Dance Hall Racket

This film is an extra on the Alpha Video release of "Sin You Sinners". I am actually surprised, as "Dance Hall Racket" isn't even mentioned on the DVD cover--though it is clearly the better film ("Sin You Sinners" is REEEALLY bad). And, unlike "Sin You Sinners", a few of the 'dames' in "Dance Hall Racket" are actually nice looking ladies--whereas the ones in "Sin You Sinners" are enough to kill anyone's sex drive...permanently! Both films clearly earn scores of 1--though if I could give one lower to "Sin You Sinners", I would!

Considering that this film stars Timothy Farrell, you can safely assume the film is crap. This 'actor' has the distinction of having appeared in such classics of dreck cinema as "Test Tube Babies", "The Violent Years" and Ed Wood's masterpieces "Jail Bait" and "Glen Or Glenda"! Surely this is a record for awfulness that few, if any, actors can match! And, watching his smooth yet sleazy character is pretty entertaining, as I am a bad movie aficionado.

On top of Farrell, the film also is pretty weird because it was written by Lenny Bruce...and he even is one of the stars of this ultra-low budget movie! His wife, Honey, even got a starring role as a sexy B-girl. There is also a character named 'Punky' (Bernie Jones)--who might be one of the most obnoxious characters I've seen in many years. His routine is pretty sad--with a terrible fake Swedish accent, a goofy Pinky Lee-style hat and no discernible talent. He is meant as comic relief, but he's about as funny as watching a cat coughing up a hairball! He and most of the rest of the male actors are supposed to be sailors, but not a one of them looks or acts anything like you'd expect from such characters.

The film is about a dance hall that is run by Farrell. It's a clip-joint where drunks are routinely robbed and drugs are sold by this mobster who is cleverly called 'Boss' throughout the film! Along the way, you see a bit of skin--hot stuff for 1953 but very, very, very tame when seen today.

So with all these terrible actors and no budget whatsoever, is this movie any good? Well, no...but at least it's not 100% terrible--though this is hardly a glowing endorsement! The film was clearly meant as an exploitation movie--with cat-fights, skin, sleaze galore and dames...lots and lots of dames! And, if you like very bad exploitation films, it IS worth seeing--it IS fascinating viewing--sort of like a train wreck! However, for the average viewer, it's best to steer clear of this grade-z monstrosity--it's a real turkey.

By the way, although I really have seen very, very little of Lenny Bruce on screen, this film and his short "Thank You Mask Man" are enough to make me doubt those who have proclaimed him as a misunderstood genius. I certainly haven't yet seen anything resembling genius from his films. Perhaps you just had to catch his infamous stand-up act.

Only reason to catch this soft-core sleaze is Lenny Bruce in a tough guy role. No effort here for the controversial comedian to be funny. Instead, he's sort of a third-rate George Raft. The dreadful effort at laughs comes instead from a guy mugging it up like Jerry Lewis's brain dead brother. I expect this barrel bottom showed in a grind house or two on the coasts, and may have made back it's dollar-seventy budget. It's like three unadorned sets and a dirty alley are there to confine viewers, along with the bare backs of well-fed "dance hall" girls. Just as skimpy is a plot having something to do with diamond smuggling run by the dance hall owner. But don't expect anything like suspense or even interest. No need to keep beating a dead horse. People don't watch such a title for artistic excellence. Apparently, this is what passed for skid-row titillation, 1953 style. So where was Ed Wood when we needed him.

This is a no budget film noir and while alot of film noir can pull off being cheap and good (like Detour and Highway Dragnet), this can't. Timothy Farrell is an actor who is like a watermark in these types of movies. Racket Girls, Jail Bait, The Violent Years, this movie. A departure for him was playing a psychiatrist in Ed Wood's Glen or Glenda.

Most I imagine by now saw this because of Lenny Bruce who stars in it, with his wife and wrote the original story and perhaps the script too. Proving it is more fun to play the bad guy, Lenny played the heavy's violent hit man. Really, the only highlight in this movie is toward the end when Lenny Bruce, in character, inexplicably takes his suit jacket off during a gun fight. Lenny couldn't afford to damage his suit since he was going to be performing his comedy act in it later that night.

This was made before Bruce hit it big by the mid to late 50s with his TV appearances on shows like Steve Allen's, so it is a nice curiosity. If you dont know who I'm talking about then the only people who will find anything to like about this movie are connoisseurs of low budget movies and study them like others study movies released as part of the Criterion Collection. Afterall, this is from the same director of Robot Holocaust. ROBOT HOLOCAUST!

I saw this film solely because Lenny Bruce was in it.

The whole story takes place on a three wall set made from cardboard which is meant to look like a dance hall, and pretty much everyone in this hall has their crooked fingers in pies.

Lenny Bruce plays Vinnie, a hard man, and takes centre stage as he is clearly the best actor in this film. The other actors stand around, bump into each other and chew scenery while Lenny does his thing of being the star.

Phil Tucker does nothing in the way of original directing often opting to cover scenes with a single master shot and letting the action play out in front of the camera.

The print of this film that I saw (on DVD) was terrible, scratched with a constant blemish on the picture, the sound would often pop in and out and there where large jump cuts where someone has clearly edited out the nudity for some reason.

All this is a shame because in spite of all its faults the movie isn't that bad, yes the plot seems rather padded and some of the rolls could do with better casting (the drunk with the hat stands out in my mind) but i have seen worse, much much worse than this. I would like to see someone buy this film and clean it up, get the print nice and crisp, film some extra insert shots that it feels like its missing and dub over some of those bad actors and then we'll see how really bad this film is.

As a devoted fan of Lenny Bruce, I've wanted to see this film for years and if, like me, you're prepared to experience a level of filmmaking that makes Ed Wood look like Orson Wells, you will not be disappointed.

This jaw dropping bit of cinematic excrement features Lenny's stripper wife, Honey Bruce (whose over-the-top make up suggests that she was preparing to audition for Susan Cabot's role in "The Wasp Woman") as a B-Girl and Lenny as the tough guy enforcer for the gangster bar owner. Watch for the scene where Lenny "kills" a guy who pulls Honey's hair by delivering the lamest looking judo chop in cinema history. Watch Lenny hitch up his collar and snap his fingers like a juvenile delinquent in a Jerry Lewis movie.

Timothy Farrel recreates his role as Umberto Scalli from the infamous "Pin-Down Girls" (aka "Racket Girls") and the scene where he and Bruce (who gets the blame/credit for the screenplay, as well) "rough up" a B-girl who's stealing from them will split your sides.

Among the great psychotronic films of all time. Every bit as bad/good as "Robot Monster".