A Mulher Absoluta

In this disappointing follow-up to the excellent "Adam's Rib," Hepburn plays a multi-sport athlete who is managed and promoted by Tracy. There are two funny scenes: one involving a tennis match and another where Hepburn slugs a couple of goons to protect Tracy. The other ninety percent of this supposed comedy is devoid of laughs and there is little plot. Cukor can't overcome the witless script by Gordon and Kanin. In fact he makes matters worse by inserting extended sport sequences, particularly golf, that are neither funny nor exciting. The film provides early roles for Bronson, Backus, and Connors, as well as the opportunity to see various famed tennis and golf stars.

According to film lore, writers Ruth Gordon and Garson Kanin were inspired to write PAT AND MIKE when they realized that Katherine Hepburn was a near-professional-level golfer and tennis player. The result is a sprightly tale of a college physical education teacher named Pat (Hepburn) who turns pro with the help of a slightly shady promoter manager named Mike (Tracy.)

As always, Tracy and Hepburn make for an engaging pair, and the supporting cast is crammed with memorable faces, including Jim Backus, Chuck Conners, a very young Charles Bronson, and even Carl "Alfalfa" Switzer--and every one plays with the same charming touch. The sports scenes also gives sports fans a glimpse at such legendary athletes as Babe Didrikson Zaharias. But the real interest here is the script itself: in an era noted for sexism, PAT AND MIKE is flatly feminist, and the story finds Hepburn first rebelling against fiancé William Ching's "little woman" mentality and then straightening out Spenser Tracy on the same point--and in one of the film's most memorable scenes, Hepburn effectively shoves Tracy aside to beat up two men who threaten him!

Given the nature of its story, PAT AND MIKE spends quite a lot of time on the golf course and the tennis courts, and those who have little interest in sports may not find it to their taste; that said, in spite of its many charms, the film isn't really in the same league with Tracy and Hepburn's ADAM'S RIB. Still, fans of the screen team will enjoy it quite a bit, and even purely casual viewers will have a good time.

Gary F. Taylor, aka GFT, Amazon Reviewer

Have loved a lot of Spencer Tracy's and Katharine Hepburn's performances, both had their fair share of great films and performances, and their partnership/chemistry spanning twenty five years on and off screen is nothing short of legendary. Have never been able to get enough of seeing them together. Also like to love quite a number of the films directed by George Cukor.

Tracy and Hepburn did nine films together, starting with 'Woman of the Year' in 1942 and ending with 'Guess Who's Coming to Dinner' (and Tracy's death) in 1967. For me, all of them are watchable and above and most are good and more, 'Keeper of the Flame' and particularly 'The Sea of Grass' were disappointments but still had enough good things to make them watchable. Cukor directed three of the nine, of which 'Pat and Mike' is the last after 'Keeper of the Flame' and my personal favourite Tracy/Hepburn film 'Adam's Rib'. As far as their films go when ranking from best ('Adam's Rib') to worst ('The Sea of Grass'), 'Pat and Mike' is somewhere in the lower middle. It's entertaining and well performed, a treat for those who are fans of the stars and their chemistry, but the battle of the sexes/romantic comedy theme was handled even better in 'Adam's Rib' with even more wit and class than seen here.

'Pat and Mike' takes a little too long to find its rhythm, some of the early scenes lack momentum.

Maybe there could have been less of the sport sequences, some engrossed and are well staged but not all of them excited or added as much as others and the pace gets bogged down as a result.

On the other hand, Tracy and Hepburn really do shine here and so does their chemistry. Really did get the sense that they were in love, and 'Pat and Mike' was one of the films where that feeling was most strong. Hepburn was simply born for her role here and she is in her element in what is actually the more interesting and more prominent role. Tracy's subtlety and charm is on full display too and it is very difficult not to appreciate either of those qualities. The supporting cast aren't as strong but still make good impressions, notably Aldo Ray.

Cukor directs with ease and control on the most part, although it takes a while to settle, while the production values are slick and stylish and the music pleasantly seductive in spots. Enough of the sport sequences are charming and exciting and the script sparkles in wit and sophistication at its best (which of course is when Tracy and Hepburn are on screen). The story is slight but is easily amiable and generally the pace is more than competent.

In summary, pretty decent. 7/10 Bethany Cox

The seventh pairing of Spencer Tracy and Katharine Hepburn focuses on the sports world with Hepburn playing Pat Pemberton, an all-around athlete hoping to go professional. To do that, she needs the help of a sports manager, a tough and savvy Irishman, Mike Conovan. Here, Hepburn plays the more delicate character as she is apparently unable to perform at her best when her fiancée (William Ching) is around. This of course leads to the typical pairing of the two leads as well as Pat realizing who she really needs to be with.

This was a very mediocre film, barely following a serious plot and stretching it just enough to be able to see some nice footage of Hepburn playing Babe Didrickson at golf as well as playing some indoor tennis. I never knew Hepburn was so athletic, especially at her age of filming this, but she did practically all of these scenes herself and proves that she was a capable athlete as well as actress. And although this wasn't as good a film as Adam's Rib, I liked Tracy a lot more in this role than that one. Here, he was much more likable as well as clever and sarcastic. There is a great scene when he describes to Hepburn how he runs his business and why he is so strict on how he runs the relationship between manager and athlete.

The supporting cast is mediocre as well with Ching as the helpless fiancée, Aldo Ray as a dim-witted boxer and Jim Backus as a golf store attendant. The only real reason to watch this at all is to admire the chemistry Tracy and Hepburn shared as well as admire the athletic ability Hepburn had all her life. It isn't their best work, but Tracy is very good and somewhat elevates the material better than it could be if another actor was in that role. This is also a testament to the fine actor Tracy was as his health started to decline after this. If only he could have remained healthy a little longer he could have extended his legacy as one of the best actors America has ever seen.

Garson Kanin and Ruth Gordon specifically wrote this screenplay because of Katharine Hepburn's real sports ability.

This is a terrific comedy and a great vehicle for Hepburn and Spencer Tracy....this gives Tracy a chance to play a Brooklyn sports thug. Very funny.

Also, this is a rare chance to see some famous Women golfers of the early 1950's on film...not mention a great performance by Jim Backus.

George Cukor's direction is relaxed and natural.

There's also a funny set-piece with Hepburn having a panic attack during a tennis match.

A great movie.