Adicionar um enredo no seu idioma'Capitão', a bandit, terrorizes poor villages in the Northeast region of Brazil, looting and frequently killing with his armed gang, until he kidnaps and becomes attracted to a beautiful sch... Ler tudo'Capitão', a bandit, terrorizes poor villages in the Northeast region of Brazil, looting and frequently killing with his armed gang, until he kidnaps and becomes attracted to a beautiful schoolteacher, creating discord in his group.'Capitão', a bandit, terrorizes poor villages in the Northeast region of Brazil, looting and frequently killing with his armed gang, until he kidnaps and becomes attracted to a beautiful schoolteacher, creating discord in his group.
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In the times of the "cangaceiros" in the "sertão" (backcountry) in the North and Northeastern of Brazil, the cruel Capitão Galdino Ferreira (Milton Ribeiro) and his band abduct the school teacher Olívia (Marisa Prado), expecting to receive a ransom for her. However, one of his men, Teodoro (Alberto Ruschel) falls in love and flees with her through the arid backcountry chased by the brigands.
Along their journey, Olívia also falls in love with Teodoro and proposes him to leave the countryside and move to the city. But Teodoro loves also his land and tells that he would like to die in the backcountry where he was born.
"O Cangaceiro" is one of the best films of the Brazilian Cinema and the best produced by the Companhia Cinematográfica Vera Cruz. This film was written and directed by Lima Barreto, with dialogs of Rachel de Queiroz and is inspired in the story of the brigand Lampião and his band (http://en.wikipedia.org/wiki/Lampi%C3%A3o). The awesome cinematography in black and white discloses a magnificent introduction with backlight in the marauders.
On 12 May 1953, "O Cangaceiro" won the Cannes Film Festival in the category Best Adventure. In the wonderful soundtrack, highlights "Olê Muié Rendeira", sung by Vanja Orico. In accordance with the Wikipedia, this film was distributed by Columbia Pictures and sold to eighty (80) countries. It was exhibited in France for five consecutive years in the movie theaters. My vote is ten.
Title (Brazil): "O Cangaceiro" ("The Brigand")
Along their journey, Olívia also falls in love with Teodoro and proposes him to leave the countryside and move to the city. But Teodoro loves also his land and tells that he would like to die in the backcountry where he was born.
"O Cangaceiro" is one of the best films of the Brazilian Cinema and the best produced by the Companhia Cinematográfica Vera Cruz. This film was written and directed by Lima Barreto, with dialogs of Rachel de Queiroz and is inspired in the story of the brigand Lampião and his band (http://en.wikipedia.org/wiki/Lampi%C3%A3o). The awesome cinematography in black and white discloses a magnificent introduction with backlight in the marauders.
On 12 May 1953, "O Cangaceiro" won the Cannes Film Festival in the category Best Adventure. In the wonderful soundtrack, highlights "Olê Muié Rendeira", sung by Vanja Orico. In accordance with the Wikipedia, this film was distributed by Columbia Pictures and sold to eighty (80) countries. It was exhibited in France for five consecutive years in the movie theaters. My vote is ten.
Title (Brazil): "O Cangaceiro" ("The Brigand")
This film was the first brazilian production exhibited internationally after receive a prize of Best Music at a Cannes Film Festival. It was distributed accross the world by Columbia Pictures and was very successful at the box office.
I understand why foreign audiences still enjoy it, but for us brazilians it's very artificial when the hero leaves the semi arid background where the bandits live and penetrates a deep jungle to fight a jaguar etc, since those geographical regions are separated by hundred and hundred miles, like Arizona from Oregon. Anyway the music is amazing as the photography and the actor who plays captain Galdino ( Milton Ribeiro ). I believe that the main influence of director Lima Barreto was not the american westerns as most of people say, but the mexican films of Emilio Fernandez like "Enamorada". "O cangacero" is a good film, even if not not a great one and deserves the fame it has.
I understand why foreign audiences still enjoy it, but for us brazilians it's very artificial when the hero leaves the semi arid background where the bandits live and penetrates a deep jungle to fight a jaguar etc, since those geographical regions are separated by hundred and hundred miles, like Arizona from Oregon. Anyway the music is amazing as the photography and the actor who plays captain Galdino ( Milton Ribeiro ). I believe that the main influence of director Lima Barreto was not the american westerns as most of people say, but the mexican films of Emilio Fernandez like "Enamorada". "O cangacero" is a good film, even if not not a great one and deserves the fame it has.
8driq
I saw this film at the Carnegie Cinema in NYC 50 years ago and still remember it. It was beautifully filmed. Aside from the plot, the background music, O Canganceiro which is played as an instrumental and choral is absolutely haunting. The female lead was exceptionally beautiful. As I recall, the film was a minor sensation at the time, but has since disappeared into the mists of history. Too bad. Is it available anywhere today?
(the 10 line minimum doesn't make sense. Why should I be forced to pad my comments when brevity is the soul of wit. This was a simple film,that doesn't require complex, "filomatic" critical comment!)
(the 10 line minimum doesn't make sense. Why should I be forced to pad my comments when brevity is the soul of wit. This was a simple film,that doesn't require complex, "filomatic" critical comment!)
Another great film that is characterised by a memorable music score. Not all films with great music are great films, but haunting or otherwise memorable scores are a feature of so many of the greatest films of all time - The Third Man, Jeux Interdits, High Noon, American Graffiti, most of the Kubrick opus, Who's Afraid of Virginia Woolf and probably any documentary adopting Philip Glass' minimalism (The Thin Blue Line and The Fog of War) being prominent examples. This is so even when the music is not original but simply selected and edited in from classical music, popular or folk songs, as appropriate and evocative. Bets are that you won't be able to get the title folk song of O Cangaceiro out of your head for some time after you've finished watching it - it seems to affect every viewer that way.
This is a film reminiscent of The Wages of Fear, in its portrayal of poverty and the brutality, especially towards women, traditionally endemic in South America. No wonder Claude Levi-Strauss entitled his seminal ethnographic work based on travels in South America "Tristes Tropiques".
I had been warned of the brutality of the horse-dragging scene in this film - yet I can only say that it pales into insignificance with the graphic closing horse-dragging scene of The Cowboys - when I guess John Wayne was, as his career closed, ever more drawn to reactionary law-and-order neanderthalism.
A melancholic film with great B/W cinematography and even better music, depicting that eternal South American atmosphere of brutality and tragic sadness. A rare film well worth watching.
This is a film reminiscent of The Wages of Fear, in its portrayal of poverty and the brutality, especially towards women, traditionally endemic in South America. No wonder Claude Levi-Strauss entitled his seminal ethnographic work based on travels in South America "Tristes Tropiques".
I had been warned of the brutality of the horse-dragging scene in this film - yet I can only say that it pales into insignificance with the graphic closing horse-dragging scene of The Cowboys - when I guess John Wayne was, as his career closed, ever more drawn to reactionary law-and-order neanderthalism.
A melancholic film with great B/W cinematography and even better music, depicting that eternal South American atmosphere of brutality and tragic sadness. A rare film well worth watching.
Beautifully photographed, this Brazilian variation on the western is a strange mix. On the positive sides the images are very striking, and there are scenes of emotional intensity and violence, especially around the film's climax that are amazingly well staged and acted.
On the other hand, there's not a lot of depth to any of the characters or their motivations. They're more archetypes than full people. (It also falls into that cliché of the better looking an actor is, the better human being his character is.) Certainly that's common in this genre, but it doesn't mean I have to like it.
The story is nothing that new. Yet it's presented with a fierceness and focus that makes it very watchable. These bandit anti-heroes are hard men with hard hearts. Their violence is still disturbing, even by modern standards.
The much discussed music fell on both sides of the fence to me. The score, which includes a lot of songs, is sometimes quite a haunting partner to the striking images. But at other times, when the group of bandits whose story this is fall into singing and dancing in ways that feel more akin to a musical than a gritty, violent western, the effect was odd and disconcerting, almost unintentionally comic. But that might just be a cultural bias - it took me a while to get used to the musical numbers in Bollywood films, for example.
Overall, this was a film I was glad I got to see, and would like to see again for its imagery. Also, now that I understand its style, some of the cultural quirks would be less likely to throw me off balance.
On the other hand, there's not a lot of depth to any of the characters or their motivations. They're more archetypes than full people. (It also falls into that cliché of the better looking an actor is, the better human being his character is.) Certainly that's common in this genre, but it doesn't mean I have to like it.
The story is nothing that new. Yet it's presented with a fierceness and focus that makes it very watchable. These bandit anti-heroes are hard men with hard hearts. Their violence is still disturbing, even by modern standards.
The much discussed music fell on both sides of the fence to me. The score, which includes a lot of songs, is sometimes quite a haunting partner to the striking images. But at other times, when the group of bandits whose story this is fall into singing and dancing in ways that feel more akin to a musical than a gritty, violent western, the effect was odd and disconcerting, almost unintentionally comic. But that might just be a cultural bias - it took me a while to get used to the musical numbers in Bollywood films, for example.
Overall, this was a film I was glad I got to see, and would like to see again for its imagery. Also, now that I understand its style, some of the cultural quirks would be less likely to throw me off balance.
Você sabia?
- CuriosidadesThe very first Brazilian film to compete at the Cannes Film Festival.
- ConexõesEdited into A Edição do Nordeste (2023)
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Detalhes
- Tempo de duração
- 1 h 45 min(105 min)
- Cor
- Mixagem de som
- Proporção
- 1.37 : 1
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