Adicionar um enredo no seu idiomaTrials and tribulations beset the one hundred odd settlers that journey to Virginia in 1620 including unexpectedly arriving in Plymouth, Massachusetts.Trials and tribulations beset the one hundred odd settlers that journey to Virginia in 1620 including unexpectedly arriving in Plymouth, Massachusetts.Trials and tribulations beset the one hundred odd settlers that journey to Virginia in 1620 including unexpectedly arriving in Plymouth, Massachusetts.
- Direção
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- Ganhou 1 Oscar
- 1 vitória no total
- Salterne
- (não creditado)
- Child on Mayflower
- (não creditado)
- Sailor
- (não creditado)
- Gov. John Carver
- (não creditado)
- Sailor
- (não creditado)
- Ellen Moore
- (não creditado)
- Direção
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- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Interesting historical film about the famous feat based on the novel by Ernest Gebler with screenplay by Helen Deutsch , describing trials and tribulations of the risked sea journey , a fundamental event in American history . It packs emotion , drama , love stories and historical happenings . Very good cast plenty of familiar Hollywood faces as Spencer Tracy who has an ill-starred romance with the wife of a religious fanatic well played by Gene Tierney , both of whom had an affair that lasted for the duration of filming . Support cast is frankly excellent , such as : Leo Genn , John Dehner , Barry Jones , Dawn Addams , Lloyd Bridges , Paul Cavanagh and Van Johnson , though filmmaker Clarence Brown later said casting him was a huge mistake . In addition , other uncredited players : John Dierkes , John Alderson , Murray Matheson and Rhys Williams . The film is well based on historical events , though including some fictitious incidents ; as Dorothy Bradford did indeed fall overboard and was drowned while husband William was exploring for a site for the establishment of Plymouth . For once , the colonists are correctly shown building framed houses, and not log cabins as is commonly supposed . Decent production design by prolific Cedric Gibbons , though most film is set on the vessel , being some claustrophobic . Colorful cinematography in Technicolor by William Daniels , Greta Garbo's regular cameraman . Evocative and thrilling musical score by Miklos Rozsa .
The motion picture nicely produced by Dore Schary was professionally directed - though with no enthusiasm- by Clarence Brown . Clarence studied and learned with French director Maurice Tourneur . He directed several actors in Oscar-nominated performances. During his career Brown directed or produced more than 50 widely-acclaimed full-length films , many during his long association with prestigious MGM and worked with many of the industry's most illustrious performers . Clarence got a lot of successes , such as : Anna Karenina , Maria Walewska , Intruder in the dust , The yearling , National velvet , Song of Love , among others .
Some reviewers here have complained that Spencer Tracy looks too old to play Captain Jones, but I find this strange as the real Captain Jones was the same age as Tracy... and as Jones also partook of the hardships on board, not only on this famous voyage but in a whole life at sea, and in fact died only a year after he returned to England, HE probably did not look like a spring chicken either... I also must admit that I at least find Tracy attractive in this part!
The best thing about this movie is the dialogue; there are many lines that are as beautiful as poetry. Captain Jones' words when he talks of his broken ship, his lonely nights and his feverish longing for Mrs Bradford, is some of the best dialogue I have ever heard in a love scene written for a movie. Very pungent and erotic with a feeling of impending doom...
The feeling of being transported to the time period is very good. The sailing part is as far as I can see accurate - you get to see a little of the sailors really working the sails, pulling up the anchor etc. (I would have wanted more of this). The photo is beautiful and there are impressive storm scenes etc..
There is one thing lacking though: I would have expected more religious ardor from the passengers. More spirit. After all: these are the founding fathers!!! I think they come out as too ordinary, too preoccupied with practical matters like any migrating peasants.
Though much was documented - and is adhered to by the plot points - much is conjecture, and this can be subject to dramatic license. Of course, the dialog is up to the screenwriter and director. We can discuss this, but for me, the language and dialog weren't at all problematic, nor was the lush cinematography, in itself (see below).
I have only two quibbles:
I should have preferred to see Plymouth Adventure in black and white. The Pilgirms were a black and white lot who established a black and white society.
I don't mind myth-making, because I think myths can be metaphors for the truths behind them. Of course, myths can be used in malign ways, as we know from the Nazis. Though not malign, the myth of the Pilgrims is of questionable value, since we know that the Pilgrims were seeking, in the New World, freedom, but freedom to establish their own tyranny. This is different from the myth, say, of George Washington and the cherry tree, since Washington was a true archetype of integrity. Nevertheless, rather than making a debunking movie showing the Pilgrims as a kind of proto-Taliban, perhaps it would be better to let their qualities of courage and resourcefulness stand, and leave the myth to benign neglect.
Você sabia?
- CuriosidadesFar from being a womanizer, as depicted in the movie, Captain Christopher Jones was a happily-married family man. He and his wife had eight children, one of whom was born in March, 1621, while Jones was still at the Plymouth Colony in Massachusetts, waiting for favorable weather to return home to England on the "Mayflower."
- Erros de gravaçãoThe viewer who objected to a map of New England in the possession of the Pilgrims on the Mayflower seems unaware that there was a detailed map of New England as a fold-out in Captain John Smith's "Description of New England" (1616), a book referred to by Bradford and owned by Brewster.
- Citações
Offscreen chorus in opening titles: During production, the film's composer, Miklos Rozsa, suggested that the main title feature a musical setting around text from the Ainsworth Psalter, written by English Separatist clergyman Henry Ainsworth, first published in Holland in 1612 and brought to America by the Pilgrims in 1620. The sung lyrics in the version used in the film are
[singing]
Offscreen chorus in opening titles: Confess Jehovah thankfully for He is good, for his Mercie continueth forever. To God of gods confesse do ye because His bountiful mercie continueth forever. Unto the Lord of lords confesse because His merciful kindness continueth forever. To Him that doth, Himself only, things wondrous great, for His Mercie continueth forever; continueth forever.
- Cenas durante ou pós-créditosThe end credits are the most comprehensive cast list. After each actor is shown in character, in reverse order from the opening credits, the ship The Mayflower (a replica of the 1620 vessel) is shown floating in the water and identified by a graphic.
- ConexõesFeatured in America at the Movies (1976)
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- Plymouth Adventure
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- Orçamento
- US$ 3.185.000 (estimativa)
- Tempo de duração
- 1 h 45 min(105 min)
- Proporção
- 1.37 : 1