Com a Lei e a Ordem

It would be easy to poke fun at a Western that features the red-white-and blue tie President Reagan and the Gilligan's Island Professor, Russell Johnson, but both men turn in believable and thought-provoking performances.

The Johnson brothers (Reagan, Johnson, and Alex Nicol) move to a town, appropriately named "Contention" (love that name!), as retired lawmen tired of shooting it out with bad guys and hoping for a peaceful existence. As is customary in Westerns, evil runs the town, and guess who eventually has to wield a 6-gun to clean things up. The positive ethics of supporting law and order with a non-violent approach serves Reagan surprisingly well; he plays the role with earnest conviction. Johnson, as his brazen and impulsive younger brother, is a polar opposite and good balance to study the nature of both men. When the latter involves himself with the sister of the head honcho bad guy, the stage is set for good and evil to encounter one another in classic Western tradition.

A better than average horse opera with a well presented message. Good for Saturday afternoon viewing.

Ronald Reagan quits his job as sheriff of Tombstone (No, he's not Wyatt Earp.) and heads for greener pastures in an attempt to start a new calmer life for himself and his brothers, only to find out that his new home is run with an iron hand, both figuratively and literally, by old foe Preston Foster and his sniveling sons.

A solid studio B-western, this looks like a million bucks in gorgeous Technicolor and has a script that really knows what buttons to push.

One of Reagan's better roles, he strikes all the right notes and is definitely well cast.

This is also a great showcase for up and coming future stars Russell Johnson (the professor on Gilligan's Island) and an almost unrecognizable Dennis Weaver, who really makes the best out of his role as one of Foster's sadistic sons.

The final fist-fight between Reagan and Foster is well staged, exciting, and immensely satisfying.

Too many critics sneer at Ronald Reagan's career in films. THey obviously didn't see this film. Law and Order is a solid western made in the era when westerns were made well. The script is tight, with plenty of action, but not weighted down with too much gratuitous violence that marks most of Eastwood's films. Reagan's performance as Frame Johnson is natural and believable. His skill in the saddle is displayed several times. He comes across tough and determined, yet has scruples. THe supporting cast boasts such veterans as Russell Johnson (who appears in many sci-fi films of the fifties) and Preston Foster and Dorothy Malone. Nathan Juran directed many films and television programs and was good at maximizing the low budget that Universal gave him for this effort. Another good western starring Reagan is Last Outpost (1951). Law and Order is definitely worth seeing - If Reagan had made more films of this caliber, he might not have gone into politics.

Even with technicolor and location shooting, the remake of the classic western Law and Order with Walter Huston pales in comparison. Ronald Reagan just isn't Walter Huston, he doesn't create the singleminded purpose of Huston's Frame Johnson. Reagan's forte is affability, it doesn't translate well here.

Frame Johnson and his two brothers, played by Alex Nicol and Russell Johnson, leave Tombstone where Johnson is marshal because Johnson is tired of it. They go to Contention, but the problems of lawlessness are rampant there. Corrupt sheriff Barry Kelley and town boss Preston Foster pretty much run things their way. The decent citizens call on Reagan and the brothers to help out. Brother Alex Nicol does and is killed. You can figure the rest out.

The film does have the always lovely presence of Dorothy Malone, three years away from her Oscar in Written on the Wind. Dorothy was first noticed as the bookstore proprietess who catches Humphrey Bogart's eye in The Big Sleep. She did mostly westerns after that, usually as the nice girl in gingham that the hero gets. Good thing someone saw she had more going for her than that. Here she's a reluctant saloon owner, her old man left her the place and she runs it to earn a living. Girl's gotta do, what a girl's gotta do.

And of course you would have to be blind and ignorant of any kind of western history not to notice the obvious parallels between this film and any and all films with Wyatt Earp as the central character.

Fun movie, with some good action (entertaining fight later in the movie) and some great lines. The most memorable part for me though has to be the fastest romance in the west. Guy meets girl says hello, 5 mins later lets elope!!! Hilarious.

All the performances are great!