Eu Te Matarei, Querida!

Like its predecessor, "Rebecca", this Daphne duMaurier story made it to the screen relatively untinkered with. The screenplay is quite faithful to the novel, and although Richard Burton seems to be chewing the scenery rather fiercely at times, it was after all an early performance of his. deHavilland displays a serene face that may (or may not!) have something dreadful to hide, much as her character in "Hush, Hush Sweet Charlotte". Try it, you'll like it!

If you like mysterious classics, like Jane Eyre, Laura, and Rebecca, this one will be right up your alley. It's dark and spooky, well-acted, tension-filled, and it has Richard Burton in it! Richard's cousin has married Olivia de Havilland (Rachel) and in the 1800s, cousins through marriage become cousins as well, hence the title. He receives letters from his cousin and starts to suspect that Olivia is poisoning him, but before he can travel to their home to rescue him (remember, this is the 1800s; he couldn't just take a plane) his cousin has died. Oh no! Richard is determined to prove Olivia's guilt, so he stays on at the house to try and uncover clues. But the longer he stays there, the more he finds himself drawn to his mysterious widowed cousin. . . I don't want to say any more about the plot, but if your interest has been piqued, rent My Cousin Rachel during the next dark and stormy weekend. It's thrilling!

If Gothic romance is your thing, you won't find a more absorbing and intriguing tale than this adaptation of Daphne DuMaurier's best-selling novel, MY COUSIN RACHEL. Not only is the atmosphere completely realized, but the elegant performances make the story even more compelling to watch as it unfolds a tale of possible murder and cunning deceit. The film was nominated for four Academy Awards for best costumes, B&W cinematography, art decoration and Burton's supporting role performance (which is actually a leading role).

RICHARD BURTON cuts a fine figure as the romantic hero of the piece--brooding, intense and passionate, reminding one of Heathcliff in the Bronte novel, "Wuthering Heights." He's an angry and impressionable youth who intends to accuse his cousin of murder based on his suspicious nature, but instead falls wildly in love with her the instant they meet.

OLIVIA DE HAVILLAND matches Burton scene by scene, her charming manners and poise as a woman of the world understandably provoking his interest. At first, he assumes she wants to claim her inheritance when she visits Cornwall. But soon he is able to see her in a different light and when he falls in love with her, he decides to leave his entire inheritance to her on his 25th birthday. It is then that the story becomes even more compelling when the ambiguous nature of Rachel comes at long last to the surface.

Franz Waxman has written a very dramatic and powerful background score that adds dimension to the Gothic tale that begins when a boy and his guardian walk across the moors and come to a gibbet where a man is hanging. "Always remember, Philip, death is the price for murder." And that's how the film's brief prologue begins.

It's richly scored, well directed by Henry Koster and features two outstanding performances from Olivia de Havilland and Richard Burton. Equally fine are John Sutton as Rachel's ill-fated husband, Audrey Dalton, Ronald Squire and George Dolenz.

Despite the ambiguous ending, it's an absorbing tale that is satisfying in its execution

As others have pointed out over the years, Richard Burton does indeed seem too mature and experienced for his character's naïve infatuation with his cousin Rachel, played by Olivia de Havilland. But his performance, his first starring role in an American film, still is accomplished and has the power and gradual evolution to make the film mildly effective, despite a few other shortcomings. Like Hitchcock's Rebecca, the other 'Cornwall estate mystery' adapted from a Daphne de Maurier novel, My Cousin Rachel doesn't quite flow. It's almost as if the many psychological aspects of the story and the characters were too complex for the filmmakers to convey, and so they simplified and rushed many of them. This gives the picture an academic, somewhat distanced feel, and only occasionally does the mystery and the love story really come alive with full force. Another problem is that Olivia de Havilland, for all her beauty and technical skill, lacks the sexual magnetism and seductiveness which would help explain why a young, inexperienced man would become so mesmerized by her. There's a miscalculation in the casting here, and director Henry Koster is never quite able to disguise and make up for it. Peculiarly, Burton was nominated for an Academy Award in the 'Best Supporting Actor' category despite being in virtually every scene in the movie. Remade in 2017 with Rachel Weisz as the title character.

Richard Burton falls for his uncle's widow in "My Cousin Rachel," a beautifully produced 1952 movie starring Olivia de Havilland in the title role. Burton is Philip Ashley, whose beloved uncle Ambrose moves to Italy for his health, marries a widow, and dies of a brain tumor...or did he? Philip is very suspicious of his uncle's wife and the doctor she brought in to care for her husband, Rainaldi. de Havilland plays the widow Ashley who comes to visit Philip and quickly makes him regret his doubts, as he falls madly in love with her.

This is a highly atmospheric, well acted film with a very intriguing story that keeps the viewer guessing as to the true character of Mrs. Ashley. Is she a greedy, conniving seductress/killer, or a warm, loving woman? Several movie stars have demonstrated the ability of doing period pieces realistically, and Richard Burton was definitely one of them. Handsome, romantic, and boyish in appearance, with a wonderful voice and fine acting ability, he brings Philip to life with a passionate performance. Olivia de Havilland is magnificent as Rachel - hers is a subdued, gentle performance that gives nothing away as to Rachel's true character or motivations. The attraction between the two is entirely believable.

The final moments of the film are its best. Highly recommended.