Medo Que Condena

MacDonald Carey stars as an Atticus Finch like attorney in Count The Hours where he's asked to defend George Craven who is accused of killing an elderly rancher and his wife. From the reactions around the town the two were beloved in the community and everyone just wants to hang Craven and be quick about it.

His defense of Craven puts Carey's own relationship with rich girl friend Dolores Moran in jeopardy. And he's certainly not winning any popularity contest defending Craven. Still Carey soldiers on until the truth emerges.

Don Siegel got some beautiful performances from several of his cast members. First Teresa Wright as Craven's wife who is the picture of innocence. Her innocence makes you the audience as well as Carey believe in the rightness of the cause. Also Adele Mara poaches on what is usually Gloria Grahame territory. She plays a real low life white trash slut and she does it magnificently.

Finally though there's Jack Elam who was a former hand at the deceased's place and he's a former mental patient. That blind eye of Elam's served him so well in films he could play some really loony characters. Elam is at his bug-eyed best in this part.

It's sad that Don Siegel did not have a bigger budget to work with. As it is Count The Hours is a real noir classic and Carey's Dave Madison belongs right up there with Atticus Finch in the pantheon of film's incorruptible men of the law.

The great director who would make " invasion of the body snatchers" "the killers" "the beguiled" and even Elvis' best ("flaming star") is already present;his flair for film noir and for disturbing atmosphere is glaring in the scene in which the diver tries to rape T. Wright:the way Siegel films his eyes is absolutely terrifying ;ditto for the scenes when the lawyer looks for the former employee;oddly Siegel does not seem to very interested in T.Wright's character and the last scenes are given over to Dolores Moran and Adele Mara,who are relatively obscured thespians compared to the star of "shadow a doubt" and Wyler's war movies.

However,the movie is absorbing and a must for suspense buffs.

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A robber breaks into a farm house. He is confronted by the owner and ends up killing the elderly couple. George Braden and his wife Ellen (Teresa Wright) are the neighbors. After some questionable responses, George is arrested for the murders. Doug Madison (Macdonald Carey) takes the case despite not believing in George's innocence.

At first, I thought some of this plot goes too far. I don't want to nitpick but I can't believe that they couldn't find the gun. Everybody knows where she threw it. It's not a raging river. Then I relaxed about it and realized that it's more about the acting style. The movie is doing that old melodramatic style. Teresa Wright is a great actress, but she's using her skills to do her utmost overwrought acting. I actually grew to like the plot especially if they could tweak some of it. I can see it be remade into something better.

MacDonald Carey and Teresa Wright, both of whom starred in Hitchcock's Shadow of a Doubt, work together again in a less prestigious film, "Count the Hours" from 1953, directed by Don Siegel.

Wright is Ellen Braden, whose husband George (John Craven), a migrant worker, is arrested for the murder of an elderly man and his housekeeper that was done apparently during a robbery - the man kept a lot of money in his house.

When asked if he has a gun, he at first says no. His wife runs home and throws the gun in the lake, but she's seen doing it. By then he's admitted to having one. He's believed to be guilty.

Carey plays attorney Doug Madison, who is asked to take the case but refuses. After speaking with Mrs. Braden, he changes his mind. He's convinced that they have to find the gun. But when they do, it's a disappointment. Doug believes in George's innocence, which means they have to find the killer.

Pretty good mystery-suspense film which also features Jack Elam. Wright is sympathetic as the pregnant Ellen who believes in her husband, but John Craven doesn't register much.

Carey was an affable leading man who found his great success on Days of Our Lives. He had a wonderful speaking voice and a gentle presence. Elam is his usual evil-looking and sleazy self.

On the ordinary side but tense nonetheless.

This is far from the best Don Siegel movie. But, despite flaws in writing and acting, it's gripping and moves along, keeping the viewer on the edge of his or her seat.

Nothing is really credible. Theresa Wright as an itinerant farmer's wife? Actors with pronounced New York accents as menacing rednecks? And something about the script seems truly sub-par. The dialogue is not grammatical and this is not a matter of simulating regional speech or signifying class. The dialogue is just not well written.

The music, too, is strangely self-contradictory. At first it is pure schmalz, and Don Siegel is not the man for romance, even if it's romantic noir. Then a theramon is introduced and it sounds better.

Despite quibbling on my part, it's an engrossing movie. Believable? Not exactly. But, if one cuts it some considerable slack, it works well as a suspenseful kind-of noir.