Bud Abbott e Lou Costello no Planeta Marte

Along with the Bowery Boys, the Three Stooges and perhaps Elvis, no one was as good at churning out motion pictures quickly and on a tight budget than Abbot and Costello. Even present day comedians such as Carol Burnett and Jerry Seinfeld have heaped praise on the boys' slapstick brand of comedy. I've always felt they were greatly underappreciated in their day. And as the years pass by, their presence on the tube has, sadly, decreased. Most kids today probably have never been exposed to the thin straight man and his rotund buddy.

I own only one A&C comedy. And this is it. Why? Maybe its because of "Allura", the queen, played by the beautiful B-movie siren Mari Blanchard. Discarding the "spell" theory one must assume the special effects are superb. And the fantasy elements are enjoyable and surprisingly well thought out and executed. The rocket ship nearly decapitates the Statue of Liberty, fails to pay the toll at the Lincoln Tunnel and scoots underneath the Brooklyn Bridge. But the movie is simply a ride through a different era: a time of comedy, scientists and space babes. Well, everyone should be afforded one guilty pleasure.

Nicely cast comedy infringing on Science Fiction. It would have been better had a bit more money were spent, upgrading the production. Still, the comedy is classic Abbott & Costello, and the beauty queens are lovely to look at, a preposition! I used to be a professional photographer, so beauty is good to behold. I gave this a good 6, wish it could be higher.

Fans of rocket-age science fiction films will find interest in this wacky spoof. The early 1950's saw the start of the atomic age rocket ship film genre with ROCKET X-M and DESTINATION MOON in 1950 and WHEN WORLDS COLLIDE and FLIGHT TO MARS in 1951. These movies were all hits and the trend lasted through the sixties with MAROONED and JOURNEY TO THE FAR SIDE OF THE SUN in 1969 (one year after 2001 A SPACE ODYSSEY).

In 1953 Abbott and Costello quickly updated their old vaudeville routines to capture a younger, modern audience and try their hand at this phenomena. They had success spoofing the horror genre with A&C MEETS FRANKENSTEIN and A&C MEETS THE INVISIBLE MAN a couple years earlier and the young audiences who had watched Universal's monster films were now watching rocket films and would soon be watching alien monsters devour entire cities. Though flights to Mars were now a typical plot device, A&C GO TO MARS was ahead of the game by going to Venus six years before FIRST SPACESHIP ON VENUS (1959)!

Abbott and Costello start off toward Mars but end up back on Earth during New Orleans Mardi Gras. They are fooled by fanciful costumes with giant masks and believe they are on Mars. Eventually they flee to Venus populated by beautiful women and all's well that ends well.

The production values were very good, considering that studios were rushing out poorly produced imitations of ROCKET X-M and DESTINATION MOON after their success. After the quick patter routines of the duo that serviced them well in the forties had become so familiar to the audience it was refreshing to have them do something else. Though certainly not a classic and not on the list of best A & C films, for those tiring of the same routines this film is visually exciting filled with space-age fun, beautiful models and hilarious gags. Kids love the film and older adults love the 50's space-age theme. Grab the popcorn.

Often cited as the team's worst film (which it's not!), this will likely fall in the `guilty pleasure' category for most fans. Vigorous juvenile slapstick merges with Freudian sci-fi in this late entry for the comedy duo (only a handful of movies remained on their Universal contract). Sci-fi elements are of the Saturday matinee variety, totally implausible and full of hokum (eg. CAT WOMEN OF THE MOON). Yet somehow, this provides the appropriate blend for A&C's `dumb and dumber' charades, in which camp elements become a part of the parody and the results are unbridled fantasy nonsense (populating the planet with Miss Universe contestants only adds to the fun). Universal would soon become a heavyweight contributer to the pulp sci-fi cycle of the 50's, yet surprisingly, this surreal spoof pre-dates them all! Thus far, this film has only been issued on VHS, the quality being overall quite good, in keeping with MCA's generally high standards for this format ... however a DVD would be most welcome.

Abbott and Costello Go To Mars sees the popular duo tackle a sci-fi theme that was to be so prevalent in the 50s. It's directed by Charles Lamont and the co-star line up features Robert Paige, Horace McMahon, Mari Blanchard, Martha Hyer & Jack Kruschen. The plot sees Bud & Lou as Lester and Orville respectively, who accidentally find themselves on a rocket-ship bound for Mars. However, they actually land in New Orleans during the Mardi Gras and confusion reigns. Then an encounter with a couple of escaped convicts leads to another blast off, to Venus. A planet populated by a bevy of beauties.

They were three years away from making what would be their last film together, but history dictates that the best of the film outings for Bud & Lou were long since past. However, "Go To Mars" and "Meet Dr. Jekyll and Mr. Hyde" (also 1953) are worthy pieces showcasing the comic talent and irrepressible charm of two fine entertainers. Sure the plot is as thin as some of the sets are for "Go To Mars," but there's enough chaos and comedy schtick to keep the smile on ones face. We get Costello doing an Italian accent-badly, which in turn leads to a slapathon. Then there's stunts with magnetic moon-boots, a triple bed fall down, gravitational larks and Mardi Gras strangeness. There's even a cheeky aside in favour of the ladies (the Venusian female race being contestants of Miss Universe) as the new male arrivals on Venus are compared to beefcake Adonis types on Venusian TV.

Far from their best work but certainly enough good here to shoot down those "worst of the series" tags. 6/10