Os Turbulentos

The Last Posse is directed by Alfred L. Werker and co-written by Seymour Bennett, Connie Bennett and Kenneth Gamet. It stars Broderick Crawford, Charles Bickford, John Derek and Wanda Hendrix. Primary location used for the shoot is Lone Pine, Alabama Hills, California, with Burnett Guffey on photography duties. Out of Columbia Pictures, story tells of how a returning posse on the trail of outlaw robbers, return to Roswell, New Mexico, minus their leader and with their accompanying sheriff critically wounded.

Much better than its B movie origins, The Last Posse is strong in characterisations, visually smart and being structured as it is, primarily in flashback, also getting a bit of unusual intrigue tossed into the Oatmeal. It's also very well acted, with Crawford and Bickford making for a nice gruff opposing pair, and the support cast is filled with solid performers like Henry Hull, Warner Anderson and Skip Homeier. Director Werker (He Walked By Night) does a good job of keeping the story nicely paced, dotting the plot with some well staged action along the way, and the finale, thankfully not telegraphed, doesn't disappoint at all. But in the main it's the writing and Guffey's photography that lifts it above average. The various members of the posse are either troubled or driven by motive, making for a good psychological mix, and this in turn is well realised by Guffey's crisp black and white photography of the Lone Pine, Alabama Hills landscapes. The numerous boulders and odd shaped rocks impose on the characters and the desert flats make a grim stage for the unfolding story.

Easily recommended to the Western movie fan. 7/10

Yes folks, this superb little western - posse western, a genre within the genre - is produced by the same man who will work several years later with Budd Boetticher and Randolph Scott on the same kind of stuff. Short, small budgets but so great ideas, with nothing really expected, nothing predictable and pulled by strong performances, and the whole without any f...heroes; only terrific characterd=s study. Look for instance Broderick Crawford in one of his best roles, an aging sheriff, his most poignant, terrific ones. And with this western, director Alfred Werker, proves once more - before DEVIL'S CANYON, THREE HOURS TO KILL, CANYON CROSSROADS, AT GUNPOINT, REBEL IN TOWN - that he was nearly at the level of a Budd Boetticher in terms of budget-quality ratio.

Its a Western and honors the theme quite well. It has familiar faces, horses, drinking, fighting, saloon activity, bank robbery, little town, scenery and a woman or two or three to make the connection to the audience. What I liked the best was the story. Realize that there must have been millions of stories having to do with settling in the West during the start-up period. All remain remarkable and unique some succeeding and many failing. Here we are introduced to a town that made it through the rough period and it looks like they have a future or do they? Let the story tell it. Also look forward to what I consider a decent ending if only for this reason. It leaves quite a bit to the viewers imagination as to what happened after the end credits. The questions are obvious and I don't want to spoil it for you. It is interesting to note that a rancher made over 100,000.00 in this movie selling cattle (beef) to the a middleman who sells it to the end users. This was in high demand at the time and a person could get wealthy running cattle if they could get past all the hardships including but no limited to: Rustling, drought, death, weather, illness, and huge logistics problems. If one navigated successfully, you made a fortune and did it again and again giving jobs to many and helping a town grow as well as yourself and your holdings. Much wealth early on was generated this way and handed down. Of course people in the cities had to have beef and they ate tons of it. They still do. Today, the prices are outrageously high for this city boy who lives in CA. I wonder if it is cheaper where they raise them? I bet it is. Enjoy a good sandwich and tasty drink while watching this and a decent snack after that. Oh and special mention to Broderick Crawford who I liked who played in Highway Patrol always speaking in his car microphone 2150 by...LOL

If you love Westerns, you'll love The Last Posse. I had never heard of it before TCM tossed it into their Broderick Crawford Day of movies. Great cast too! Not only Crawford but Henry Hull, Charles Bickford as well as Harry Hayden, an always uncredited character actor who I've come to notice. Much of the film takes place in the desert among some absolutely remarkable rock formations as the backdrop. Anyway, all Western Lovers should have this one on their list. I thought I'd seen just about every Western at least once so this really came as a wonderful surprise. Watch for it and enjoy! At less than 90 minutes long, it doesn't wear out its welcome like this overlong review! Unfortunately the IMDb insists on ten lines whether or not you have something to say. OK, it finally says I wrote enough lines!

The movie's plot-heavy but interesting. A bedraggled posse rides into town after completing their mission. But their story of what happened is hiding something. Still, they're the town's most respectable men, including the wounded sheriff. So what really happened; we know it's not their official story. Later, we learn the truth by flashback, with some surprises.

Producer Harry Joe Brown shows his continuing fascination with the neolithic Alabama Hills by filming the chase and showdown amid the bare rock slabs. It's staging he would later use in his classic Ranown westerns with Randolph Scott. The wobbly sheriff seems like an odd role for an Oscar winner of only a couple years earlier. But then, the tubby, homely Crawford was not exactly movie star material. His role here, however, is a gutsy one for any former Oscar winner. The looks department goes instead to John Derek in a pivotal role that he unfortunately appears bored with. At the same time, the fetching ingénue Hendrix gets a tacked-on role as relief from all the ugly guys. Too bad that great impersonator of ornery young punks, Skip Homeier, doesn't get more screen time.

All in all, there's enough plot and interesting characters to merit a longer runtime. Then too, it's well enough produced to also merit Technicolor instead of b&w. Nonetheless, the movie's a non- formula western, more interesting than most, with lots of compelling scenery, pretty good action-- especially around the rock slabs—and a fine cast. So horse opera fans should enjoy it, despite the sometimes clotted storyline.