Viva Zapata!

Mexico, 1909. The people in the state of Morelos rise up against the tyrannical regime of President Porfirio Diaz. They are lead by a simple, illiterate peasant-farmer, Emilio Zapata. All he wants is justice and fairness for his people but as things progress he is drawn deeper into a civil war where allies and enemies are often difficult to tell apart.

Written by John Steinbeck, directed by Elia Kazan, starring Marlon Brando and Anthony Quinn, and based on a true story, on paper this has all the makings of a classic. The end result, however, is far from satisfactory.

The intention was good: show the life of a man of integrity and honour and the lengths he is willing to go to for the rights of his people, throw in a theme of how power corrupts, plus another theme of how a name can sustain a revolution.

Can't fault the performances either. Brando, in his third movie, puts in a strong performance as Zapata. The movie provided him with his second Oscar nomination, after only three movies (his first was in A Streetcar Named Desire, his second movie). Anthony Quinn won the Best Supporting Actor Oscar in 1953 for his portrayal of Eufemio, Zapata's brother.

No, it is in the execution, especially direction and editing, that things fall a bit short of their potential. The story is clumsily told by Elia Kazan. Scenes don't link well, some scenes seem entirely unnecessary and it is difficult to follow the history behind the sequence of events. No explanation is given for the seeming lack of continuity, eg Zapata is President, all seems well, then next we know it is back to civil war with Zapata a revolutionary. No detail for the change provided.

This sudden change of direction, without the events that changed the direction, is incredibly jarring and disconcerting.

So, in the end, you have a historic story with many of the historic details left out. Not ideal.

Overall, okay, but not great. While Elia Kazan was a great director, I can't help but think this movie would have been a masterpiece if someone like John Huston, or maybe John Ford, had directed it.

The story of Mexican revolutionary Emiliano Zapata (Marlon Brando), who led a rebellion against the corrupt, oppressive dictatorship of president Porfirio Diaz (Fay Roope) in the early 20th century.

Sadly, I do not know the story of Zapata well enough to criticize this film for its accuracy or lack thereof. I understand it is somewhat fictional, and of course needs to be to some extent since no one was there writing down every spoken word or action.

But I loved the story, the endless cycle of violence... this is all too true. While revolutions can work (America did alright), they do tend to lead to more revolutions. And while Mexico is stable now (or at least mostly so), it did have a rough history... which made legends out of Zapata and Pancho Villa.

When I read so many of the comments on this film featured here, I find it difficult to understand how so many viewers fail to appreciate the incredible nature of the collaboration that produced it. The very idea of a motion picture scripted by John Steinbeck, directed by Elia Kazan, scored by Alex North, starring Marlon Brando, co-starring Anthony Quinn........this is an almost unbelievable gathering of artistic giants.

Taste in movies varies and thus one can be certain that some will not respond positively even to this one. After over five decades of movie-going, I can look back and remember precious few pictures that rise to the high level of excellence to be found in "Zapata". With its spellbinding storytelling, superb cast in top form, its insightful examination of issues which are still crucially relevant today, I can not fathom why some would not praise it.

Like a long list of really fine titles that endlessly persist in remaining unavailable in DVD release, this film has me wondering once again why, in the vastness of the internet, one can not discover the reason why this major Brando star-vehicle continues to be withheld from circulation. Is such information so impossible to find that no one can unearth it?

You can tell from reading the viewer comments that not everyone will agree on this, but I would suggest that anyone who appreciates literate, superbly crafted classic motion pictures should make every effort to see this one. I wish I could invite you all to a great gala screening of it. I know you would be dazzled by its splendor.

I wonder how one of the reviewers found Brando a miscast, Brando is brilliant in the movie. With his intense anger and hatred for the exploiters and supported by good looks his performance is quite impressive. Kazan is a genius with his direction, all the main actors are superb starting from Brando, Quinn and the bad guy. I can't imagine why 'they' gave the Oscar to Gray Cooper for High Noon when Brando's performance in Viva Zapata clearly outdid Gary's, I have seen both the movies and Brando deserves it without a second thought. Well, Brando didn't care and that's the best part, he certainly is the BEST in method acting and this movie shows just how talented and gifted as an actor he was.

The movie overall is a classic, poetic, rebellious and based on the life of the revolutionary Zapata in Mexico. There are a number a similarities with Che Guevara, war tactics and the way he lives and spares no one when it comes to his ideals. It's must watch for the lovers of classic, artistic cinema.

Emiliano Zapata (Marlon Brando) was a principled, charismatic revolutionary who led peasants from Mexico in the early part of the 20th century against the dictator, Porfirio Diaz who might had proclaimed himself the father of the nation but was stealing land from the poor farmers.

What Viva Zapata shows that the cycle of betrayal is endless, one dictator goes and another one emerges. When Zapata is President his brother Eufemio (Anthony Quinn) regards it is his right to take land and property by force.

With at times a literate and clever script written by John Steinbeck, direction by the then leftist Elia Kazan the film is too uneven. There are at times some great black and white photography but the film lacks action, the plot is messy and it does not always makes sense.

Brando gives a sombre and moody performance but does look odd as a Mexican. A more natural rough-hewn performance is given by Quinn.