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IMDbPro

Dois Acres de Terra

Título original: Do Bigha Zamin
  • 1953
  • 2 h 11 min
AVALIAÇÃO DA IMDb
8,3/10
2,4 mil
SUA AVALIAÇÃO
Dois Acres de Terra (1953)
In the hope of earning enough money to pay off his debts and save his land, a poor farmer becomes a rickshaw puller in the Calcutta and faces many difficulties.
Reproduzir trailer1:43
1 vídeo
18 fotos
Drama

Adicionar um enredo no seu idiomaIn the hope of earning enough money to pay off his debts and save his land, a poor farmer becomes a rickshaw puller in Calcutta and faces many difficulties.In the hope of earning enough money to pay off his debts and save his land, a poor farmer becomes a rickshaw puller in Calcutta and faces many difficulties.In the hope of earning enough money to pay off his debts and save his land, a poor farmer becomes a rickshaw puller in Calcutta and faces many difficulties.

  • Direção
    • Bimal Roy
  • Roteiristas
    • Salil Choudhury
    • Paul Mahendra
    • Hrishikesh Mukherjee
  • Artistas
    • Balraj Sahni
    • Nirupa Roy
    • Ratan Kumar
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    8,3/10
    2,4 mil
    SUA AVALIAÇÃO
    • Direção
      • Bimal Roy
    • Roteiristas
      • Salil Choudhury
      • Paul Mahendra
      • Hrishikesh Mukherjee
    • Artistas
      • Balraj Sahni
      • Nirupa Roy
      • Ratan Kumar
    • 21Avaliações de usuários
    • 7Avaliações da crítica
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 4 vitórias e 1 indicação no total

    Vídeos1

    Do Bigha Zamin (1953) Trailer
    Trailer 1:43
    Do Bigha Zamin (1953) Trailer

    Fotos18

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    Elenco principal56

    Editar
    Balraj Sahni
    Balraj Sahni
    • Shambu Maheto
    Nirupa Roy
    Nirupa Roy
    • Parvati (Paro) Maheto
    Ratan Kumar
    • Kanhaiya Maheto
    • (as Rattan Kumar)
    Murad
    Murad
    • Thakur Harnam Singh
    Rajlakshmi Devi
    • Nayabji
    • (as Rajlakshmi)
    Nana Palsikar
    Nana Palsikar
    • Dhangu Maheto (Shambu's dad)
    Noor
      Nasir Hussain
      Nasir Hussain
      • Rickshaw puller
      • (as Nazir Hussain)
      Rekha Mallick
        Misra
        Chitra
        Jagdeep
        Jagdeep
        • Laloo Ustad, shoeshine boy
        Sarita Devi
        Dilip Kumar Jr.
        Ramayan Tiwari
        Ramayan Tiwari
        • Paro's molester
        • (as Tiwari)
        Meena Kumari
        Meena Kumari
        • Thakurain
        Paul Mahendra
        Nandkishore Mehra
          • Direção
            • Bimal Roy
          • Roteiristas
            • Salil Choudhury
            • Paul Mahendra
            • Hrishikesh Mukherjee
          • Elenco e equipe completos
          • Produção, bilheteria e muito mais no IMDbPro

          Avaliações de usuários21

          8,32.4K
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          Avaliações em destaque

          9abdullah-belim

          Classic

          This movie is a an Indian classic.... I don't know why so many people here are going on about how unrealistic it is...... I would wonder how many who commented as such have actually been to that part of India and witnessed the poverty there....

          The story may well have been copied but the film is no doubt still great. I cant think of many other copies which are actually good. This film does actually touch you with its sadness, and claims of melodramaticness will be gladly tossed aside because we are talking about Indian cinema here...

          All in all i think this is definitely a gem in Indian cinema, and fit the bill of an all time classic.
          wickedsmrt

          A Cult movie !

          Made in 1953, with a socialist theme that was typical of many great bengali directors, this was a great film with superlative performances and very real feel to the film. Balraj Sahni, one of the five greatest actors of India ever, was simply stunning in this movie in terms of his natural acting and superior understanding of the life of a peasant first and then a novice rickshaw (two wheel cart pulled by a human, instead of the horse) puller fresh in the city (He naturally doesn't know that once u take a passenger to the destination, u have to hold it down so that the passenger can alight - he nervously waits for his first dime)..Ill have to come back and write more..sorry
          8peanutz454

          Your character is the only thing your own.

          Bimalda's Do Bigha Zameen is considered a gem in Indian movies. The movie has a slight socialist theme as did most movies of that time. If the younger generation of Chinese, Eastern Europeans and Russians wonder why they saw so many Indian movies this socialist theme, probably is the answer. Do Bigha Zameen won the first ever Filmfare award. The movie got a special mention at the Cannes film festival. The movie is about a farmer Shambhu (Balraj Sahni), who has been hit badly by a famine in Bengal. The real reason of his sorrow is that the Zamindaar (land owner) wants to acquire his land on the pretext that Shambhu had taken some loan from him. Shambhu has to pay back and hence he moves to the city.

          The movie paints a very true picture of pre-independence (and early post independence) India. The society is agrarian yet the farmers are poor mainly because of the fact that they have very small land holdings and they are unlettered. The farmers were gullible while the land owner, money lender and the Brahmins were guile. A lot of people moved to the cities either in the anticipation of turning there fortunes or because they could not survive the atrocities of power holders. The movie has a theme that can be found in works of notable Indian authors Munshi Premchand or Sarat Chandra Chaterjee.

          The most memorable scene from the movie is when Shambhu pushes himself to his limits pulling a hand pulled rikshaw. The rider on the riksha offers Shambhu more and more money to pull faster because he is chasing (probably) his girlfriend in another rikshaw. Note Shambhu's emotions, his smile in anticipation of getting more. Compare this with the rich class which is not worried the least about the lower class' plight. The lower class is no more then a machine that can be operated by putting in quarters. The rikshaw looses a wheel and Shambhu is injured.

          This is the kind of movie that can not be spoilt even if I were to write the entire story down for you. This is art not suspense thriller. You must watch this movie not for the story but the direction and the acting abilities of Balraj Sahni and Nirupa Roy (Shambhu's wife).

          In all these hardships Shambhu does not loose his righteousness which is the moral of the movie. Shambhu's son steals money to help his father only to be reproached by his father. Shambhu's morality is the only thing that remains his own till the end.

          The movie is notable for Balraj Sahni's performance and since it is another of Bimal Roy's movies you can expect only the best. Personally I recommend any of the Bimal Roy movies. Like other movies by him, art and commercial form of cinema are merged to produce a movie that is still looked upon as a benchmark.

          Finally the name of the movie means Two Bigha of Land. Bigha is a unit of measuring land. Bigha varies from state to state. In Bengal where the movie is based 3 Bigha is one Acre. So Shambhu owns only 2.7 sq. kilometres.
          9dbhattac

          A directorial masterpiece

          I have seen Do Bigha Zamin many times ( at least five ) but never had a chance to write a review. Every time I see this movie I put my hats off to Mr. Bimal Roy as the director of this masterpiece. I have read comments about having the idea from a different film ( Vittorio Di Sica's Bicycle Thief ) But I can challenge a lot of director to copy any film they want and produce something like Do Bigha Zamin. The scenes of a village in Bengal and the streets of Calcutta ( now Kolkata ) in early fifties are so real - it just sends shivers through my body. I was a student in a Calcutta college during that period and the scenes from Esplanade area, with Metro Cinema, Chowringhee Road, the double decker buses, the trams and finally the human rickshaws were presented in such a way that I felt being there in that period. The poverty of the villagers and as well as the bustee dwellers were very realistic and the characters were portrayed and played extremely well. Some of the scenes like when Paro went to Meena Kumari to get a letter written, the short scene where Nirupa Roy complaining to Balraj Sahni that he does not love her are very touching scenes. One of the other wonders are the boot polish kid Laloo. I don,t know whether he is an actor or real boot polish kid in real life , but he displayed a wonderful piece of acting as the friendly companion to Kanhaiya ( Rattan Kumar ). Nirupa Roy as the wife of the peasant Balraj Sahani, Balraj Sahani himself and Rattan Kunmar all played their parts very well. I should also mention the role played by Rajlakhsmi Devi as the Bustee owner - what can be more realistic than that. Though the economic scene in India has changed over the last sixty years still there are a lot of poverty in India and peasants like Shambhu Mahato can be found all over India. I appreciate the director's last scene where it shows the family is still intact with hope for the future at the same time the struggle for survival goes on as they lost their land to the greedy landlord. I have the DVD and will watch it many more times.
          10chumber20

          Shows poverty in post Independent India

          This movie is a must see. It shows poverty with a humanistic approach in 1953 India. I went to Calcutta in 1999 and people still ride on human rickshaws (a person runs barefoot on streets while pulling the rickshaws for few cents). It is a very sad. It is heart breaking. In this movie get to see a common man problems and how he or she deals with it. It shows how corrupted the rich are and using the poor for their own means. This is how a 1/3 of India lives in today hi tech India. This is how people are suffering with all the economic boom India has. This is how people live in today's Independent and Free India. This movie is a must see.

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          Enredo

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          Você sabia?

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          • Curiosidades
            When the shoeshine boys discuss seeing Nargis in O Vagabundo (1951), one of them alludes to a shirt worn by a bystander. The shirt is decorated with a recurring pattern showing the famous scene from O Vagabundo (1951) in which Raj Kapoor comes upon Nargis as she is changing clothes, partially hidden by a screen, after swimming. That scene occupies a place in Hindi cinema comparable to that of Deborah Kerr and Burt Lancaster on the beach in A um Passo da Eternidade (1953).
          • Conexões
            Featured in Century of Cinema: And the Show Goes On: Indian Chapter (1996)
          • Trilhas sonoras
            hariyaala saawan dhol bajaata aaya
            Sung by Lata Mangeshkar, Manna Dey

          Principais escolhas

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          Perguntas frequentes16

          • How long is Do Bigha Zamin?Fornecido pela Alexa

          Detalhes

          Editar
          • Data de lançamento
            • 24 de julho de 1953 (Índia)
          • País de origem
            • Índia
          • Idioma
            • Hindi
          • Também conhecido como
            • Dva orala zemlje
          • Locações de filme
            • Calcutá, Bengala Ocidental, Índia
          • Empresa de produção
            • Bimal Roy Productions
          • Consulte mais créditos da empresa na IMDbPro

          Especificações técnicas

          Editar
          • Tempo de duração
            2 horas 11 minutos
          • Cor
            • Black and White
          • Proporção
            • 1.37 : 1

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