Mulheres-Gato da Lua

This film was originally released in full stereoscopic format in 1953, and a regular B/W print was released later under the title "Rocket to the Moon". The film is of historic interest as it was one of the first (perhaps the first) of many Sci-Fi movies about space travellers who encounter a "lost" civilization of nubile young women, not only in attractive dresses and perfect coiffures but also speaking perfect English. This theme was so successful that it has been repeatedly followed right up to today when everyone has a much more sophisticated understanding of the realities of space. Historically, it is interesting to compare this film with those of the same genre released more recently such as Femalien or the Emmanuelle in Space series. Over the two generations since Rocket to the Moon was released, films of this genre have gradually changed their intended appeal by becoming primarily skinflicks rather than Sci-Fi thrillers.

It is unfortunate that Hollywood quickly lost interest in the complexity of producing good stereoscopic films (which are most often now featured in specialist theatres such as the IMAX), and instead has followed what I feel has been a largely disasterous attempt to explore the potential of anthropomorphic lenses even though in the majority of cases these have no conceivable artistic contribution to make to the final product. Although produced for polarised projection, Catwomen of the Moon is one of the very few 3D films which has been made available on VHS tape in analglyphic (dual colour) stereographic format. It has also been released as a DVD, but in non-stereographic format. Whilst the analglyphic tape version will remain of interest to a most people interested in the history of the cinema, I find it very hard to understand the choice of this film for release as a regular DVD.

This film was not produced on such a low budget as some of its successors. The view of the rocket itself gives the impression that at a pinch this might be large enough for a small monkey, but for its period it makes a serious attempt to show the need for features such as spacesuits for the crew of the rocket. After their rocket lands on the dark side of the moon the astronauts find a deep cavern where air still exists and where these suits can be dispensed with. Scientific improbability returns when they travel back to the surface wearing casual sports clothes and encounter a fairly normal gravitational pull. More surprisingly (?), the cavern is occupied by giant spiders and a group of nubile catwomen who are threatened with extinction, not by the complete absence of any men but by the gradual loss of their air. Logically they therefore plan to steal the rocket and return to Earth in it. The whole plot is worked out in just over an hour (64 min) of quite easy watching; however the story (plot?) does not have the charm shown by the film Fire Maidens of Outer Space which appeared three years later. This is unfortunately not currently available in any home video format, although in my opinion it provides a more enjoyable example of movie nostalgia than the Catwomen.

In the early part of his career, Victor Jory appeared in some great films, starring alongside the likes of James Cagney and Errol Flynn. He even had a prominent role in Gone With the Wind. His co-starring role in Cat-Women of the Moon represents a descent to the depths in a film that resembles an amateur high school production. He must have been desperate. This is about as bad as it gets with a horrendously unimaginative miniature rocket and a plot that makes you wonder why they bothered. The absolute highlight occurs midway through the film when the head Cat Women slaps one of the underlings. The slap misses by some margin despite the sound effect of hand making contact with flesh. This scene is so bad that it has been mimicked by comedy writers ever since. The original print has been remastered for some unknown reason. Whoever made the decision to do that wasted their time.

Mission Commander Sonny Tufts and his crew of space explorers brave the perils of a hostile Moon. They are threatened by a giant Moon spider and captured by telepathic lunar Amazons in black tights. A love triangle develops between Sonny, one of the Moon women, and a fellow crew person (Marie Windsor).

Okay, so it's not a great movie, but it was originally filmed in 3-D, and the music is by Elmer Bernstein (who scored both `The Ten Commandments' and `Robot Monster'. What a career!).

The 1958 film `Missile to the Moon' is essentially a remake, complete with the giant spider. The only improvement it makes is to give the girls more colorful costumes.

Just for the record, the other films with all-girl alien worlds are `Queen of Outer Space', `A & C go to Mars', and `Fire Maidens from Outer Space'. The girls in `World Without End' are from Earth, and there are a few men, but they're wimpy compared to the astronauts who show up to romance them.

For several years this movie had the reputation of being one of the worst movies ever made. Now it seems that bad reputation has cooled off since many other worse films have been remembered. Cat-Women Of The Moon is the story of four men (Sonny Tufts, Victor Jory, William Phipps, and Douglas Fowley) and a woman (Marie Windsor) who blast off in a rocketship, and land on the moon. On the moon they encounter large spiders, and the cat-women. The moon no longer has any male inhabitants, and it is learned the cat-women plan on stealing the rocketship to take a few of them back to our planet. The cat-women would then take over the world! The cat-women have telepathic powers to gain information from the male crew members, and make the female crew member a sort of guest cat-woman. The movie has some stuffy dialogue, but a lot of dialogue is hilarious and will bring unintended laughter. The repeated shots of cat-women silhouettes against cave walls becomes humorous, and there's a well known flub in which a cat-woman calls one of the crew members by the wrong name! The "exotic" dance number the cat-women do may also bring laughter. The special effects and large, cave spiders may bring on even more laughter. The acting of the rocketship's crew members is certainly not good, but it is certainly not the worst that can be seen in movies. Victor Jory and Marie Windsor probably do the best where acting is concerned from the crew members. Acting by the cat-women is worse. Most of the cat-women were billed as The Hollywood Cover Girls, which alone should indicate this movie contains a high amount of camp and unintended laughter. Music by Elmer Bernstein is mostly unnoticeable, and when it is noticed it is clearly not his best work. The mental telepathy aspect between the cat-women and the earth woman is interesting. Watching Cat-Women Of The Moon with a friend or in a group may be a laugh riot! How can you not laugh at those sappy, facial close-ups of crew man Doug (William Phipps), and cat-woman Lambda (Susan Morrow) as they fall in love; Marie Windsor's screaming; the way the cave spiders scream while being stabbed and shot; the painting that is supposed to be the city of the moon inhabitants in the distance; etc? Cat-Women Of The Moon can be enjoyed in a low-budget, comic book way, and may bring on a lot of unintentional laughter!

What we have here is a good old 50's sci-fi B movie that's a great example of the expression "It's so bad it's good". The conflict here is that when this movie was made, it was meant to be serious stuff. Man breaking the confines of the earth, exploring the moon and encountering hostile alien life forms. It's not exactly how the movie seems today. You have a hard time taking a space ship equipped with lockers, a desk, and old office chairs too seriously. There are all sorts of scientific bloopers in this film. Three men and a woman embark to land and explore the moon. What last minute preparations do you make? Well, naturally the woman has to fix her hair and another astute astronaut is thinking of selling souvenirs when he gets back home. It gets even funnier; they bring along cigarettes and for protection against who knows what, a revolver. The conversations are equally amusing. They sound as if the space explorers were picked up off the streets and asked, hey! you want to go on a trip to the moon? The landscapes and backgrounds are mostly painted but actually they did a pretty good job at that. They're not bad at all. Times have changed though and this film doesn't quite hit the mark that it was once intended to attain. If you try watching this as a serious sci- fi drama, You will be extremely disappointed. You can find faults and pick this movie apart until it is shredded to bits and you would be rightfully so in doing it. I suggest watching it with the understanding that it's a part of sci-fi movie history. View it with an easygoing fun attitude. Look for the blunders. Laugh at the cheapness and corny dialogue. How can you not love a line like, "You're too smart for me, baby, I like em stupid". I mean, come on, it was made in 1953 and the title is "Cat-Women of the Moon" what do you really expect? It's a fun movie. Relax and enjoy it for what it is.