Eu Te Matarei, Querida!

Philip Ashley (Richard Burton) is a brash young man in this Gothic tale. When Cousin Ambrose writes to him that his wife is slowly killing him, he accepts it without question...even though it's very possible Ambrose was not in his right mind. After all, his father died of a brain tumor...perhaps this is causing Ambrose to compose these weird letters. Regardless, Philip is pre-disposed to hate Ambrose's wife, Rachel (Olivia de Havilland). Philip rushes to Italy to see his cousin but the man was dead and buried by the time he arrived. His widow was not there and Philip immediately leaves to return to his estate.

Out of the blue, Rachel arrives at Philip's estate soon after this. Inexplicably, he almost immediately likes her and just assumes the letters were the ramblings of a madman. While this could be true, Philip's change of heart betray him as a very immature sort of young man. And, when he falls for Rachel and wishes to marry her, you wonder....is this a marriage made in Heaven or a prelude to his soon descent into Hell? Regardless, it soon becomes apparent that Philip has some serious issues!

When Ben Mankiewiecz introduced this film, he indicated that many thought Richard Burton was miscast as Philip because he was too old...though he was only 26. He just happened to look older and the part called for a young many about to turn 25. Burton's performance earned him an Oscar nomination--oddly, for Best Supporting Actor even though he was in every scene and clearly was the star. His performance is full of power and intensity...perhaps too much at times for my taste.

This movie is in many ways very reminiscent of the earlier film "Suspicion" which, interestingly, starred de Havilland's sister (Joan Fontaine). It keeps you guessing as to Rachel and her innocence...as well as Philip's sanity. Well made and interesting.

Like its predecessor, "Rebecca", this Daphne duMaurier story made it to the screen relatively untinkered with. The screenplay is quite faithful to the novel, and although Richard Burton seems to be chewing the scenery rather fiercely at times, it was after all an early performance of his. deHavilland displays a serene face that may (or may not!) have something dreadful to hide, much as her character in "Hush, Hush Sweet Charlotte". Try it, you'll like it!

Richard Burton falls for his uncle's widow in "My Cousin Rachel," a beautifully produced 1952 movie starring Olivia de Havilland in the title role. Burton is Philip Ashley, whose beloved uncle Ambrose moves to Italy for his health, marries a widow, and dies of a brain tumor...or did he? Philip is very suspicious of his uncle's wife and the doctor she brought in to care for her husband, Rainaldi. de Havilland plays the widow Ashley who comes to visit Philip and quickly makes him regret his doubts, as he falls madly in love with her.

This is a highly atmospheric, well acted film with a very intriguing story that keeps the viewer guessing as to the true character of Mrs. Ashley. Is she a greedy, conniving seductress/killer, or a warm, loving woman? Several movie stars have demonstrated the ability of doing period pieces realistically, and Richard Burton was definitely one of them. Handsome, romantic, and boyish in appearance, with a wonderful voice and fine acting ability, he brings Philip to life with a passionate performance. Olivia de Havilland is magnificent as Rachel - hers is a subdued, gentle performance that gives nothing away as to Rachel's true character or motivations. The attraction between the two is entirely believable.

The final moments of the film are its best. Highly recommended.

This masterful, complex mystery story between a younger man and older woman deals with the very modern issues of trust in relationships, and how well you can know someone. This film was made long before I was born, but for any DuMaurier fan, it is a gift. It is no wonder that Daphne DuMaurier's books were so often made as films, with her combination of romance, mystery and mistrust that marked all of her work... it remains potent.

It is a shame that this Oscar nominated film has become all but lost. While this is a dark story, shot appropriately in noir/Gothic shadows, most video versions available (and bootleg DVDS) seem to be from time-darkened versions. How I long for this to be digitally remastered and made available in a really good DVD.

Obviously this film was recognized at the time it was made. Time has unfortunately underrated it, as I believe DeHavilland has also become underrated. The qualities that are valued in today's leading GIRL roles, flashy, young, trash talking, have no value for the pleasant, understated nuanced womanliness DeHavilland brought to this role. Her performance here is an acting lesson for film, especially as this role required the difficult job of balancing the audiences doubts about whether she is good or bad.

Burton's acting is a lesson too, in film intensity. He is much better here than in many of his later performances where he seems to have studied his pout a bit too much. This, and his role as George in "Who's Afraid of Virginia Woolf" are among his best work.

This is a must-see for anyone interested in acting, and complex, nuanced film story telling.

If Gothic romance is your thing, you won't find a more absorbing and intriguing tale than this adaptation of Daphne DuMaurier's best-selling novel, MY COUSIN RACHEL. Not only is the atmosphere completely realized, but the elegant performances make the story even more compelling to watch as it unfolds a tale of possible murder and cunning deceit. The film was nominated for four Academy Awards for best costumes, B&W cinematography, art decoration and Burton's supporting role performance (which is actually a leading role).

RICHARD BURTON cuts a fine figure as the romantic hero of the piece--brooding, intense and passionate, reminding one of Heathcliff in the Bronte novel, "Wuthering Heights." He's an angry and impressionable youth who intends to accuse his cousin of murder based on his suspicious nature, but instead falls wildly in love with her the instant they meet.

OLIVIA DE HAVILLAND matches Burton scene by scene, her charming manners and poise as a woman of the world understandably provoking his interest. At first, he assumes she wants to claim her inheritance when she visits Cornwall. But soon he is able to see her in a different light and when he falls in love with her, he decides to leave his entire inheritance to her on his 25th birthday. It is then that the story becomes even more compelling when the ambiguous nature of Rachel comes at long last to the surface.

Franz Waxman has written a very dramatic and powerful background score that adds dimension to the Gothic tale that begins when a boy and his guardian walk across the moors and come to a gibbet where a man is hanging. "Always remember, Philip, death is the price for murder." And that's how the film's brief prologue begins.

It's richly scored, well directed by Henry Koster and features two outstanding performances from Olivia de Havilland and Richard Burton. Equally fine are John Sutton as Rachel's ill-fated husband, Audrey Dalton, Ronald Squire and George Dolenz.

Despite the ambiguous ending, it's an absorbing tale that is satisfying in its execution