O Veleiro da Aventura

It's 1620 Southampton, England. Pilgrim families are waiting to board the Mayflower. Christopher Jones (Spencer Tracy) is the Captain. The authority is looking to hang the group's leader William Brewster. Among the crew is first-mate Coppin (Lloyd Bridges) and new ship's carpenter John Alden (Van Johnson). The captain conflicts with Dorothy Bradford (Gene Tierney) who is married to William Bradford. Company agent Weston bribes Jones to drop the Pilgrim in Cape Cod, hundreds of miles away from their intended destination in Virginia.

The production spent a lot of money and it shows on the screen. It did win the Oscar for Best Special Effects. Like always with historical dramas, accuracy is suspect. Everything else is a bit middling. This has great actors, but they can't do more than on the page. It feels a bit scattered as the story follows many characters. It's a bit old school with veteran director Clarence Brown and it turns out to be his last. There may not be enough drama to do a movie about the voyage and the movie does not disprove that fear. The romantic drama feels manufactured. In the end, this has the one Oscar and not much else.

This is a very fine movie! As I am not American these pilgrims have not meant so much to me - although I recognized a name or two - but now I feel I know them and understand them a little. Not only because of what I learned in the movie itself, but from the reading I have done after wards because it awakened my interest and curiosity. Good historical movies shall work just like that - and for a good cause a little poetical license is acceptable! Because without the unconsummated and tragic love story, also if it did not happen in reality, this movie would not have been half as thrilling.

Some reviewers here have complained that Spencer Tracy looks too old to play Captain Jones, but I find this strange as the real Captain Jones was the same age as Tracy... and as Jones also partook of the hardships on board, not only on this famous voyage but in a whole life at sea, and in fact died only a year after he returned to England, HE probably did not look like a spring chicken either... I also must admit that I at least find Tracy attractive in this part!

The best thing about this movie is the dialogue; there are many lines that are as beautiful as poetry. Captain Jones' words when he talks of his broken ship, his lonely nights and his feverish longing for Mrs Bradford, is some of the best dialogue I have ever heard in a love scene written for a movie. Very pungent and erotic with a feeling of impending doom...

The feeling of being transported to the time period is very good. The sailing part is as far as I can see accurate - you get to see a little of the sailors really working the sails, pulling up the anchor etc. (I would have wanted more of this). The photo is beautiful and there are impressive storm scenes etc..

There is one thing lacking though: I would have expected more religious ardor from the passengers. More spirit. After all: these are the founding fathers!!! I think they come out as too ordinary, too preoccupied with practical matters like any migrating peasants.

"Plymouth Adventure" somehow manages to avoid being corny or sappy and also avoids being religiously preachy. By sticking to straightforward storytelling it gets the job done in a dignified way that retains your interest as the story unfolds.

Spencer Tracy is too old and craggy for the romantic scenes with a much younger actress, but utterly dominates the film in a constructive manner through extreme talent and skill. He manages to dominate the film without being noisy or over-acting. As usual an amazing demonstration of acting skill by Tracy.

Van Johnson, basically a humble, kindly sort of actor is appropriately cast as a poor man in the hard-working carpentry profession. Leo Genn of the golden voice and saintly countenance is well cast as a gentle, religious-minded leader. Actually Genn's voice is beyond golden- I would describe his voice as 24-carat gold or maybe even platinum. Gene Tierney, a complex and tragic beauty and fine actress, is cast as what else... you guessed it, her character is beautiful and tragic. And on and on I could comment about the triumphs of good casting that add immeasurably to the success of "Plymouth Adventure".

The script is not very dynamic, and while not intense in the movie-drama sense, manages to avoid all the maudlin or preachy traps that it could have fallen into. So, while being far from great, this movie is watchable and generally succeeds in my opinion.

I had never heard of this flick and tuned to it (thank you, Turner Classic Movies) primarily because of the presence of the great Spencer Tracy and one of my favorite character actors, Van Johnson, whose acting skills I find vastly underrated. I was not disappointed, and I was surprised to read the many disparaging comments here. I cannot speak for historical accuracy but I found the story gripping and the script very well written. Tracy reminds us again of the reason he is regarded as one the greatest actors of his generation. No doubt that the love interest between him and Bradford's wife is probably apocryphal, and was inserted to fulfill Hollywood's requirement for a romantic angle, but so what? Leaving that aside the movie is a pretty engrossing depiction of the trials and travails of the Pilgrims, although the conditions on their actual voyage were probably a lot grimmer than Hollywood could politely depict in those days. All in all a very worthwhile effort and well worth seeing.

Where is the masterpiece American film on this dramatic voyage and settlement of the founders of our democracy? Plymouth Adventure, the best of its kind, has many of the virtues of great American studio work (convincing mise en scene, great ship, vivid action [the storm], fine acting [try to ignore the hobbled accents], and smooth story continuity) and can be enjoyed because of all that, but it never conveys a sense of the agonized desperation and profound spiritual quest of the dissenters. Perhaps Gene Tierney is just too beautfiul, perhaps the costumes are just too sparkling, and certainly the tragic affair with the Captain is better suited to a Douglas Sirk melodrama. For a different account, one can view Mayflower (Anthony Hopkins version), but that errs on the side of political correctness, and drab plotting, and tub-sails a low-budget toy Mayflower. We await the great film about the adventure of these heroic common folks to whom we owe so much.