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Os eventos do dia-a-dia na vida de um casal recém-casado. Consiste em três esboços curtos, não relacionados, nos quais os personagens frequentemente quebram a quarta parede imaginária.Os eventos do dia-a-dia na vida de um casal recém-casado. Consiste em três esboços curtos, não relacionados, nos quais os personagens frequentemente quebram a quarta parede imaginária.Os eventos do dia-a-dia na vida de um casal recém-casado. Consiste em três esboços curtos, não relacionados, nos quais os personagens frequentemente quebram a quarta parede imaginária.
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Elizabeth appeared to be an ordinary, everyday housewife of her time(the early 50s), and so she was . . . er, aside from the fact that an off-camera announcer regularly led forays to check into the goings-on around her house, of course. And then, come to think of it, she wasn't exactly the docile, unassuming "little woman" that husband Alvin always hoped (against all reason) she'd turn out to be, either.
In a word, she was an imp. She delighted in puncturing Alvin's pomposity, always lovingly, but invariably disastrously.
Introduced each week by harp music, which gave a deceptively tranquil lead-in to what was to follow, "Life With Elizabeth" wasn't a 'situation comedy' -- indeed, that concept had barely been formed at the time; instead, it was a comedy of situations, usually two to each show, individual and unrelated, each of them introduced by the off-camera announcer who then just let events unfold. Once chaos had yet again been firmly established as the order of the day, his voice would be again heard, this time presumably as her conscience: "Elizabeth!" (pause) "Aren't you ashamed?"
She usually gave it a moment's thought before shaking her head impishly.
As with the harp music, the show itself was deceptive in its simplicity, the writing, production and, not least of all, the performances of Betty White and Del Moore who were letter-perfect. Produced by a local Los Angeles TV station (at which White and Moore had been staffers), "Life With Elizabeth" seems to have lived its entire life in syndication.
And Elizabeth kept life from ever becoming dull!
In a word, she was an imp. She delighted in puncturing Alvin's pomposity, always lovingly, but invariably disastrously.
Introduced each week by harp music, which gave a deceptively tranquil lead-in to what was to follow, "Life With Elizabeth" wasn't a 'situation comedy' -- indeed, that concept had barely been formed at the time; instead, it was a comedy of situations, usually two to each show, individual and unrelated, each of them introduced by the off-camera announcer who then just let events unfold. Once chaos had yet again been firmly established as the order of the day, his voice would be again heard, this time presumably as her conscience: "Elizabeth!" (pause) "Aren't you ashamed?"
She usually gave it a moment's thought before shaking her head impishly.
As with the harp music, the show itself was deceptive in its simplicity, the writing, production and, not least of all, the performances of Betty White and Del Moore who were letter-perfect. Produced by a local Los Angeles TV station (at which White and Moore had been staffers), "Life With Elizabeth" seems to have lived its entire life in syndication.
And Elizabeth kept life from ever becoming dull!
I first saw Betty White on the Hoffman(n) my parents purchased in the early 50's on the Al Jarvis TV show (it had a different name). Her show, Life with Elizabeth was shown in the late afternoon. Two things I remember about LWE was there was a dog they owned who's name was Stormy ant the Thanksgiving show when the "first" turkey slipped off the platter and Elizabeth took it back into the kitchen and brought the "second" turkey to serve everyone. Everyone said it was really lucky that Elizabeth cooked two turkeys. I thought that was really funny because the previous Thanksgiving my grandmother dropped the turkey on the floor and my uncle's Doberman grabbed it and was out the door before anyone could stop him. Great memories of a simpler age. Probably not great television but not bad for then. A strong 7.5 for the era.
I've been watching Betty White's first sitcom "Life With Elizabeth" and have been enjoying it. It differs from other sitcoms in that each half-hour episode is broken up into three distinct stories. The stories are referred to as "incidents" by Jack Narz, who was the show's announcer. Betty says in her autobiography that this show began as a live production shown locally in the Los Angeles area. It went to film as the series went into national syndication in 1953. The show has the look and sound of having been filmed in front of a studio audience, but, according to Betty, it was filmed like a motion picture in a studio, the finished film then being shown to an audience in a theater to record the laughs and applause. This system seems to have worked fine, as I see no missed timing by the principal players as to the laughs. And I love seeing Betty's little dog in a cameo in the lower screen during the closing credits.
I was only a little kid, but this was one of my favorite shows. One device was used to end each episode. The last "vignette" or sketch in each show always degenerated into a big squabble in which all the characters were talking at the same time--nothing could be understood. At that point, Jack Narz, the announcer, would come on as a voice over, exclaiming something like, "Hey! Listen to me!" The squabbling would stop and the characters would look straight into the camera, breaking the "fourth wall." Narz would then say, "Say goodnight to the people." The cast would then say, "Goodnight everybody!" and resume their bickering until the scene dissolved. It was a trademark of the series.
My memories are not exact; after all it HAS been over 50 years.
My memories are not exact; after all it HAS been over 50 years.
This show felt like it was just a step ahead of the times when it was filmed. A bit slow at times but Betty and Dels wit brings it up. With then breaking the fourth wall, something not seen in those days and her not acting like the nimrod some housewives did on tv back then, I feel like she was pushing boundaries. Not to mention she helped create and produce it like a true Maverick she was. And a respectful note to the person who said without her current icon status no one would know about Golden Girls; in 1985, that was the favorite show in our town in our childhood. And you must've missed Mary Tyler Moore show as well. She had a career most only dream of with non-stop fun and creative roles!
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- CuriosidadesThroughout this series, as well as her previous pioneering talk show and her subsequent Date With the Angels, Betty appeared with her natural brunette hair. Her blonde persona came about with the Mary Tyler Moore Show and '70s appearances on game shows. Her early persona was also completely different than her Sue Ann Nivens character.
- ConexõesFeatured in Tudo por Você (2009)
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- How many seasons does Life with Elizabeth have?Fornecido pela Alexa
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- Tempo de duração
- 30 min
- Cor
- Proporção
- 1.33 : 1
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