw this at the World 3-D Film Expo and it was quite enjoyable. The movie has great depth and wasn't filmed in a really gimmicky 3-D style. The transitions between location and sound stage work was fairly seamless and there were scenes I really wasn't certain if they were shot in Hollywood or the South Pacific.

It's always interesting to stumble on old movies like these that resonate more than 50 years later. How much and how little has changed when it comes to religious zealots...hhmmm?