O Soldado da Rainha

The absence of a strong story line in the screenplay alleviates the overall effect of "Pony Soldier," but as filmed against a breathtaking Technicolor panorama, Joseph M Newman's film guarantees attention for its qualities of vivid action and the interesting authenticity with which life in last century times is depicted among the Cree Indians and the Mounted Police...

These sequences abound in effective atmosphere and are increased substantially by Newman's splendid choice of players (Cameron Mitchell, Thomas Gomez and Penny Edwards) to surround head man Tyrone Power (in a colorful uniform) assigned to stop a tribe of hostile Crees from going on wage war against the U. S. Cavalry...

The film - free from weeds - stands out as a little gem of Technicolor beauty... It contains: a spectacular attack on a wagon train; hostages held as a pledge; enraged Indians riding into the hills to burn at the stake a beautiful innocent girl; and a battle during which a handsome hero is saved by the arrow of an Indian lad...

Improbably enough, Tyrone Power plays one of the first Canadian Mounties in this film. While I just couldn't picture him in this role, he was fine in the role as an interpreter sent to discuss peace with a renegade Indian tribe. The first half of the film was amazingly leisurely paced and lacked the usual level of excitement found in a Western, though the second half improved quite a bit. What I particularly liked was how the Indians were generally portrayed. Unlike earlier Westerns of the 30s and 40s, this one was much more sympathetic in its portrayal of the natives--showing them as intelligent and generally quite honorable. Also, to get past the usual dialog and accent problems, early in the film the narrator announced that Power and the Indians spoke the native language but it was translated to English for the benefit of the audience (an unusual announcement to say the least).

Aside from a nice portrayal of most of the Indian, the story also featured a cute Indian lad who actually helped the story--something cute child actors rarely do! On the negative side, the overall effort, to me, seemed rather listless in places and just didn't seem like much more than a very good time-passer. Interestingly enough, I watched this movie with my wife and she really liked it--more than I did, and this is unusual since she usually HATES Westerns.

I can only say, poor Tyrone.

You make a fortune for your studio. You ask to make Nightmare Alley. Zanuck hates it. As a reward, you're handed mostly dreck until your contract is up.

Pony Soldier from 1952 is such dreck. It is in color, and Tyrone as Canadian Mountie Duncan Macdonald looks spectacular.

It was filmed in Arizona, and he got a nice romance out of it with Helen Frye, ex-wife of the founder of TWA. You can look it up on the Internet.

Film wise, it's 1876, and MacDonald, a newcomer to the Mounties, is given a dangerous assignment. The Cree Indians, now in Montana, took two hostages for their safe return to Canada. MacDonald's mission is to free the hostages.

It's nice to look at, but that's about it. I spent the film feeling terrible for Power. Thankfully once the Fox shackles were off, he would be on the rise again. A little late, since six years after this film, he was dead.

Tyrone Power is the title character in this good western whose mission is to effect the return of the Cree tribe from the United States back to Canada in the name of the Queen. Of course, the Indians just want to hunt and return to their old way of life and to lift a few scalps along the way. Power is aided by a trail-savvy, talkative half-breed scout who provides droll comic relief along the way. The film has more dialogue than action, although white hostages held by the Indians lead to some tense moments for the Mountie. The officer's peace efforts are threatened by a band of hostile Indians, with most of the skirmishes coming at the end of the picture. The movie has a great cast of western character actors and the camera work is also very good.

Garrulous Technicolor nonsense whose grasp of geography is evident from the use of Texan locations pretending to be Canada and whose fidelity to factual accuracy is evident from casting Cameron Mitchell and Thomas Gomez (the latter looking like Jabba the Hutt) as red indians. It boasts an interesting score by Alex North, who rapidly went on to much greater things.