AVALIAÇÃO DA IMDb
6,6/10
375
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaAn American fugitive flees to Rome and tries to elude capture by masquerading as a priest.An American fugitive flees to Rome and tries to elude capture by masquerading as a priest.An American fugitive flees to Rome and tries to elude capture by masquerading as a priest.
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Avaliações em destaque
Paul Douglas, Van Johnson, and Joseph Calleia are all excellent together. The "love story" between priest Johnson and tough-guy Douglas is as affecting a character study as you are ever likely to see. The magnificent photography shows the divine beauty that is Rome inspirationally. Just when you think it can get no further into your soul, it comes up with something else clever and simply profound. Well worth watching. I give it 10/10.
What a sweet film! I had never seen it before yesterday on TCM, May 10 2006. I am a fan of both actors and actually it was interesting to see them in such roles - Douglas as an "evil" person and Johnson as a priest! The whole story had the Clarence Brown quality that movie fans have come to love so much. I felt like some of the locations were the same ones used in Godfather III. The black and white is very rich, it is a pleasure to watch. The real shots of the Vatican celebrations are breathtaking. The comic relief of the detective is charming. I must admit I got choked up twice. I was brought up Catholic and though I do not practice etc. I still at least have nostalgic feelings for films such as When in Rome. I recommend!
So fate puts two men together on an ocean voyage; Father Halligan, a man of the cloth with good intentions, and Joe Brewster, with less than an honorable past. Van Johnson was in his prime here, and could play just about anything. Paul Douglas is Brewster, and usually played the thug, due to his appearance. Brewster takes the priest's clothes and his identity, and makes a run for it when the boat docks in Roma. There are some funny lines
at dinner on the cruise, the passengers have a good sense of humor, and tell some clever jokes, but for the most part, it's a pretty serious suspense drama. Also some beautiful scenery of Rome, as we travel around. 1950 had actually been a holy year in the Catholic church, so Buckner, the writer, used that as a basis for the story. What better theme to include the battle of right and wrong than a story based on a priest? We hear over and over again how Father Halligan is trying to decide if he should turn in Brewster. Lots of jokes about safe-crackers and what it was like in Sing Sing. Pretty good story, if you buy in and go along for the ride. We see all the beautiful, old historic landmarks of Rome, and have an adventure along the way. Directed by Clarence Brown, who had directed so many Garbo films, and was nominated for SIX Oscars! Shows on Turner Classics now and then. Kind of a "feel good" story, but not real meaty.
In order to celebrate the "Holy Year" of 1950, Pennsylvania priest Van Johnson (as John X. Halligan) decides to sail on a sabbatical to Italy. Aboard ship, Mr. Johnson befriends likable, gruff bunkmate Paul Douglas (as Joe Brewster). Johnson doesn't know it (yet), but Mr. Douglas is a swindler who just escaped from San Quentin. Douglas correctly realizes authorities will be looking to arrest him after the ship docks. He dons Johnson's priestly clothing and makes a quick getaway. Johnson is left to wear Douglas checkered green jacket and hat. Johnson is falsely arrested. Douglas is accepted by other priests in Rome. After the polizia sort things out, they want Johnson to assist in Douglas' capture...
However, Johnson becomes more interested in Douglas' soul...
One of MGM's most winning teams, director Clarence Brown and cinematographer William Daniels, make "When in Rome" very attractive. After arriving on location, the picture approaches art. A highlight in storytelling occurs when Douglas looks at cold, stark church-like walls and realizes they look very much like his former prison. The picture morphs into a prison, then fades back to a monastery look. This calls later events into question, but Douglas ends in a more tranquil setting; possibly, it shows the character "questioning" a transformation. Although he is billed second, the story is clearly about Douglas's character. The bigger "box office" name, Johnson is commendable and supportive in the less stellar role.
******* When in Rome (1952-05-11) Clarence Brown ~ Paul Douglas, Van Johnson, Joseph Calleia, Carlo Rizzo
However, Johnson becomes more interested in Douglas' soul...
One of MGM's most winning teams, director Clarence Brown and cinematographer William Daniels, make "When in Rome" very attractive. After arriving on location, the picture approaches art. A highlight in storytelling occurs when Douglas looks at cold, stark church-like walls and realizes they look very much like his former prison. The picture morphs into a prison, then fades back to a monastery look. This calls later events into question, but Douglas ends in a more tranquil setting; possibly, it shows the character "questioning" a transformation. Although he is billed second, the story is clearly about Douglas's character. The bigger "box office" name, Johnson is commendable and supportive in the less stellar role.
******* When in Rome (1952-05-11) Clarence Brown ~ Paul Douglas, Van Johnson, Joseph Calleia, Carlo Rizzo
Father John visits Rome at the height of the 1950 Holy Year. His stay will get pretty complicated when Joe Brewster, a con man, steals his identity and garb. Clean '50s fun with Rome's structural highlights as a background.
Você sabia?
- CuriosidadesPaul Douglas comments that St. Peter's is bigger than Yankee Stadium. In fact, the Yankee Stadium of 1952 could fit into just the central aisle of St. Peter's.
- Erros de gravaçãoA priest tells Brewster St. Peter's Basilica holds 100,000 people. It actually can only hold 60,000.
- Citações
Father John X. Halligan: Holiness often disappears with the daylight.
- Cenas durante ou pós-créditosOpening card: "1950 was a holy year. Three million pilgrims from every part of the world thronged to Rome, the Eternal City. Our story is about two men who journeyed to Rome that year. One was Father John X. Halligan, a young priest from Coaltown, Pennsylvania, whose mission was a holy one; the other was Joe Brewster, late of Sing Sing, San Quentin, Joliet, and Atlanta, whose mission was not so holy...
If our story has a moral, it's a simple one: God may move in mysterious ways, but He gets there just the same. "
- Trilhas sonorasHymn 'Panis Angelicus'
by César Franck
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Detalhes
Bilheteria
- Orçamento
- US$ 1.313.000 (estimativa)
- Tempo de duração
- 1 h 18 min(78 min)
- Cor
- Proporção
- 1.37 : 1
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