O Amor Resolve Tudo

John Forsythe, pregnant wife Loretta Young, and their son leave New York and his newspaper grind to take over a small town newspaper in California. There they struggle with small circulation, bad finances and a suspicious local crowd.

It's an innocuous, light-hearted drama that breaks no new ground, one of the utterly banal near-comedies of the era. Where it excels is in its wealth of supporting actors, including Edgar Buchanan as yet another big-hearted printer, Jimmy Conlin, Frank McHugh, Jane Darwell, Gladys George, Regis Toomey, and even Francis Ford in his next-to-last movie.

Better known as John Ford's brother, Francis had started out in movies as part of the Melies company in Texas doing cowboy pictures. By 1915, he and Grace Cunard were major players on the Universal lot, doing serials, adventure pictures, often with Ford directing. When brother John came out west, Francis got him work on the lot. Ford continued as a supporting player through the 1930s, but eventually was reduced to bits in his brother's pictures. In all, he made almost five hundred shorts and features as a performer, 180 as a director. He died the year this picture came out, aged 72.

In Loretta Young's final big screen film there are so many familiar and wonderful character players you would think this came from Frank Capra. A few in It Happens Every Spring are Capra veterans.

Loretta and her husband John Forsythe are newspaper people and they work at different papers on different shifts. It's quite a pressure filled atmosphere so Forsythe and Young decide to use their savings and buy a small town weekly newspaper.

The usual problems of city folk adjusting to small town living and small town news stories are in her. The biggest item on people's minds is the drought the community is suffering. Forsythe tries to do something about it and ends up in a public relations jackpot.

This is a pleasant piece of entertainment so reminiscent of some of the Frank Capra classics. Young picked a good one as her farewell to the big screen.

"It Happens Every Thursday" is a pleasant but undistinguished film. It's a shame, as it turned out to be Loretta Young's last movie and after a long career, you would have hoped it would have ended on a higher note than this.

The set-up for this film makes no sense...though it certainly isn't without precedent. Much like in films like "George Washington Slept Here", "The Egg and I" and "Mr. Blandings Builds a Dreamhouse", the film is about some city folk giving up everything and moving to the country. However, compared to the boobs in these other films, the characters in "It Happens Every Thursday" seem to have a lot less motivation and their move is much more inexplicable. Think about it....two New Yorkers with no experience in the newspaper business use all their savings to buy a tiny paper in a tiny country town. Why? Well, we really have no idea--and this is the biggest weakness of the film.

Fortunately, apart from this HUGE plot hole, the rest of the picture is pleasant and modestly entertaining as the couple (John Forsythe and Young) try their darnedest to make a go of it. It's less a comedy...and more a slice of life. The actors in this (and the supporting cast is quite good) try their best but the picture never really rises above mediocrity.

Loretta Young, the toothy, huge-eyed leading lady, was known in Hollywood as "Attila the Nun", due to her evangelical Catholic faith (which extended to introducing a swear jar on set, something I'll have to implement at work) and iron will. She may have been voted the Hollywood Women's Press Club's most cooperative actress of 1950 (Bob Mitchum scooped their least cooperative actor gong), but then she always was a sassy self-publicist. Still, despite all that, and the bad press she's had in recent years for the whole Judy Lewis affair, she remains an attractive performer: ethereal and appealing in those early years, then a fitting screen mother as her fascinating looks ebbed away.

It Happens Every Thursday was her final film and it's a charming piece of Americana: something like the gentle cousin of Sam Fuller's Park Row, with a showy role for Young as the archetypal supportive wife – stoic, resourceful and loyal. John Forsythe is a New York newspaperman who buys his own small-town 'paper – the Eden Chronicle – and finds it's going to need a bit of work. The relationship between Forsythe and screen wife Young is smartly written and delightfully played, and the difficulties they face are nicely realised. The familiar baddie in such movies, a hateful, sniping little gossip gleefully ruining lives, is usually a harridan, but here you get a fey wannabe adulterer, played by Willard Wateman. The rest of the supporting cast is pretty much terrific, featuring the greatest character comic of them all, Frank McHugh, alongside Preston Sturges regular Jimmy Conlin and round-faced Edgar Buchanan, who's excellent in a surprisingly deep role. Best of all is the magnificent Gladys George (also appearing on the big screen for the final time), the most sympathetic brothel owner in '50s cinema. This blend of Johnny Come Lately and Mr Blandings could have seemed stale, but thanks to good scripting, pleasant plotting and lovely acting, it turns out just great.

Most newspaper men and women who worked in the 20th century would probably be quick to catch the title of this film. "It Happens Every Thursday" refers to the getting out of a weekly newspaper. Even well into the 21st century, the U.S. alone had some 7,000 non-daily newspapers. Most of these are weekly, although a few publish two or three times per week.

At one time around the middle of the 20th century, it was common for harried news reporters on big city papers to dream about having their own small town weekly paper where they could settle down and raise their family in peace. Or, so the dream life seemed. This movie gives a good look at what that life could really be like.

Loretta Young and John Forsythe star as the couple who take their family from the big city to a small town to own and run their own paper. The film shows the challenges of running a small town paper, and of new owners struggling to make it work.

In this case, a strong love between the couple, and their growing family, add to a plot that mixes some comedy with drama. The film has a fine supporting cast. It's an enjoyable film that's suitable for the whole family. However, some modern audiences may find it slow.

Here are a couple favorite lines from the film.

Jane MacAvoy, "And Mrs. Spatch." Mrs. Eva Spatch, "Huh?" Jane, "I don't know what I would've done without you." Mrs. Spatch, "Ah, child. You see, the trouble with you is you were raised in a big city. You wanted something; you just called up and got it. Well, around here there's not so many of us. So, whoever can, does."

Bob MacAvoy and Jane pass each other as he rushes out to lead a Boy Scout meeting. Bob says, "I love you." Jane MacAvoy, "Scout's honor?" Bob, holding up three fingers, "Scout's honor."