AVALIAÇÃO DA IMDb
6,4/10
2,3 mil
SUA AVALIAÇÃO
Antes que as forças de Santa Ana cheguem, soldado é escolhido para escapar de Alamo e alertar as famílias.Antes que as forças de Santa Ana cheguem, soldado é escolhido para escapar de Alamo e alertar as famílias.Antes que as forças de Santa Ana cheguem, soldado é escolhido para escapar de Alamo e alertar as famílias.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 vitória no total
Julie Adams
- Beth Anders
- (as Julia Adams)
John Daheim
- Cavish
- (as John Day)
Marc Cavell
- Carlos
- (as Mark Cavell)
Carl Andre
- Soldier
- (não creditado)
Emile Avery
- Soldier
- (não creditado)
Trevor Bardette
- Davy Crockett
- (não creditado)
John Barton
- Townsman
- (não creditado)
Raymond Bond
- Minor Role
- (não creditado)
Bob Burns
- Wagon Train Member
- (não creditado)
Avaliações em destaque
There is always something interesting and just a bit different in this Director's Movies. This one is no exception. It is replete with thought provoking ideas like cowardice, bigotry, loyalty, and other values only found in the better Westerns.
This is an action filled Film with guns blazing, galloping Horses, Wagon Trains, bushwhackers, Mexican impersonators, fist-fights and all that is expected in this type of thing. But the difference here is the intelligence. The injection in a popular genre some things that rose above the material.
Budd Boetticher, Anthony Mann, and sometimes John Ford and Howard Hawks always gave more than the raw material. This is a modest effort from one of the Greats with an OK cast and a Production that looks so much bigger than it was. That was Boetticher, he was always so much bigger and better than what he was allowed.
This is an action filled Film with guns blazing, galloping Horses, Wagon Trains, bushwhackers, Mexican impersonators, fist-fights and all that is expected in this type of thing. But the difference here is the intelligence. The injection in a popular genre some things that rose above the material.
Budd Boetticher, Anthony Mann, and sometimes John Ford and Howard Hawks always gave more than the raw material. This is a modest effort from one of the Greats with an OK cast and a Production that looks so much bigger than it was. That was Boetticher, he was always so much bigger and better than what he was allowed.
As the war for Texas independence heightens, the Alamo has become a critical point of time buying interest. Fearing their families will perish under the might of the marauding Mexican army, the men of the Alamo draw lots to see which one of them will flee the Alamo battle to steer the respective families out of harms way. John Stroud is the man faced with the task, but upon reaching his destinations he finds he's too late to save anyone. However, this is just the start of his worries as he finds he has been branded a coward for leaving the Alamo, where all have now perished; while his attempts to avenge the murder of his family are beset with problems at every turn.
In truth, no great shakes in the Western genre here, and certainly not even close to being amongst the better work of director Budd Boetticher (The Tall T & Comanche Station) or Glenn Ford (The Big Heat & Blackboard Jungle). It's also not high on production value and doesn't have location vitality to give it an earthy sheen, it still, however, manages to be an entertaining piece putting an interesting offshoot to the Alamo legend. Glenn Ford is a watchable star at the best of times and he manages to keep this picture afloat by putting a bit of cool bravado urgency into the role of John Stroud, with dashes of emotional fortitude, his relationship with the young, recently orphaned Carlos, gives the film its emotional weight, and when that sits alongside the usual array of shoot them up sequences it makes for good honest Western fare.
Of the supporting cast, Chill Wills and Neville Brand put in some fine work, while there has been far far worse female leads in this genre than the radiant Julie Adams. Of Boetticher's direction? It's just about adequate, where working within the confines of the lot and it's lowly budget origins, he manages to pull it thru; but in truth probably himself cringed at some of the final night time sequences in the cut. He of course, a couple of years down the line, would go on to direct some of the best genre pieces on the market, so he owes the genre fan very little all told. So good and bad here folks, with the good far outweighing the technically bad deficiencies on offer. But I mean come on now, if you can't enjoy Ford having a good old punch up on the brink of a waterfall? Well you're probably better off not watching a 50s B movie Western in the first place then. 6.5/10
In truth, no great shakes in the Western genre here, and certainly not even close to being amongst the better work of director Budd Boetticher (The Tall T & Comanche Station) or Glenn Ford (The Big Heat & Blackboard Jungle). It's also not high on production value and doesn't have location vitality to give it an earthy sheen, it still, however, manages to be an entertaining piece putting an interesting offshoot to the Alamo legend. Glenn Ford is a watchable star at the best of times and he manages to keep this picture afloat by putting a bit of cool bravado urgency into the role of John Stroud, with dashes of emotional fortitude, his relationship with the young, recently orphaned Carlos, gives the film its emotional weight, and when that sits alongside the usual array of shoot them up sequences it makes for good honest Western fare.
Of the supporting cast, Chill Wills and Neville Brand put in some fine work, while there has been far far worse female leads in this genre than the radiant Julie Adams. Of Boetticher's direction? It's just about adequate, where working within the confines of the lot and it's lowly budget origins, he manages to pull it thru; but in truth probably himself cringed at some of the final night time sequences in the cut. He of course, a couple of years down the line, would go on to direct some of the best genre pieces on the market, so he owes the genre fan very little all told. So good and bad here folks, with the good far outweighing the technically bad deficiencies on offer. But I mean come on now, if you can't enjoy Ford having a good old punch up on the brink of a waterfall? Well you're probably better off not watching a 50s B movie Western in the first place then. 6.5/10
By chance, June clouds threatening, I sat down and watched this entertaining western on a Saturday afternoon. An earlier commentator ended his praise for this film by noting that it is "an excellent western for a Saturday afternoon." And it was. The ethical dilemma of leaving a field of battle (in this case the Alamo)to try and save the lives of loved ones is a powerful theme. The repercussions to John Stroud, Ford's weary but stalwart character, are scorn, accusations of cowardice and worse. The best part of the film are the sweeping shots of the Texas plains. The movie is well-composed, capturing the majestic plains and hills with a strength of purpose that demands an emotional response. One of the early films of Jeanne Cooper, who is a favorite of mine.
Drawing straws (or in this case beans) Texas patriot Glenn Ford is picked to leave the Alamo in order to evacuate his and his neighbor's families, only to find them all dead at the hands of marauders and himself branded a coward.
Starting with a fairly colorful, low-budget Alamo siege (shot on a sound-stage!), this is pretty compelling all the way, with an excellent, hard-boiled performance from Ford and nice direction from the great Budd Boetticher, one of the best unsung western filmmakers ever.
This is almost as good as Boetticher's later collaborations with Randolph Scott. My only problem is that this wasn't shot in widescreen.
As far as the supporting cast goes, Chill Wills is always fun to watch, while the incredibly beautiful Julie Adams is always fun to look at, and Neville Brand delivers some great, macho, swaggering villainy that easily overshadows the more subdued Victor Jory.
On the other hand, I can't quite understand the Golden Globe win by Hugh O'Brian. He's okay, but slightly bland as Ford's main accuser.
Starting with a fairly colorful, low-budget Alamo siege (shot on a sound-stage!), this is pretty compelling all the way, with an excellent, hard-boiled performance from Ford and nice direction from the great Budd Boetticher, one of the best unsung western filmmakers ever.
This is almost as good as Boetticher's later collaborations with Randolph Scott. My only problem is that this wasn't shot in widescreen.
As far as the supporting cast goes, Chill Wills is always fun to watch, while the incredibly beautiful Julie Adams is always fun to look at, and Neville Brand delivers some great, macho, swaggering villainy that easily overshadows the more subdued Victor Jory.
On the other hand, I can't quite understand the Golden Globe win by Hugh O'Brian. He's okay, but slightly bland as Ford's main accuser.
Every single picture signed by Budd Boetticher worthwhile to see, one the greatest western director of all time, The Man From The Alamo is a minor work, about the famous Alamo when Texas became an independent Republic and Col. Santa Anna tries incorporate it on Mexico territory, the story starts at Alamo under siege and strong attack, some farmers decides that one of them will be choose to look out how are their families around, the chosen one is John Stroud (Glenn Ford), he left the Alamo before the massacre took place.
Aftermaths find out his whole family killed by American allied at Santa Anna's cause, solely remainder a one survivor only, the little Mexican boy Carlos who is a kid of his old employee also killed in the raid, Carlos told to Stroud that weren't Mexican soldiers that killed them, but American men disguised as Mexican outfits lead by the renegade Jess Wade (Victor Jory) reaching at near city Stroud is treat as coward and he needs clean your name, however first he wants a revenge against Jess Wade that killed his family meanwhile Gen. Huston is gathering men to strickes back.
It displayed a lit bit about Texas story, re-telling how the lonely territory was still apart of the United States at its time, the Alamo and all unfold the real happenings afterwards over the Alamo massacre and under leadership of the Gen San Huston at final battle of San Jacinto, instead the picture focuses on the story of a supposed man John Stroud, the casting have so many interesting people as Julie Adams, Chill Wills, Hugh O'Brien, Neville Brand an upcoming stars as Guy Williams, Stuart Whitman and Dennis Weaver, also the old acquaintance of us uncredited Kenneth MacDonald who was a usual guest as bad guy on The Three Stooges.
Thanks for reading.
Resume:
First watch: 2023 / How many: 1 / Source: DVD / Rating: 7.
Aftermaths find out his whole family killed by American allied at Santa Anna's cause, solely remainder a one survivor only, the little Mexican boy Carlos who is a kid of his old employee also killed in the raid, Carlos told to Stroud that weren't Mexican soldiers that killed them, but American men disguised as Mexican outfits lead by the renegade Jess Wade (Victor Jory) reaching at near city Stroud is treat as coward and he needs clean your name, however first he wants a revenge against Jess Wade that killed his family meanwhile Gen. Huston is gathering men to strickes back.
It displayed a lit bit about Texas story, re-telling how the lonely territory was still apart of the United States at its time, the Alamo and all unfold the real happenings afterwards over the Alamo massacre and under leadership of the Gen San Huston at final battle of San Jacinto, instead the picture focuses on the story of a supposed man John Stroud, the casting have so many interesting people as Julie Adams, Chill Wills, Hugh O'Brien, Neville Brand an upcoming stars as Guy Williams, Stuart Whitman and Dennis Weaver, also the old acquaintance of us uncredited Kenneth MacDonald who was a usual guest as bad guy on The Three Stooges.
Thanks for reading.
Resume:
First watch: 2023 / How many: 1 / Source: DVD / Rating: 7.
Você sabia?
- CuriosidadesAccording to a September 1952 Hollywood Reporter news item, Glenn Ford suffered three broken ribs during production when he was thrown against a tree by a horse. Filming was suspended for approximately five weeks.
- Erros de gravaçãoThe revolvers employed by many of the characters all date from after the American Civil War (1861-1865). The film is set between the Battle of the Alamo (February/March 1836) and the Battle of San Jacinto (April, 1836).
- Citações
Davy Crockett: What did he say, Colonel?
Lt. Col. Travis: He just said if we don't walk out of here right now with our hands in the air, we won't walk out at all.
Billings: What are you going to tell him, sir?
Lt. Col. Travis: Is this cannon loaded?
- ConexõesFeatured in Budd Boetticher: A Man Can Do That (2005)
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- How long is The Man from the Alamo?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idiomas
- Também conhecido como
- The Man from the Alamo
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 1.150.000
- Tempo de duração
- 1 h 19 min(79 min)
- Cor
- Proporção
- 1.37 : 1
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