Experiência Diabólica

Well-crafted sci-fi with minimal special effects. Of course, the premise of a disembodied brain taking thought control of its master has kicked around more than a few times. However, this is arguably the best version, thanks to a tight screenplay and a fine central performance. Ayers must go from nice guy doctor to tyrannical business tycoon whenever the evil brain takes control. And he does both in highly convincing fashion—sure a long way from young Dr. Kildare. Nancy Davis (Reagan) also delivers as the loyal wife. Her films may never have been very distinguished, but she was always a credible low-key performer. Note also that usual tough guy Gene Evans gets the thankless "Igor" role as the lab assistant.

I guess I could have done with fewer close-ups of the pulsating brain. Unfortunately, the effect comes across in fairly hokey 50's fashion. Then too, that all-out thunder and lightning sequence amounts to more than just a storm. Instead , it looks more like a rage in heaven, like someone above is really angry at what's going on below. The heavy-handed theatrics is really out of sync with what's gone before. Despite the two drawbacks, the overall result is better than expected, thanks to the A-grade performances in a B-grade movie.

A doctor tries to keep a brain alive after the body dies, but the brain is too powerful and soon commands the doctor around. With the deceased man's mob connections, life is soon troublesome for the brilliant doc.

Starring Nancy Davis (the future Nancy Reagan) and written by Curt Siodmak, who had written many sci-fi and horror films (most notably "The Wolf Man")... this came from his original novel of the same name.

Although not the original film version of this story (that would be "The Lady and the Monster" in 1944) it went on to influence a great many other films and television shows, from "Star Trek" to Stephen King's "It". (The "Star Trek" influence is on the episode "Spock's Brain", though it should be noted that a character in this film does say, "I'm a doctor, not an electrician." Bones?)

When evil millionaire Donovan dies on his operating table, scientist Dr. Patrick Cory (Lew Ayres) seizes the opportunity and removes Donovan's brain, which still shows signs of life. He manages to keep the brain alive in a tank in his laboratory, where it grows in size in a short time as well as exhibiting telepathic abilities. Soon Donovan's brain becomes powerful enough to force his will on Cory and make him do his bidding.

Entertaining '50s sci-fi with few bells & whistles but an enjoyable cast and decent ideas. Lew Ayres is good. I like to imagine this is what happened to Dr. Kildare: he left medicine to become a research scientist and things went horribly wrong. Nancy Davis (Reagan) does a fine job, though her obedient housewife role is likely to draw criticisms from the huff & puff crowd. Gene Evans is great as Ayres' surgeon buddy with a drinking problem who gives Ayres the inevitable "you're playing God" speech. Steve Brodie is fun as a nosy reporter who gets what's coming to him. Based on a novel by screenwriter Curt Siodmak (The Wolfman, I Walked with a Zombie, Earth vs. the Flying Saucers, etc.). Siodmak doesn't write the screenplay here. The movie was adapted before as The Lady and the Monster and Siodmak didn't write that either. Not sure why he didn't try to write his own movie version of the novel. This is a good sci-fi flick, though the middle is little more than Ayres going from place to place barking orders at people and handing out money. The beginning and ending are best. Not a lot of action, which won't sit well with everybody, but I was never bored.

This film is one of my favorite 1950's horror/science fiction movies. I first saw this film on T.V. when I was about four and five years old, and it thrilled me then and I still enjoy it today. The story based on Curt Siodmak's novel was previously filmed in 1942 as LADY AND THE MONSTER. While that version has some virtues, the overall result was mediocre. It was filmed again 1962 as THE BRAIN with several character name changes and different plot elements. I last saw that version in 1970's. While I recall it being not bad, I don't remember it being as good as this version.

DONOVAN'S BRAIN is the best version primarily due the good performance of Lew Ayers as the possessed Dr. Cory with good support from Gene Evans. When I first saw this film again after many years I was impressed by Lew Ayers. When the evil brain of Donovan possesses Dr. Cory and he becomes Donovan, I had to remind myself that it was Ayers playing both "minds". This was done entirely by Ayers; the film employs no make-up or lighting tricks (as the 1942 version does) to create the different minds in the same body. Gene Evans lends good support as Cory's alcoholic but sympathetic doctor assistant. Steve Brodie is also good as the blackmailing reporter, but his role is somewhat shoehorned into the plot. He appears merely as someone for Cory as Donovan to knock off, and once he is gone, his blackmail threats are forgotten. However the scene's with Brodie are good. Note that when he confronts Cory/Donovan for a blackmail payment, he is wearing a worn out suit. When he returns for another payment, he shows up in a very expensive looking suit! The film is loaded with subtle touches like that.

Made in an age when the science fiction film genre was dominated by giant insects and monsters from beneath the sea (not that there's anything wrong with those) "Donovan's Brain" stands out as a more understated (and under-appreciated) gem.

A movie about a dead financier's brain being kept alive in a fish tank as it takes over the minds of people around it could easily become silly; in fact it would be hard for such a premise NOT to be silly (which is why Steve Martin loosely adapted the premise for his comedy "The Man with Two Brains.")

But thanks to deliberate pacing and fine performances from its cast, what could have been an exercise in the ridiculous becomes instead a surprisingly effective film. The very reserved script keeps "techno-babble" to a minimum as the story unfolds, and a low budget limits most of the visual and special effects to the very basic, but rather than feeling "cheap," the film's spare quality instead tends to limit distractions from the story.

In 1944's "The Lady and the Monster" (a lesser and earlier adaptation of Curt Siodmak's novel) the brain's takeovers were signaled obviously, using lighting and musical cues. But in "Donovan's Brain" you know the brain has taken control solely due to the controlled and subtle performance of Lew Ayres, who indicates a transformation in Dr. Cory by as little as a change in posture and a hardening of his expression (no such kudos for Steve Brodie as Herbie Yocum, whose inane "zombie walk" stands out in its cheesiness.) Gene Evans also did well in the movie playing Cory's assistant Dr. Frank Schratt, and future first lady Nancy Davis turns in a serviceable, if somewhat wooden, performance as Cory's steadfast wife.

"Donovan's Brain" will not be anyone's favorite movie; coming out in a year which also saw the release of classics like "The War of the Worlds," "The Beast from 20,000 Fathoms," "It Came From Outer Space" and "Invasion from Mars," it's not even anyone's favorite sci-fi movie of 1953. But although it's not considered a classic, this small film far overcomes its B-movie title. It's better than it sounds, and well worth a look.