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Phone Call From A Stranger will be worth the watch for any Shelley Winters or Bette Davis fans. I watched the old, 1952 black and white movie on a drizzling afternoon and surprisingly, the flick made me feel real good. Why, you ask? On back of the movie packet it tells you that "A plane crash puts an end to the sufferings of three ill-fated passengers ..." With that alone, one would assume that it's a totally 'down' movie. However, it is not. It's like that old saying that my grandmother used to make, "In everyone's life a little rain must fall". Well, I guess she was right if one is to enjoy the sunny days. Which, Phone Call From A Stranger turns out to be: a sunny day after much rain.

This movie will make you feel good about yourself. I promise. I think that's what so great about older movies; no special effects to disturb the real meaning of movies: the actors and actresses.

A must-see for classic movie fans.

This is an interesting story with a great cast. The survivor of a plane crash meets the other people in the lives of those he met on the plane before the crash. This framework provides a fascinating study in conscience and human nature.

Gary Merrill's plane is delayed by weather, and he waits in a small airport terminal with three strangers: Shelley Winters, Michael Rennie, and Keenan Wynn. All four have complex pasts, and, over the course of the night, they become friends and share secrets. A tragic crash leaves only one of the four alive, Gary Merrill, which is no spoiler because the advertising blurb reveals that plot point. Thus, Gary makes the "Phone Call from a Stranger" to the families of the three friends who died. Although a clever and engaging story device, the disparate stories tidy up a bit too quickly and neatly. However, the cast is entertaining, and the film is engaging throughout its 96-minute running time.

Merrill is solid as David Trask, a lawyer with his own issues, who links the stories. Shelley Winters shines as Binky Gay, an entertainer who never quite made the big time and lives in the shadow of her celebrity husband and mother-in-law. Winters's role is showy, and she plays both her character and Trask's enhanced version of her character with panache. Keenan Wynn is the perpetual clown, who grows tiresome to his friends and eventually to the audience. Beyond the four central characters, even the small parts are big in this film. A young Beatrice Straight plays Michael Rennie's wife; Evelyn Varden is Sally Carr, an aging nightclub headliner; and Bette Davis appears near the end to show her then husband, Merrill, how to face his own character's crisis.

"Phone Call from a Stranger" is not a classic, but rather a solid programmer from the early 1950's with an above-average cast and some good performances. While the film does not merit repeat viewings, except perhaps to appreciate a little known Bette Davis role, the story is told with a good pace, and any time spent in the company of these fine actors is well spent.

Phone Call from a Stranger (1952)

Well, the studio system is crumbling, and the great Golden Age stars like Bette Davis are finding new kinds of roles, but veteran directors like Jean Negulesco are still able to use all the great talents of Hollywood to put together what is a classic kind of movie. It's not a great movie at all, but it's tightly constructed, filled with twists, is dramatic and poignant in turns (and funny, too), and all in all makes for an entertaining and interesting movie.

Not mind-blowing adjectives, I know, but appropriate.

The key player here is a strong and silent type, Gary Merrill, a really steady and impressive actor every time I've seen him, though he usually plays secondary roles. But he calmly holds together a series of stories (there are four main threads here, with a unifying link that is quite a surprise). All the other actors have brief roles, as the movie is really broken into sections a little like A Letter to Three Wives from three years earlier (a better movie, but sharing a nice sense of interweaving stories). But this means Bette Davis, whose name appears in big letters as a star, appears fairly briefly. But she's fabulous, even in this limited role.

There a some odd flaws, like an odd shift to soft focus on an actress for some close-ups of but not others. And the story for all its strengths feels a little forced, too, which you just go along with. But if you are glass half full person you'll see the strengths of acting and filming here (cinematographer Milton Krasner is among the best) as well as the music (Franz Waxman), and you'll really enjoy it start to finish.

Phone Call from a Stranger is directed by Jean Negulesco and adapted to screenplay by Nunnally Johnson from a story by I.A.R. Wylie. It stars Shelley Winters, Gary Merrill, Michael Rennie, Keenan Wynn, Evelyn Varden, Warren Stevens, Beatrice Straight, Ted Donaldson, Craig Stevens, Helen Westcott and Bette Davis. Music is by Franz Waxman and cinematography by Milton Krasner.

Lawyer David Trask (Merrill), leaving his family troubles behind, survives a plane crash and decides to call on the families of the people he made friends with during the trip...

Utterly lovely drama, a film that boasts quality across the board. How great to see a picture that affords characters time to breath and impact on the story, impact that becomes four fold come the wonderfully humanistic finale. Story is structured as a two play piece, first act lets us into David Trask's pain and builds three characters around him as the so called "Four Musketeers" become friends during a troubled aeroplane journey. We get to know them and wonder what their home life is like, their secrets and tribulations, and then the walls come tumbling down and the story shifts into sombre tones to lead us down paths adorned with thoughtfulness and intelligence.

There's a hint of contrivance and some moral grey areas, yet this rises well above the minor quibbles to become a film of dramatic emotional strength. Beautifully performed by the principal players, it forces us to question that things may not always be as they first appear. It also has meditations on grief, second chances and that out of pain can come good, the human interest value here extraordinarily high. Yes! This is a most under seen and under appreciated bit of classic era cinema, its rewards just waiting to be discovered by more film loving fans. Go on, seek it out, come the finale you will feel better for it. 8/10