Lady in the Fog

(Some Spoilers) Suave and handsome Cesar Romaro as American journalist Phil O'Dell has his hands full in "Lady in the Fog" in both charming the ladies and jumping out of windows as he solves a murder case that's 13 years old. In fact nobody knew it was a murder until Phil got wise to it.

All this started when Danny McMara,Richard Johnson, was purposely run down in the fog one evening by a mysterious lady friend of his. Danny's sister Heather, Bernadette O'Farrell, just happened to be Phil's girlfriend who took it upon himself to solve her brother death in what everyone at the time, including Scotland Yard, thought was just a tragic accident. Getting worked over by this shadowy thug Connors, Reed De Rover,a number of times and almost being arrested by the London Police for interfering in their investigation of Danny McMara's death Phil eventually gets to the bottom to why Danny was murdered and who was behind it.

It turns out that Danny had uncovered the murder of this inventor that took place in 1939 that was made to look, by his killers, to be an accident. The inventor died when his laboratory caught fire in a freak accident. Danny getting too close to the truth and at the same time blackmailing the killers ended up himself being murdered, that was made to look like an accident, by one of those whom he unknowingly, his girlfriend, was blackmailing!

Phil, on a tip he got, getting inside the Glenhaven Sanitarium finds the only person-the nutty as a fruitcake-Martain Sorrowby, Llyod Lamble, who knows the truth about that 1939 covered-up arson murder. Sorrowby, who's mind is completely lost in Ga-Ga land, can lead Phil to not only the truth behind the unidentified inventors murder but at the same time the murder of Danny McMara. Just as Phil was about to get Scotland Yard inspector Rigby, Campbell Singer, to come over to Gleanhaven to interview Sorrowby he, like Danny, died in a suspicious car accident just outside the sanitarium.

Realizing just what he got himself into Phil together with Heather track down Danny's killers but not before Heather, who had no idea whom she was dealing with, almost ended up getting murdered herself by someone, a friend of her's and Danny's, that she thought that she knew, and trusted, but really didn't!

Worth watching in that fact that that we see legendary Hollywood Latin Lover Cesar Romaro playing a Humphrey Bogart type private investigator. Getting belted by the bad guys all over the place Caser, or Phil O'Dell, still didn't lose his both good looks and sense of humor, he also has the best as well as last line in the movie, despite all the hits he took to the head and body, as well as his inflated ego, in the film.

Who is Margaret? What happened to her? She just vanished. That's the mystery here, and for all accounts, of all who knew her, she is irrevocably lost and can't be found ever again. She vanished in some fire before the war (13 years ago) with several casualties in some work shop for exclusive technical instruments outside London somewhere, when beautiful Bernadette O'Farrell happens to meet Cesar Romero (as a journalist on a brief visit from America) at a bar where he is mixing an explosive cocktail, whch actually explodes like a bomb. That's just one of a number of comic curiosities in this film, which turn up every now and then. There is a film studio also with a great famous film producer with a sense of humour constantly laughing, but eventually he stops that when he needs a few more drinks (Geoffrey Keen, for once not a police inspector). The grand finale is in that film studio, somewhat reminding of other similar finales in great thrillers, like for instance "The Intimate Stranger" with Richard Baseheart and "Charade" with Cary Grant and Audrey Hepburn, but this was ten years before that. The problem with Bernadette O'Farrell is that her brother has just been killed in a car accident (as someone drove him over in the fog), and she knows it was not an accident, while she has no evidence. Cesar Romero gets as interested in this as in her, and they start examing and digging up graveyards, figuratively speaking, and eventually locate a murder committed 13 years ago. There are some scenes in an asylum where an ingenious inventor is kept locked up, the asylum telling all who ask for him that he is dead, which Cesar Romero eventually finds out he isn't. There are some intriguing reminiscences here of James Hilton and his "Random Harvest", to some degree probably inspired by that ace of a story, and so the intrigues go rolling on. It's a great thriller on a small scale and quite exciting and captivating enough to keep your interest up all the way. Finally the mystery of Margaret is resolved, as she proves to be the lady in the fog.

Cesar Romero ("O'Dell") is a visiting American sitting in a bar in London making a drink that wouldn't have looked out of place in Merlin's laboratory. He and the barman are trying to encourage the sceptical "Peggy" (Lois Maxwell) to partake when a police man enters the bar to use the phone to report an hit and run accident outside. She is expecting her brother - could he be the victim? Well it turns out he was, and now she and "O'Dell" determine to find out whether or not it was an accident and to get to the bottom of things. The mystery element of this is all a little procedural, but there is a bit of chemistry between Romero and Maxwell; there is quite a fun sub-plot between the American and his travel agent "Boswell" (Frank Birch) who is trying to repatriate him despite a pea-soup fog at the airport, and Geoffrey Keen finds himself with a more substantial part to deliver as the suspicious "Hampden". The aforementioned fog and the creepy Ivor Slaney score also contribute well to this by-the-numbers, but quite passable crime-noir.

Cesar Romero is an American PI trapped in London, waiting for the fog to lift so his plane can take off. He's passing the time in a bar with Lois Maxwell when a Peeler comes in to use the phone. A man has been struck and killed by a car. Miss Maxwell is convinced that it's her brother, so she and Romero go to look. It's as she feared. She is convinced he was murdered, but Romero's contacts in CID are retired, and there are lots of traffic accidents in Pea-soupers. So Romero and Miss Maxwell investigate.

It's a rather old-fashioned movie for 1952; hardly surprising, considering it's financed by Lippert and Hammer. Nonetheless, it's a nicely put together thriller, that leads to some unlikely places, with decent performances; director Sam Newfield, who spent too much of his career at PRC, demonstrates that given a decent script, he can turn out a good movie.

In the 1950s, many British film companies recruited American actors to star in their movies. Why? Well, the thought was that these British movies would be much easier to market to the States with a few familiar faces. Generally, these actors were second-tier...good actors but not the super-high priced ones.

"Lady in the Fog" is one of these British films with an American in the lead. Caersar Romero plays Philip O'Dell, a guy who is trying to leave the UK but whose flight is delayed due to fog. During this waiting period, he meets a woman and they talk. Soon she is alerted that her brother is dead...run over in the fog. Considering the brother's unsavory associates, she assumes his death was no accident. But there isn't much to go on or prove her theory, so the police don't take the case. Instead, O'Dell investigates the case himself....and opens up a huge can of worms, so to speak.

The film is very average....a decent story, decent acting. Nothing bad nor outstanding here...the definition of a nice time-passer.