Heróis de Malta

Having never had a chance to visit this island, nor been made aware of its importance to the allied forces during WW II, I appreciated the snatch of history of Malta and its inhabitants and of the incredibly impressive air shots of the RAF at work. Other commentators say much of this footage is archival; if so, then the editing is commendable, as is the transitional camera work, which is virtually seamless. In this day and age when so many battles and flight scenes are achieved by graphic simulation, I feel there is a sense of integrity in this film that cannot be easily duplicated today, regardless of all of the technology at our disposal. This is perhaps the quality of Ealing studios at work.

The black and white graininess of the film also gives it a documentary feel -- the strong light and shadow of the landscape shots of air, water and rocks that give us the vivid sense of place -- remind me also of Italian verismo cinema and reinforce that impression.

As for the acting, I did not feel it in the least "wooden." Actors who emote all over the place are not necessarily conveying true emotion: they are "acting." As with certain aspects of Italian cinema, more is conveyed in what is left out and held back than what is overtly revealed. I felt all of the performances, and especially Guinness's, and including his leading lady, were true to their character. The intelligence in his eyes and the slight, fleeting change of expression in his face, as he reacts, for example, to Hawkins' approval of his reconnaissance flights, is an example of the subtlety that would characterize all of Guinness's performances. Viewers who expect too much overt emotion are possibly allowing the actors on screen to experience it for them, rather than being drawn into the emotion and circumstance of the onscreen drama unfolding. Calling it a "stiff upper lip" may be one easy way to describe it, but one does have a sense in this film of people with some depth and substance, depicted with a visual honesty, who are caught in a life and death situation.

Of four stars, at least three *** without reservation.

I have not seen this film for many years and was interested to see it again on Talking Pictures last night.I was in Malta just over 2 months ago.I recognised so many features from this film.I visited the war tunnels and the ops room depicted in this film as well as the citadel.The film was a fairly faithful depiction of events.It is a pity they decided to include a silly love story.Alec Guineas is woefully miscast as an RAF pilot.

"The Malta Story" isn't a particularly memorable War film. It is rather routine and ordinary and Alec Guinness isn't exactly having to stretch his acting muscles that much. That isn't meant as a criticism necessarily. I'm guessing the actor felt that "The Malta Story" was a bit less demanding after reading his copy of the script. Therefore, his approach to the film was to make enough effort with his performance to be professional. If that were the case, his approach was the correct one. For all his versatility, Alec Guinness just doesn't convince in the scenes as the "romantic lover." The story concerns the R.A.F being stationed in Malta (and filmed there) and Alec Guinness playing just one of many pilots who have been posted. The narrative doesn't seem to rise above the ordinary, just as with the dialogue. It is the kind of dialogue that has been repeated many a time in War films but with more imagination. Jack Hawkins does his usual as the posh, stiff upper lip character whilst cast as a commanding officer. He was never one of the most exciting actors in the world but is ok here. The two leading ladies have little to do or to offer. The romantic subplot is utterly pointless and adds nothing to this film. Anthony Steel - totally forgotten these days - is merely a "pretty boy" name with no acting ability whatever. He soon faded from public memory by the early 1960s and good riddance! The location photography may benefit "The Malta Story" from a technical standpoint but it can't disguise the boring script and pace. Luckily, such a distinguished actor like Alec Guinness will be long remembered for his defining films. There is no way that the above War film can be mentioned in the same breath as "Ice Cold in Alex," "Dunkirk" or "I Was Monty's Double."

Someone else unfortunately used the title, location, location, location, in his film review. It's not only the plot of the movie, it's the history of Malta.

Malta located south of Sicily and right in the middle of that Mediterranean bottleneck between Sicily and Tunisia has had the misfortune by geography to be smack in the middle of supply and trade routes since ancient times. That made it desirable real estate. Malta's been occupied by every conqueror operating in that area, most recently the British during World War II.

And at that time that island with its air and naval base was doing a lot of damage to Erwin Rommel's supply route in North Africa. With unbelievable courage the British garrison held on for over two years and was never really out of harm's way until the Allies took Sicily.

Lots of black and white combat footage used and together with the performances of the male leads, Alec Guinness, Jack Hawkins, and Anthony Steel the film has a nice documentary feel. Guinness who plays so many quirky type characters on the screen is for once a very straightforward lead as Peter Ross aerial reconnaissance photographer. He has a romance going with one of the locals and her mother is played by Flora Robson.

There is an interesting subplot there in which Flora Robson's son is taken prisoner as a spy for the Italians and sentenced to be executed as a spy. He tells his British captors that he is in fact a Maltese patriot and that they are the occupiers and it's their occupation that is bringing death and destruction to his people. Not that he wasn't right. The Maltese finally do have their independence now.

A film that is a great tribute to the heroism of the British forces on the island of Malta.

Having just read "Tobruk" by Chester Wilmot, a journalist who spent time in the Tobruk siege and reported diligently about it, this piece informed me of another similar siege that I was unaware of. The use of archive footage is fascinating, mixed in with a simple story of love that feels lighter and without the moralising heaviness and embarrassing "post modern" pretensions of many modern day films ... especially war films. Very much a product of it's time ... they really don't make them like this anymore. Some of it feels like a War time moral raising film. I even thought it was made in the war until I found out the 1953 date. But memories were still strong in those days of course, so there is a flavour of a story burning to be told to the world before times move on.