Mosqueteiros do Mar

All Ashore is this light musical from Columbia Pictures that I think was made to give Catalina Island tourism a big push. I wouldn't be surprised if Harry Cohn didn't have some business interests there.

The male leads were two guys on the downward slope of their careers, Dick Haymes and Ray McDonald, and Mickey Rooney who was trying to transition to adult star and shed his Andy Hardy image. The female leads are Barbara Bates, Jody Laurence, and in her final film Peggy Ryan.

The sailors on leave musical is something that has been done and redone into several incarnations. Off the top of my head I can think of such films as Follow the Fleet, Hit the Deck, Anchors Aweigh, and On the Town, all of which are better than All Ashore. Then again these musicals had scores written by such folks as Vincent Youmans, Irving Berlin, Jule Styne, Sammy Cahn, and Leonard Bernstein. The score here by Fred Karger and Robert Wells is singularly unmemorable.

The performers all have done better material themselves. Mickey Rooney had a role written for him that made him like Lou Costello constantly being taken advantage of by a pair of Abbotts in McDonald and Haymes. What was great for Costello doesn't quite work for the Mick.

All Ashore is all right, but hardly a nautical treasure.

Blake edwards--cowriter. Musical.

Too much singing/dancin--none that memorable rooney's character is a putz--they went too far.

A bt like A&C but more cruel and unfunny.

I did NOT like "All Ashore" though I noticed a lot of reviews were glowing. For me, I just couldn't stand the characters and the music wasn't especially memorable.

The story is about three sailors on shore leave. Pretty soon, you realize that two of them are complete jerks and spend most of the movie taking advantage of their patsy friend (Mickey Rooney). Again and again, they treat him like dirt, take his money, take his watch and treat him like he's only allowed to be there for what they can get out of him...and yet they say they are his friends. I noticed one reviewer thought it reminded them of two Abbotts and one Costello...which is pretty accurate...except Abbott & Costello's comedies were comedies and you knew it was all in fun. I didn't feel this way about "All Ashore"...as it felt more like an abusive relationship. I know I am not in the majority here.

When you combine this with a few songs too many (none of which were memorable), and it's a film I really had difficulty enjoying. Apart from pretty Technicolor and locations such as Catalina Island, I really had a hard time enjoying the picture and really just wanted to see Rooney's character sock his 'friends' in the nose. Not a pleasant viewing experience because the writers didn't balance the relationships with love or even appreciation. Having his friends REALLY care about their friend would have done a lot to improve the film....but I felt that had kidney transplants been possible back in 1953, they would have sold BOTH of the guys kidneys to finance their shore leave.

This is the second Columbia service comedy produced by the combined efforts of Richard Quine, Blake Edwards and Mickey Rooney. In their first service comedy, "Sound Off", Rooney is his familiar cocky self, but is somewhat restrained. This time around, Rooney is made the patsy, having Dick Haymes and Ray McDonald as his con artist buddies. Sailor films featuring three sailors became the rage with the success on "On the Town", both on Broadway and on the screen. But there is no point in having three sailors here. The only difference between the Haymes and McDonald characters is that Haymes is a singer (his dancing is laughable) and McDonald is a dancer (who can carry a melody). Their characters have no depth or likability. Rooney's character is sympathetic and well written, but it's not for Rooney. He's out of his element. Usually, Rooney is the confident con man who has to defeat the obstacles. This would have been better played by Danny Kaye, Red Skelton, Donald O'Connor or even Arnold Stang. As always, Rooney handles the physical comedy beautifully, and he is permitted to overact. Quine's direction of Rooney is an improvement over "Sound Off". The writing by Qunie and Edwards is also an improvement, with broader situations. Fred Karger's songs are pleasant and an improvement over the songs in "Sound Off". However, the script and the direction kill off a great pay-off gag to end the film. I saw it coming, Quine hints at it, but then softens the finish. Had they continued to work together, the Quine-Edwards-Rooney team might have come up with some comic winners. They all have the skills and their two films have much potential. The first film misses the mark, but this one has much more going for it, with the exception of Rooney's characterization.

All Ashore! Love Peggy Ryan & Ray McDonald! What a fantastic dance team! The Best! I could cut out their scenes and watch them dance over and over again! I bought a 16mm print of this picture a few years ago, because they were in it! The other thing I loved about this picture is when Dick Haymes sings to Jody Lawrance "Who Are We To Say" what a beautiful ballad! I grew up in the 1960's and 70's listening to big band 78rpm records so I am a little bias because while my contemporaries all listened to the rock 'n roll trash like The Beatles and Led Zeppelin, I only loved classical and jazz! To this day I think popular recorded music after 1960 all sucks! Back to the flick! OKAY Mickey Rooney is a very annoying human! He was talented for sure, but he was a right wing wack job who thought Bill Clinton was a Marxist? Give me a break Mick he signed NAFTA and GATT along with Rooney's Republican buddies which helped to destroy the American work force! Barbara Bates was a doll! Too bad she had to go and knock herself off! Jody Lawrance was another cute chick who also died too young! And who don't love Jean Willes, loved her in the Three Stooges shorts! The dream sequence "I Lay Down My Arms" was stupid, but boy oh boy didn't Barbara Bates look hot! Some of the music was dumb! But I have forgiven Columbia Pictures! Oh yea the scenes of Catalina! WOW! When adults ruled the world, not a bunch of dumb teenage idiots! So because I hate the world now, and all of the crummy trash for movies since the 1970's, I give this picture ten stars, who cares if it's not that good, it's way better than pictures now! Oh, I think I left my Covid-19 mask down stairs! Damn it!

When I was a kid in bombed out London in the '50's I went to the local picture house to get away from the wreckage of not only the bomb-sites, but also my rowing drunken parents. This movie got me away - double. Loved the three guys, especially a scene in a bar where one of the sailors dances with a girl. It was magic. Also Micky Rooney sitting on a swing and singing a song. He was lonely and feeling a mug. That's just the way I felt at that time. Not a mug, I was 12 and no kid is a mug. You got to be 21 - at least. But I was loney and I associated with these 3 guys. Since, I have danced and known beautiful girls. I would like to find this film again. Yet it has never been played on TV. Perhaps it is lost, crumbled in some archive and never to be returned to our life again. Pity. Great little musical.