Os 5.000 Dedos do Dr. T.

I've been familiar with this relatively obscure film for quite a few years, and while I am not familiar with the various VHS versions of it, I have had the laserdisc version for at least a decade, or more. The new DVD release is amazingly superior to that edition in picture quality, in terms of definition, color and contrast. Even the darkest, shadowy portions of the picture are rendered in sharp detail in the DVD, whereas those areas in the laserdisc picture are just an indistinct, dark grey blur. The colors are stable and vibrant, as well. All this helps tremendously in presenting the vivid imagery of this film to best effect. If you have any regard for this film, you really should have this edition.

I can't add much to the accolades already posted for this fascinating, and genuinely unique, work of pure imagination. I've never seen a bad review of it. I might only make another mention of the hilarious `dressing-up' song that Hans Conried performs near the end of the film. Much comment has been made about the items Dr. T calls for in the lyrics (`undulating undies,' `purple nylon girdle,' `peek-a-boo blouse,' etc.). However, it should be pointed out to those yet unfamiliar with this film that these items bear no relation to the outfit in which he is actually being dressed, which is a cartoonishly-exaggerated drum major uniform. I guess you couldn't do THAT in 1953, at least not in such a mainstream venue. Those sophisticated enough to get the joke will get it, though, and the rest will find it strange, but amusing. My point is that despite all the bizarre and subversive attributes people have seen and commented on in this film, it is very much of its time in style, and decidedly family-friendly viewing. Anyone with a fondness for `Willie Wonka and the Chocolate Factory' should appreciate this, and I'm not sure it isn't superior to that film in style, wit, and pure imaginative pizzaz.

Well I never. I have just had the pleasure of watching this film on Channel 4 in the UK. Its a damp and dreary Friday afternoon and this wacky exercise in surrealism has just been broadcast and has certainly put a smile on my face. What a storyline. What a set. What acting. This is a gem of a film which I had never heard of till today. It is a real departure from your average 1950s family film. Through the whole duration the film swings between brilliance and total whack. The madness of Dr Seuss comes across so well, especially when you jack up the colour a few notches :-) I am led to believe that Dali had a hand in the design of the sets. That in itself is enough to get me watching. I was surprised at the amount of reference to this movie I have actually experienced without realising it. For example, the Uk is presently showing an add for "frank" which is a recreational drug use/misuse information service available to the public. It uses a character who is undoubtedly based on Bart to do so. As a fan of surrealism I totally enjoyed the spooky weirdness of this mindbending musical. Just sad I didn't record it as I see it isn't available in European pal DVD format. Doh.

I haven't seen it since but here is what I remember. I knew all the Dr. Seuss books by heart (I could read). I was taking piano lessons from our Protestant minister's wife who resembled Hans Conreid. My mom and I went on the bus to a large, metropolitan movie palace and we were well dressed. We watched the entire movie and then went home on the bus. Hans Conreid was always one of my favorites and even more recognizable as a voice. Lassie was a fixture later on our home TV. I don't think the movie had any real effect on me except that the books and my dreams were a lot better. I listened to radio every night as a child. I sometimes dreamed in black and white like most of the movies I saw as a child. I remember many of the scenes described in the written reviews and trailers. I'll see it again sometime. I'll let you know.

Theodore Geisel, better known as Dr. Seuss, the wonderful writer of children's books, wrote the story in which this movie is based on. Allan Scott translated it for the screen and Roy Rowland directed the gorgeous Technicolor production that was shown recently on cable. This 1953 film relied on the use of color, which still shows crisp and sharp, something that other films using the technique didn't achieve.

The story reminds us a bit of "The Wizard of Oz", since it involves the vivid imagination of a young boy who is terrorized by his piano teacher. Since Bartholomew Collins doesn't have a father, his mother is the most important figure in his young life, until August Zabladowski, the best plummer in town, comes to the rescue and becomes a male role figure in the young boy's eyes.

The musical numbers, while not magnificent in comparison to MGM standards, are still well staged and the music by Frederick Hollander is tuneful to the ears. The amazing color cinematography by Franz Ploner gave this movie a great look and Al Clark's editing helped the story immensely.

The principals in the film do good work under Mr. Rowland's direction. The sweet looking Tommy Rettig, wearing his saddle shoes and beanie, steals the heart of the viewer with his earnest approach to the role of Bartholomew. Peter Lind Hayes and Mary Healy are seen as Mr. Zabladowski, and Mrs. Collins. Hans Conried's villainous Dr. T is one of the best assets of the film.

"The 5000 Fingers of Dr. T" is rarely seen these days, but it's worth a viewing for the sheer pleasure of the use of color and Dr. Seuss' wonderful timeless story.

The rich imagination of Dr. Seuss and the suburban daydreams of the early 1950s combine to make this one-of-a-kind musical fantasy more than just a perverse novelty item: rarely has a film captured so well the unique perspective and peculiar logic of childhood. Kids will no doubt identify with the young hero, an unhappy piano student who dreams of liberating, with the help of a handsome plumber, 500 boys held captive at the mile long keyboard of his maniacal music tutor, Dr. Terwillicker (played by Mr. Fractured Flickers, Hans Conreid). But only adults will appreciate the shear strangeness of it all: the surrealistic architecture; the outrageous and colorful costume designs; and the improbable song and dance numbers, with nonsensical lyrics only Dr. Seuss could have written. At times it almost resembles a nightmare vision of child anxiety, but the passing years improve the film by restoring to it the innocence of the age in which it was made.