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Henry King directed Tyrone Power in ll pictures (This one was number nine) beginning with "Lloyds of London," which first shot the young actor to stardom...

King directed many of Power's best pictures including "In Old Chicago," "Alexander's Ragtime Band," "Jesse James," "The Black Rose," "Captain From Castile" and "Prince of Foxes"...

Power was a great actor able to star in everything from Musicals and Westerns to historical epics and swashbucklers... He was originally meant to do the first CinemaScope film, "The Robe" in 1953, but ended up with "The King of the Khyber Rifles" instead.

Power gives adequate performance as Alan King, a half-caste British army captain charging around the hills of India with courage and pride...

He crushes a rebel uprising led by a boyhood friend, and engages in a fight-to-the-death... He struggles up and down rocky cliffs of the Himalayan Mountain Ranges and romances his commanding officer's daughter... all against the backdrop of a legendary Indian Mutiny (also called Sepoy Mutiny)

Michael Rennie is cast as the tall Brigadier General Maitland who judges King (Tyrone Power) by his special qualifications, appointing him commander of the Khyber Riflemen...

Rennie's pretty daughter Susan (Terry Moore) finds herself attracted to the handsome captain, causing a rivalry between King and Lieutenant Heath (John Justin), the officer who spread the news about King's mixed racial descent...

Guy Rolfe is the ruthless Karram Khan, a rebel who tries to end the British rule... He warns King: "Last night you spare my life, now I return the gesture. But we will meet again and when we do, there will be no hesitation."

The most dramatic moment of the motion picture is the spearing to death of four helpless British captives tied to a long wooden mast, waiting in fear to be executed by Khan's men... Power is also fastened, expecting the same fate, to be thrust in the chest by a deadly weapon...

The film, spectacularly directed by a sure-handed craftsman, is sufficiently picturesque with bright and shining landscapes, very entertaining with an alarming storm and a rousing climax in which Power leads a furious assault filling the giant CinemaScope screen with impressive action sequences...

Quite a few of those machine-tooled early CinemaScope productions from Twentieth Century Fox seem to be consigned to the dustbins of the memories of those of us who had the good fortune to see them in their full widescreen ratio with a magnetic stereophonic soundtrack during their initial release.

This one, directed with unusual energy by that Hollywood veteran, Henry King; lensed by that master of the color cameras, Leon Shamroy; and graced with a suitably sweeping score by Bernard Herrmann, looks like its lost in the archives where, let us hope, the master negative survives until the day that keepers of the Twentieth vaults come to their senses and favor us with a DVD release in the original (not reduced to anything less, please!) widescreen anamorphic format.

Terry Moore, who enjoyed a brief run as one of Fox's oft-used ingenues (and ladies of somewhat easier virtue, as in "Peyton Place") did seem a bit miscast, but Tyrone Power, Michael Rennie and well-chosen supporting players outshone her shortcomings. I recall that TIME magazine gave this quite a positive review and I remember that its use of mountainous California locations were quite convincing as a substitute for sending a company (or just a second unit) all the way to India's probably less hospitable subcontinent.

Director Henry King and star Tyrone Power teamed up for their ninth film, almost 20 years after King helped Power shoot to stardom when he chose him as Jonathan in "Lloyds of London." Why do I think Power was somewhat less ebullient this time around. By 1953, he was surely in a mad rush to finish his contract with Fox, as he had already formed his own production company.

"King of the Khyber Rifles" gets the full major picture treatment, in CinemaScope, and it is a film filled with battles, adventure, panaromas, and a little romance thrown in. You can't have Tyrone Power in a movie without some of that! He plays a half-caste who is put in charge of the Khyber Rifles. Eventually, he is given the assignment of putting down a rebellion led by a childhood friend, Karram Khan, menacingly played by Guy Rolfe. Terry Moore plays the British daughter of the brigadier general (Michael Rennie) who falls in love with Power, and that's a forbidden love. In real life, when she first saw the actor, she was so staggered that she developed a facial tic. Power asked King if they could sit quietly and run lines before shooting the scene, which allowed her to calm down. She's fairly vapid in the role.

The last part of the movie is very exciting and beautifully photographed. The film definitely hold's one's interest.

Power looks great - handsome and tanned, as Lieutenant King, but it's really not much of a role. The romantic scenes are marvelous, and he does display a lot of physical prowess. He was unfortunately one of the huge stars of the golden era who did not do a lot of great pictures. Ironically, some of his films not highly thought of at the time have found appreciative audiences today, 47 years after his death. Too bad he's not here to see it.

Previously filmed by John Ford in 1929 with Victor McLaglen as 'The Black Watch'. This handsome-looking Empire film set in 1857 is actually a far more sombre, character-driven film than the swashbuckler the title suggests - with an atmospheric score by Bernard Herrmann - in which Tyrone Power's swarthy complexion here sees him play a haste caste romancing a pert young Terry Moore playing the daughter of General Michael Rennie and caught between the Regiment and a very saturnine Guy Rolfe as his brother.

I agree with a few other reviewers here - why the hell does this never show up on TV, cable or even old video warehouses? I have seen it but once, in London the week of its initial release almost 50 years ago. I was 7. Thing is, I remember it perfectly, way better than SHOWTIME and I only saw THAT yesterday!

Top desert caper that was all audiences wanted to see in the 50's. No-one swashbuckled better than Tyrone Power during this period and KING OF THE KHYBER RIFLES was a handsome production, especially on the gigantic CINEMASCOPE screen. Directed by action-specialist Henry King, who worked with Power in almost a dozen movies, the story was that of half-caste British soldier Alan King (Power) who had to battle not only Army etiquette but a rampaging uprising around the Khyber Pass! The well remembered image from this flick was the spearing of the helpless British soldiers at the stake. Power of course, gaining a last minute reprieve so he could complete the movie, take down the villains and win the girl.

Good supporting cast, Michael Rennie in particular cutting an impressive figure as Brigadier Maitland whose stiff upper lip was stiffer than most!

Good companion piece to this was ZARAK (Also reviewed somewhere!)